The bestselling author and creator of the hit Netflix drama The Stranger explores the dangers of obsession in this #1 New York Times bestselling masterpiece of modern suspense. Six years have passed since Jake Fisher watched Natalie, the love of his life, marry another man. Six years of hiding a broken heart by throwing himself into his career as a college professor. Six years of keeping his promise to leave Natalie alone, and six years of tortured dreams of her life with her new husband, Todd. But six years haven’t come close to extinguishing his feelings, and when Jake comes across Todd’s obituary, he can’t keep himself away from the funeral. There he gets the glimpse of Todd’s wife he’s hoping for...but she is not Natalie. As Jake searches for the truth, his picture-perfect memories of Natalie begin to unravel. Mutual friends of the couple either can’t be found, or don’t remember Jake. No one has seen Natalie in years. And soon, Jake’s search for the woman who broke his heart puts his very life at risk as he uncovers the secrets and lies that love can hide....

In Six Years Lucy R. Lippard documents the chaotic network of ideas that has been labeled conceptual art. The book is arranged as an annotated chronology into which is woven a rich collection of original documents—including texts by and taped discussions among and with the artists involved and by Lippard, who has also provided a new preface for this edition. The result is a book with the character of a lively contemporary forum that offers an invaluable record of the thinking of the artists—a historical survey and essential reference book for the period.

Lucy R. Lippard's famous book, itself resembling an exhibition, is now brought full circle in an exhibition (and catalog) resembling her book. “Conceptual art, for me, means work in which the idea is paramount and the material form is secondary, lightweight, ephemeral, cheap, unpretentious and/or 'dematerialized.'” —Lucy R. Lippard, Six Years In 1973 the critic and curator Lucy R. Lippard published Six Years, a book with possibly the longest subtitle in the bibliography of art: The dematerialization of the art object from 1966 to 1972: a cross-reference book of information on some esthetic boundaries: consisting of a bibliography into which are inserted a fragmented text, art works, documents, interviews, and symposia, arranged chronologically and focused on so-called conceptual or information or idea art with mentions of such vaguely designated areas as minimal, anti-form, systems, earth, or process art, occurring now in the Americas, Europe, England, Australia, and Asia (with occasional political overtones) edited and annotated by Lucy R. Lippard. Six Years, sometimes referred to as a conceptual art object itself, not only described and embodied the new type of art-making that Lippard was intent on identifying and cataloging, it also exemplified a new way of criticizing and curating art. Nearly forty years later, the Brooklyn Museum takes Lippard's celebrated experiment in curated concatenation as a template, turning a book that resembled an exhibition into an exhibition materializing the ideas in her book. The artworks and essays featured in this publication recall the thrill that was tangible in Lippard's original documentation, reminding us that during the late sixties and early seventies all possible social and material parameters of art (making) were played with, worked over, inverted, reduced, expanded, and rejected. By tracing Lippard's own activities in those years, the book also documents the early blurring of boundaries among critical, curatorial, and artistic practices. With more than 200 images of work by dozens of artists (printed in color throughout), this book brings Lippard's curatorial experiment full circle.

The author recounts his six years of service with the Texas Rangers, describing such events as the Mason County War, the capture of Sam Bass, and the pursuit of Chief Victorio's Apaches.

Alex Ferguson, once king of Scottish football, gave up the easy life in Aberdeen to follow in the famous footsteps of Sir Matt Busby. Others had flickered and then faded in the shadow cast by the legendary Busby but Ferguson couldn’t resist the call. ‘Football is a strange obsession. Winning is a drug and when I got the invitation to manage Manchester United I simply could not resist,’ he says. For nearly six years he has chased the end of the rainbow and spent millions of pounds to bring the coveted championship to Old Trafford for the first time in 25 years. Now he feels it is time to tell the inside story of the best-supported club in Britain and his struggle to fulfil the title dream of thousands of supporters. He found the famous club in disarray and he admits he came close to the sack himself. ‘No manager is prepared for the job at Old Trafford. The legend is huge. It’s different from any other club with its traditions and expectations. It took me three or four years to understand the particular politics and demands. Only through success can a manager get control of his destiny.’ Ferguson fought his battles and won the trophies which slowly but surely see him now established as a manager who has laid the old ghosts to rest and created a new vision. Winning the FA cup in 1990 bought him valuable time, and success in the European Cup-Winners’ Cup, beating Barcelona in a memorable final in Rotterdam, gave him the right platform for the most convincing championship challenge since the days of Busby. After seven years at Aberdeen, Ferguson wrote A Light in the North, an account of how he broke the Glasgow stranglehold on Scottish football. Now comes the sequel of how he conquered English football at the helm of their greatest club.

Warped by tragedy. Destroyed by drugs. Redeemed by Christ.

Adalaide is six years old, and she knows a few things: Her stupid babysitter Kim is stupid, her younger brother Dewey is a naked mole rat, and she does NOT like being treated like a girl. Though Kim takes Adalaide’s frustrations seriously and tries to offer support, Adalaide’s family and peers discourage her, leaving her to seek out dangerous measures in order to transform into who she was born to be (her hero, Han Solo). SIX YEARS OLD is a comic and poignant play reflecting back on the wild fantasies and serious desires of queer childhood.