Stephen Foster's "My Old Kentucky Home" has been designated as the official state song and performed at the Kentucky Derby for decades. In light of the ongoing social justice movement to end racial inequality, many have questioned whether the song should be played at public events, given its inaccurate depiction of slavery in the state. In Slavery and Freedom in the Bluegrass State, editor Gerald L. Smith presents a collection of powerful essays that uncover the long-forgotten stories of pain, protest, and perseverance of African Americans in Kentucky. Using the song and the museum site of My Old Kentucky Home as a central motif, the chapters move beyond historical myths to bring into sharper focus the many nuances of Black life. Chronologically arranged, they present fresh insights on topics such as the domestic slave trade, Black Shakers, rebellion and racial violence prior to the Civil War, Reconstruction, the fortitude of Black women as they pressed for political and educational equality, the intersection of race and sports, and the controversy over a historic monument. Taken as a whole, this groundbreaking collection introduces readers to the strategies African Americans cultivated to negotiate race and place within the context of a border state. Ultimately, the book gives voice to the thoughts, desires, and sacrifices of generations of African Americans whose stories have been buried in the past.

" The underground railroad—with its mysterious signals, secret depots, abolitionist heroes, and slave-hunting villains—has become part of American mythology. But legend has distorted much of this history. Larry Gara shows how pre-Civil War partisan propanda, postwar remininscences by fame-hungry abolitionists, and oral tradition helped foster the popular belief that a powerful secret organization spirited floods of slaves away from the South. In contrast to much popular belief, however, the slaves themselves had active roles in their own escape. They carried out their runs, receiving aid only after they had reached territory where they still faced return. The Liberty Line puts slaves in their rightful position: the center of their struggle for freedom.

A delightful and vivid account of the Bluegrass region and of Lincoln's close ties with the area.

Lexington's African-American community has survived and flourished despite obstacles that may have proven insurmountable to some. A citizenry enriched by diversity and filled with fortitude, they have made their mark on black history as well as the Bluegrass State's heritage. In Black America: Lexington, vintage images from archives and personal collections showcase the people, places, and events at the very heart and soul of the black community. Rare photos of the civil rights demonstrations in the downtown area highlight their contributions to the local movement and to our nation's continued search for equality.

Within the American antislavery movement, abolitionists were distinct from others in the movement in advocating, on the basis of moral principle, the immediate emancipation of slaves and equal rights for black people. Instead of focusing on the "immediatists" as products of northern culture, as many previous historians have done, Stanley Harrold examines their involvement with antislavery action in the South--particularly in the region that bordered the free states. How, he asks, did antislavery action in the South help shape abolitionist beliefs and policies in the period leading up to the Civil War? Harrold explores the interaction of northern abolitionist, southern white emancipators, and southern black liberators in fostering a continuing antislavery focus on the South, and integrates southern antislavery action into an understanding of abolitionist reform culture. He discusses the impact of abolitionist missionaries, who preached an antislavery gospel to the enslaved as well as to the free. Harrold also offers an assessment of the impact of such activities on the coming of the Civil War and Reconstruction.

With a Foreword by Angela Y. Davis Winner of the 2003 Oral History Association Book AwardWinner of the 2003 Gustavus Myers Center for Human Rights Outstanding Book Award Anne McCarty Braden (1924-2006) was a courageous southern white woman who in the late 1940s rejected her segregationist and privileged past to become a lifelong crusader against racial discrimination. Arousing the conscience of white southerners to the reality of racial injustice, Braden was branded a communist and seditionist by southern politicians who used McCarthyism to buttress legal and institutional segregation as it came under fire in deferral courts. She became, nevertheless, one of the civil rights movement's staunchest white allies and one of five southern whites commended by Rev. Martin Luther King Jr. in his 1963 "Letter from Birmingham Jail." Although Braden remained a controversial figure even in the movement, her commitment superseded her radical reputation, and she became a mentor and advisor to students who launched the 1960s sit-ins and to successive generations of peace and justice activists. In this riveting, oral history-based biography, Catherine Fosl also offers a social history of how racism, sexism, and anticommunism overlapped in the twentieth-century south and how ripples from the Cold War divided and limited the southern civil rights movement.

" Spencer Polk was born of an African-Indian slave woman known as Sally, and her master, Taylor Polk, a descendant of one of America's first families and one of the earliest white settlers in the Arkansas Territory. A favored slave, Spencer Polk became a prosperous farmer and landowner in southwestern Arkansas and the founder of a numerous and energetic family. Since emancipation the family homestead he built on Muddy Fork Creek has housed succeeding generations and has drawn back those who sought their fortunes elsewhere. In this new paperback edition, Ruth Polk Patterson, a granddaughter of Spencer Polk who was born and raised in the log house he built, traces the life of Polk and his family from his birth in 1833 to the present generation. The skillful blending of folklore, history, and personal insight makes The Seed of Sally Good'n an excellent contribution to the long neglected history of middle-class African Americans.