Paralleling the modern day struggle between corporate America and the environmental movement, which is increasingly becoming violent, Snow Waste demystifies a ski resort's future success and a paper mill's resolve to survive by exacerbating perennial land and water use issues. From three viewpoints-the resort's conscientious but naïve chief of snowmaking, its unscrupulous owner, and an ethical whistle blower environmentalist-Snow Waste tells a story of greed, personal motivation, and heroic determination to do, at all cost, what is right. Set deep in the Western Mountains of Maine, Snow Waste demonstrates the strong force that community plays in our survival and it probes deeply into the lives of its characters, proving that one's ability to sink or swim is often rooted in their past. In a straightforward yet enthralling story, Snow Waste chronicles the hardships of everyday life and the triumphs that are sometimes unspoken and unseen. The memorable characters and their unpretentious escapades that are brought to life on the pages of Snow Waste are destined to leave an indelible mark in the minds and hearts of its readers.

A story of vicious revenge and hard repentance Annette and Lucien are enemies. After Annette gets Lucien into trouble at school, he decides to get back at her by threatening the most precious thing in the world to her: her little brother Dani. But tragedy strikes. Annette is so filled with rage that she sets out to alienate and humiliate Lucien at every turn. As Lucien seeks to repent and restore, light floods both of their dark hearts and Christ proves that He makes all things new.

This book examines manufactured waste and remaindered humans in literary critiques of capitalism by twentieth-century writers associated with the historical avant-garde and their descendants. Building on recent work in new materialism and waste studies, Rachele Dini reads waste as a process or phase amenable to interruption. From an initial exploration of waste and re-use in three Surrealist texts by Giorgio de Chirico, André Breton, and Mina Loy, Dini traces the conceptualization of waste in the writing of Samuel Beckett, Donald Barthelme, J.G. Ballard, William Gaddis, and Don DeLillo. In exploring the relationship between waste, capitalism, and literary experimentation, this book shows that the legacy of the historical avant-garde is bound up with an enduring faith in the radical potential of waste. The first study to focus specifically on waste in the twentieth-century imagination, this is a valuable contribution to the expanding field of waste studies.

Nineteen-year-old Frank Friedmaier lives in a country under occupation. Most people struggle to get by; Frank takes it easy in his mother’s whorehouse, which caters to members of the occupying forces. But Frank is restless. He is a pimp, a thug, a petty thief, and, as Dirty Snow opens, he has just killed his first man. Through the unrelenting darkness and cold of an endless winter, Frank will pursue abjection until at last there is nowhere to go. Hans Koning has described Dirty Snow as “one of the very few novels to come out of German-occupied France that gets it exactly right.” In a study of the criminal mind that is comparable to Jim Thompson’s The Killer Inside Me, Simenon maps a no man’s land of the spirit in which human nature is driven to destruction—and redemption, perhaps, as well—by forces beyond its control.