Writings on the South, Catholicism, and more from the National Book Award winner: “His nonfiction is always entertaining and enlightening” (Library Journal). Published just after Walker Percy’s death, Signposts in a Strange Land takes readers through the philosophical, religious, and literary ideas of one of the South’s most profound and unique thinkers. Each essay is laced with wit and insight into the human condition. From race relations and the mysteries of existence, to Catholicism and the joys of drinking bourbon, this collection offers a window into the underpinnings of Percy’s celebrated novels and brings to light the stirring thoughts and voice of a giant of twentieth century literature.

At his death in 1990, Walker Percy left a considerable legacy of uncollected nonfiction. Assembled in "Signposts in a Strange Land," these essays on language, literature, philosophy, religion, psychiatry, morality, and life and letters in the South display the imaginative versatility of an author considered by many to be one the greatest modern American writers.

Acts of Faith and Imagination wagers that fiction written by Catholic authors assists readers to reflect critically on the question: "what is faith?" To speak of a person's "faith-life" is to speak of change and development. As a narrative form, literature can illustrate the dynamics of faith, which remains in flux over the course of one's life. Because human beings must possess faith in something (whether religious or not), it inevitably has a narrative structure?faith ebbs and flows, flourishes and decays, develops and stagnates. Through an exploration of more than a dozen Catholic authors' novels and short stories, Brent Little argues that Catholic fiction encourages the reader to reflect upon their faith holistically, that is, the way faith informs one's affections, and how a person conceives and interacts with the world as embodied beings. Amidst the diverse stories of modern and contemporary fiction, a consistent pattern emerges: Catholic fiction portrays faith?at its most fundamental, often unconscious, level?as an act of the imagination. Faith is the way one imagines themselves, others, and creation. A person's primary faith conditions how they live in the world, regardless of the level of conscious reflection, and regardless of whether this is a "religious" faith. Acts of Faith and Imagination investigates the creative depth and vitality of the Catholic literary imagination by bringing late modern Catholic authors into dialogue with more contemporary ones. Readers will then consider well-known works, such as those by Graham Greene, Flannery O'Connor, and Muriel Spark in the fresh light of contemporary stories by Toni Morrison, Alice McDermott, Uwem Akpan, and several others.

American liberalism after the Second World War turned against the legacies of the New Deal era. Rather than extending the reforms of the 1930s, many expressions of postwar liberal thought recast organizational politics as enfeebling, alienating, or tyrannical. Land of Tomorrow examines the ideas and cultural sensibilities that caused this radical shift in the tenor of American liberalism. To account for these changes in American liberal sentiment, Benjamin Mangrum looks to some of the most influential writers, critics, and intellectuals of the postwar decades-including Ralph Ellison, Vladimir Nabokov, Lionel Trilling, Flannery O'Connor, and Saul Bellow, as well as the American reception of Friedrich Nietzsche, Sigmund Freud, Franz Kafka, and many other European thinkers. By revising established accounts of this body of cultural work, Mangrum charts the legitimization of new political sensibilities within the nation's intellectual life. These sensibilities opposed a social democratic order and unleashed a new kind of liberalism, one which centered on ideas about authenticity, alienation, self-management, psychological templates for societal problems, and private judgments of value. This confluence of literary, intellectual, and political history gives us a window onto the basic assumptions and key conceptual terrain of liberal thought after 1945. Land of Tomorrow thus offers a provocative cultural prehistory of political thinking's forms that remain with us today.

Reluctant Witnesses: Jews and the Christian Imagination is an analysis of the ancient Christian myth that casts Jews as a 'witness-people', and this myth's presence in contemporary religious discourse. It treats diverse products of the Christian imagination, including systematic theology, works of fiction, and popular writings on biblical prophecy. The book demonstrates that the witness-people myth, which was first articulated by Augustine and which determined official attitudes towards Jews in medieval Christendom, remains a powerful force in the Christian imagination.

In the 1949 classic Killers of the Dream, Lillian Smith described three racial "ghosts" haunting the mind of the white South: the black woman with whom the white man often had sexual relations, the rejected child from a mixed-race coupling, and the black mammy whom the white southern child first loves but then must reject. In this groundbreaking work, Robert H. Brinkmeyer, Jr., extends Smith's work by adding a fourth "ghost" lurking in the psyche of the white South -- the specter of European Fascism. He explores how southern writers of the 1930s and 1940s responded to Fascism, and most tellingly to the suggestion that the racial politics of Nazi Germany had a special, problematic relevance to the South and its segregated social system. As Brinkmeyer shows, nearly all white southern writers in these decades felt impelled to deal with this specter and with the implications for southern identity of the issues raised by Nazism and Fascism. Their responses varied widely, ranging from repression and denial to the repulsion of self-recognition. With penetrating insight, Brinkmeyer examines the work of writers who contemplated the connection between the authoritarianism and racial politics of Nazi Germany and southern culture. He shows how white southern writers -- both those writing cultural criticism and those writing imaginative literature -- turned to Fascist Europe for images, analogies, and metaphors for representing and understanding the conflict between traditional and modern cultures that they were witnessing in Dixie. Brinkmeyer considers the works of a wide range of authors of varying political stripes: the Nashville Agrarians, W. J. Cash, Lillian Smith, William Alexander Percy, Thomas Wolfe, William Faulkner, Katherine Anne Porter, Carson McCullers, Robert Penn Warren, and Lillian Hellman. He argues persuasively that by engaging in their works the vital contemporary debates about totalitarianism and democracy, these writers reconfigured their understanding not only of the South but also of themselves as southerners, and of the nature and significance of their art. The magnum opus of a distinguished scholar, The Fourth Ghost offers a stunning reassessment of the cultural and political orientation of southern literature by examining a major and heretofore unexplored influence on its development.