A powerful and essential anthology that sheds light on the status of women throughout the world Hailed by Alice Walker as “one of the most important human documents of the century,” this collection of groundbreaking essays examines the global status of women’s experiences, from oppression to persecution. Originally published in 1984, the compilation features pieces written by a diverse set of powerful women—journalists, politicians, grassroots activists, and scholars—from seventy countries. Author Robin Morgan, a champion of women’s rights herself, expertly weaves these inspiring essays into one comprehensive feminist text. These compelling “herstories” contain thoroughly researched statistics on the status of women throughout the world. Each chapter focuses on a different country and includes data on education, government, marriage, motherhood, prostitution, rape, sexual harassment, and sexual preference. Sisterhood Is Global transcends political systems and geographical boundaries to unite women and their experiences in a way that remains unequalled, even decades after its first publication.

Annotation. Nineteenth-century neoclassical sculpture was a highly politicized international movement. Based in Rome, many expatriate American sculptors created works that represented black female subjects in compelling and problematic ways. Rejecting pigment as dangerous and sensual, adherence to white marble abandoned the racialization of the black body by skin color. & InThe Color of Stone,Charmaine A. Nelson brilliantly analyzes a key, but often neglected, aspect of neoclassical sculpture—color. Considering three major works—Hiram Powers’s Greek Slave, William Wetmore Story’s Cleopatra, and Edmonia Lewis’s Death of Cleopatra—she explores the intersection of race, sex, and class to reveal the meanings each work holds in terms of colonial histories of visual representation as well as issues of artistic production, identity, and subjectivity. She also juxtaposes these sculptures with other types of art to scrutinize prevalent racial discourses and to examine how the black female subject was made visible in high art. & By establishing the centrality of race within the discussion of neoclassical sculpture, Nelson provides a model for a black feminist art history that at once questions and destabilizes canonical texts. & Charmaine A. Nelson is assistant professor of art history at McGill University.

An anthology of writings from the women's Liberation Movement.

“Moody and atmospheric.” —Booklist Sixteen-year-old Lil stumbles across a dangerous secret while searching for her missing sister in this gripping thriller that’s perfect for fans of Karen McManus and A.S. King. Sixteen-year-old Lil’s heart was broken when her sister Mella disappeared. There’s been no trace or sighting of her since she vanished, so when Lil sees a girl lying in the road near her house she thinks for a heart-stopping moment that it’s Mella. The girl is injured and disoriented and Lil has no choice but to take her home, even though she knows something’s not right. The girl claims she’s from a peaceful community called The Sisterhood of the Light, but why then does she have strange marks down her arms, and what—or who—is she running from?

In the winter of 1972, the first issue of Ms. magazine hit the newsstands. For some activists in the women's movement, the birth of this new publication heralded feminism's coming of age; for others, it signaled the capitulation of the women's movement to crass commercialism. But whatever its critical reception, Ms. quickly gained national success, selling out its first issue in only eight days and becoming a popular icon of the women's movement almost immediately. Amy Erdman Farrell traces the history of Ms. from its pathbreaking origins in 1972 to its final commercial issue in 1989. Drawing on interviews with former editors, archival materials, and the text of Ms. itself, she examines the magazine's efforts to forge an oppositional politics within the context of commercial culture. While its status as a feminist and mass media magazine gave Ms. the power to move in circles unavailable to smaller, more radical feminist periodicals, it also created competing and conflicting pressures, says Farrell. She examines the complicated decisions made by the Ms. staff as they negotiated the multiple--frequently incompatible--demands of advertisers, readers, and the various and changing constituencies of the feminist movement. An engrossing and objective account, Yours in Sisterhood illuminates the significant yet difficult connections between commercial culture and social movements. It reveals a complex, often contradictory magazine that was a major force in the contemporary feminist movement.

In this epic drama of personality and politics, passion and ambition, courage and betrayal, Marcia Cohen tells the fascinating inside story of the feminist revolution through the lives of the women who made it—and were sometimes unmade by it. Focusing on Betty Friedan, Gloria Steinem, Germaine Greer, and Kate Millett, The Sisterhood is a revealing group portrait of the women whose ideas and actions have so profoundly transformed us all. This classic account traces the women’s movement from its quiet birth in the 1960s through its startling triumphs in the 1970s and its troubled legacy in the 1980s. Today, everything seems possible for women as they function on an equal plane with men in nearly every walk of life. But the revolution was hard won. Now the irreverent, entertaining chronicle that reveals all the well-kept secrets of feminism, with a thoughtful new foreword by the author, appears in a special edition that serves as a riveting social history, casting light on an entire era so important for women as well as men.