"You have the right to remain silent." These words, drawn from the Supreme Court's famous decision in Miranda v. Arizona, have had a tremendous impact on the public imagination. But what a strange right this is. Of all the activities that are especially worthy of protection, that define us as human beings, foster human potential, and symbolize human ambition, why privilege silence? This thoughtful and iconoclastic book argues that silence can be an expression of freedom. A defiant silence demonstrates determination, courage, and will. Martyrs from a variety of faith traditions have given up their lives rather than renounce their god. During the Vietnam era, thousands of anonymous draft resisters refused to take the military oath that was a prelude to participating in what they believed was an immoral war. These silences speak to us. They are a manifestation of connection, commitment, and meaning. This link between silence and freedom is apparent in a variety of different contexts, which Seidman examines individually, including silence and apology, silence and self-incrimination, silence and interrogation, silence and torture, and silence and death. In discussing the problem of apology, for example, the author argues that although apology plays a crucial role in maintaining the illusion of human connection, the right to not apologize is equally crucial. Similarly, prohibition against torture--so prominent in national debate since the events of Guantanamo and Abu Ghraib--is best understood as a right to silence, essential in preserving the distinction between mind and body on which human freedom depends.

Levin argues that feminists deny that innate sex differences have anything to do with the basic structure of society.

Academic freedom is under siege, as our universities become the sites of increasingly fraught battles over freedom of speech. While much of the public debate has focussed on ‘no platforming’ by students, this overlooks the far graver threat posed by concerted efforts to silence the critical voices of both academics and students, through the use of bureaucracy, legal threats and online harassment. Such tactics have conspicuously been used, with particularly virulent effect, in an attempt to silence academic criticism of Israel. This collection uses the controversies surrounding the Israeli-Palestinian conflict as a means of exploring the limits placed on academic freedom in a variety of different national contexts. It looks at how the increased neoliberalisation of higher education has shaped the current climate, and considers how academics and their universities should respond to these new threats. Bringing together new and established scholars from Palestine and the wider Middle East as well as the US and Europe, Enforcing Silence shows us how we can and must defend our universities as places for critical thinking and free expression.

Anna and her family have only one hope left to escape certain doom. It’s 1936 and life is becoming dangerous for the Jews of Krakow. As incidents of violence and persecution increase day by day, Anna begs her father to leave Poland, but he insists it’s impossible. How could he give up his position as an acclaimed clarinetist in the Krakow Philharmonic Orchestra? When Anna and her father barely escape from a group of violent thugs, it becomes clear that the family must leave. But how? There seems to be only one possibility. Bronislaw Huberman, a world-renowned violinist, is auditioning Jewish musicians for a new orchestra in Palestine. If accepted, they and their families will receive exit visas. Anna and her grandmother boldly write to Huberman asking him to give Anna’s father an audition, but will that be enough to save them? This poignant story is based on real events in pre-war Poland and Palestine. After saving seven hundred Jews and their families, Huberman went on to establish what later became the Israel Philharmonic Orchestra. Against an ominous background of the impending Holocaust in Europe and the first Arab-Israeli war, The Sound of Freedom still manages to remind the reader of the goodness in the world.

Alice Walker has described the Barbadian American novelist Paule Marshall as "unequaled in intelligence, vision, craft, by anyone of her generation, to put her contributions to our literature modestly." Such praise has echoed through reviews and analyses of Marshall's work since the 1959 publication of Brown Girl, Brownstones, a novel followed by The Chosen Place, the Timeless People (1969), Praisesong for the Widow (1984), and Daughters (1991). Places of Silence, Journeys of Freedom is the first study of Paule Marshall's work to focus explicitly on her contribution to feminism. It is also the first to identify one of her original contributions to narrative art-a technique of "superimposition" or "double exposure" through which her books have explored topics now at the heart of feminist debate. Centered around the subject of voice and silence, these issues include the interrelation between women's power and powerlessness, the interpenetration of the political and economic world with the world of the psyche, and the mechanisms through which oppressions on the basis of race, class, and gender operate as mutually shaping forces.