James Salley is turning sixteen, and it’s not going well. His family’s too busy to care, the local bully creates new tortures daily, someone appears to be following him, and he’s just learned that he’s the Antichrist. All James ever wanted out of life was for Dorian Delaney — the operatically trained and suicidal girl of his dreams — to fall as in love with him as he is with her. But once he’s told of his bloody destiny, he finds himself fighting between who he thought he was and who he’s supposed to be. With the school librarian pushing him to begin the Apocalypse, an irritable homunculus watching his back, and a murderous cabal of Catholics following him everywhere, James must discover how to navigate a world in which everything he’s ever believed is wrong — and if it’s possible to be the hero of a story when you’ve already been cast as the villain.

While preparing to give birth to her first daughter, actress Jenna von Oy, well-known for her roles as Six on Blossom and Stevie on The Parkers, discovered that the market was filled with clinical guides to pregnancy and beyond. Though they had their merits, she craved a best friend’s guide . . . one that didn’t sugarcoat reality but still offered relatable and heartfelt reassurance. Thus, Situation Momedy: A First-Time Mom’s Guide to Laughing Your Way through Pregnancy & Year One was born. Jenna brings readers a lighthearted and comedic look at pregnancy and the first year of motherhood, highlighting major mommy milestones with chapters like “Houston, We Have a Pregnancy,” “This Is Your Brain on Baby,” “Bringing Sexy Back,” and “All’s Fair in Love and Mommy Wars.”

"Fun, funny, hot, and heartfelt...The apocalyptic beach read that everyone needs." - Alix E. Harrow, Hugo Award-winning author A paranormal romantic comedy at the (possible) end of the world. From New York Times bestselling author Gwenda Bond, Not Your Average Hot Guy is a hilarious romantic comedy about two people falling in love, while the fate of the world rests on their shoulders. All Callie wanted was a quiet weekend with her best friend. She promised her mom she could handle running her family’s escape room business while her mom is out of town. Instead a Satanic cult shows up, claiming that the prop spell book in one of the rooms is the real deal, and they need it to summon the right hand of the devil. Naturally they take Callie and her friend, Mag, along with them. But when the summoning reveals a handsome demon in a leather jacket named Luke who offers to help Callie stop the cult from destroying the world, her night goes from weird to completely strange. As the group tries to stay one step ahead of the cult, Callie finds herself drawn to the annoying (and annoyingly handsome) Luke. But what Callie doesn’t know is that Luke is none other than Luke Morningstar, Prince of Hell and son of the Devil himself. Callie never had time for love, and with the apocalypse coming closer, is there room for romance when all hell’s about to break loose?

This is the first comprehensive commentary on Aeneid 11. The commentary treats fully matters of linguistic and textual interpretation, metre and prosody, grammar, lexicon and idiom, of Roman behaviour, social and ritual, as well as Virgil’s sources and the literary tradition. New critical approaches and developments in Virgilian studies have been taken into account with economy and fairness. The Latin text is presented with a facing English translation. The commentary is followed by an appendix on Penthesilea and the Epic Cycle and a second appendix which discusses the weaknesses of Aeneid 11. The book concludes with English and Latin indices. In approach and learning, this commentary continues Nicholas Horsfall’s impressive work as a commentator and will advance our understanding of the Aeneid and the poet Virgil.

Media methods research : finding audiences and giving a voice to mothers -- Maternal preferences : from ordinary celebrity to the sitcom star -- Emulation, not identification : sartorial styles, domestic skills and maternal discipline -- Bad mothers and poor role models : maternal inadequacy and the problem of perfection -- Conclusion: A call for maternal diversity

Blake’s ‘Human Form Divine’ has long commanded the spotlight. Beastly Blake shifts focus to the non-human creatures who populate Blake’s poetry and designs. The author of ‘The Tyger’ and ‘The Lamb’ was equally struck by the ‘beastliness’ and the beauty of the animal kingdom, the utter otherness of animal subjectivity and the meaningful relationships between humans and other creatures. ‘Conversing with the Animal forms of wisdom night & day’, Blake fathomed how much they have to teach us about creation and eternity. This collection ranges from real animals in Blake’s surroundings, to symbolic creatures in his mythology, to animal presences in his illustrations of Virgil, Dante, Hayley, and Stedman. It makes a third to follow Queer Blake and Sexy Blake in irreverently illuminating blind spots in Blake criticism. Beastly Blake will reward lovers of Blake’s writing and visual art, as well as those interested in Romanticism and animal studies.

An m/m World War II-era retelling of Beauty and the Beast.During a chance summer shower, an English country parson takes refuge in a country house. The house seems deserted, yet the table is laid with a sumptuous banquet such as the parson has not seen since before war rationing. Unnerved by the uncanny house, he flees, but stops to pluck a single perfect rose from the garden for his daughter - only for the master of the house to appear, breathing fire with rage. Literally. At first, the parson can't stand this dragon-man. But slowly, he begins to feel the injustice of the curse that holds the dragon captive. What can break this vengeful curse?