Inspiration for the Netflix Limited Series, Tales of the City The fifth novel in the beloved Tales of the City series, Armistead Maupin’s best-selling San Francisco saga. Tranquillity reigns in the ancient redwood forest until a women-only music festival sets up camp downriver from an all-male retreat for the ruling class. Among those entangled in the ensuing mayhem are a lovesick nurseryman, a panic-stricken philanderer, and the world’s most beautiful fat woman. Significant Others is Armistead Maupin’s cunningly observed meditation on marriage, friendship, and sexual nostalgia.

Shortlisted for the Michael Murphy Memorial Poetry Prize 2021 Shortlisted for the 2020 Seamus Heaney First Collection Prize Shortlisted for the 2020 John Pollard Foundation International Poetry Prize Shortlisted for The 2019 Forward (Felix Dennis) Prize for Best First Collection The Telegraph's Poetry Book of the Month March 2019 A Telegraph Book of the Year 2019 In her first book of poems, Isabel Galleymore takes a sustained look at the 'eight million differently constructed hearts' of species currently said to inhabit Earth. These are part of the significant other of her title; so too are the intimacies - loving, fraught, stalked by loss and extinction - that make up a life. The habit of foisting human agendas on non-human worlds is challenged. Must we still describe willows as weeping? In the twenty-first century, is it possible to be 'at one' with nature? The poems reflect on our desire to locate likeness, empathy and kinship with our environments, whilst embracing inevitable difference. As the narratives belonging to animal fables, Doomsday Preppers and climate change deniers are adapted, new metaphors are found that speak of both estrangement and entanglement. Drawing at times from her residency in the Amazon rainforest, Galleymore delves into a world of pink-toed tarantulas, the erotic lives of barnacles, and caged owls that behave like their keepers. The human world revises its own measure in the light of these poems.

Jordan Berman would love to be in love, but that’s easier said than done. So until he meets Mr. Right, he wards off lonely nights with his trio of close girlfriends. But as singles’ nights turn into bachelorette parties, Jordan discovers that the only thing harder than finding love is supporting the loved ones around you when they do. From the critically acclaimed writer who brought you Bad Jews.

Anthropology is by definition about "others," but in this volume the phrase refers not to members of observed cultures, but to "significant others"—spouses, lovers, and others with whom anthropologists have deep relationships that are both personal and professional. The essays in this volume look at the roles of these spouses and partners of anthropologists over the late nineteenth and early twentieth centuries, especially their work as they accompanied the anthropologists in the field. Other relationships discussed include those between anthropologists and informants, mentors and students, cohorts and partners, and parents and children. The book closes with a look at gender roles in the field, demonstrated by the "marriage" in the late nineteenth century of the male Anthropological Society of Washington to the Women’s Anthropological Society of America. Revealing relationships that were simultaneously deeply personal and professionally important, these essays bring a new depth of insight to the history of anthropology as a social science and human endeavor.

Chinese views of the United States have shifted dramatically since the 1980s, with changes in foreign relations, increased travel of Chinese citizens to the U.S., and wide circulation of American popular culture in China. Significant Other explores representations of Americans that emerged onstage in China between 1987 and 2002 and considers how they function as racial and cultural stereotypes, political strategy, and artistic innovation. Based on fieldwork in Beijing and Shanghai, it offers a unique view of contemporary Mainland Chinese spoken drama from the perspective of a Western academic who is both a Chinese studies scholar and a theatre practitioner. Claire Conceison’s close readings of recent plays take into account not only the texts of the plays themselves and other primary sources, but also production contexts, creative origins, artistic collaboration, and audience reception. Identifying the American as China’s "significant Other," Conceison introduces the complex cultural relationship between China and the United States, situating it in both the long history of Sino-Western relations and the present dynamics of post-colonialism. She then examines the emergent discourse of Occidentalism, tracing its origins and recent circulation and repositioning it as a discursive strategy to analyze appearances of Americans on the Chinese stage. Conceison maintains that Chinese staging of American characters—often played by local actors made up and costumed as Americans, and more recently played by foreigners themselves—reveals cultural norms and attitudes regarding the United States, reflects Sino-American political relations, articulates Chinese national and cultural identity, and signifies innovation in spoken drama as an art form.

An inside view into cycling's most prestigious event and the people who have helped Lance Armstrong win an unprecedented six times Lance Armstrong's place in the cycling history books is assured. Winner of the Tour de France a record-breaking six times, he is regarded as one of the greatest individual talents the sport has ever seen. Perhaps his most compelling victory was in 2003 when he won the coveted Centenary race. However, without the team of brilliant athletes assembled to support him - the domestiques - victory in the Tour would have been impossible. Not only do these superbly trained athletes ride alongside the team leader, supplying water and equipment, but they also create a moving stream of energy that is vital for competitive success. In 2003, Lance Armstrong's domestique, Victor Hugo Peña, actually took over the yellow jersey and stepped into history. A Significant Other is the story of that race but also of these unsung heros of the sport.

ABOUT THE BOOK Breakups don’t have a one-size-fits-all solution. When you break up with someone, you are basically saying to the other person “I don’t like spending time with you anymore,” “I no longer find you attractive,” or “You are not worth the inconvenience this relationship is causing me.” So, chances are good a breakup will end with at least one person’s feelings hurt. Nobody will congratulate you on a job well done, but with some planning you can help things go more smoothly so that you and your soon-to-be-ex are able to contain your emotions, nobody is embarrassed or hurt, and the whole thing is over quickly. Use this guide to help you figure out and execute the best breakup plan for you. Formulating your plan is going to take some thought and preparation, but ultimately it will be worth it. MEET THE AUTHOR Deena Shanker is a writer living in San Francisco. After moving to the west coast from New York City in the fall, she is loving San Fran's beautiful weather, colorful architecture, and never-ending vegetarian food options. She loves visiting the beach with her dog, Barley, and eating cheese (also sometimes with Barley). She is a graduate of the University of Pennsylvania Law School and Barnard College. EXCERPT FROM THE BOOK Every relationship and every breakup is different. To create a solid, reliable breakup plan, you should consider yourself, the other person, and, of course, why you want to break up. We’ll start with you. What do you ultimately want to achieve? What is your goal? Do you want to make this less painful for you, or do you want to make this easier on the other person? Your answers to these questions will help you determine the best course of action. And be sure to consider the other person as well. Are you dating a verbal person? A loud person? An emotional person? Someone who will feel sad or someone who will be angry? Think about how the person will react when you express, as Nada Surf once so precisely put it, that you “prefer the company of others to [his/her] exclusive company.” If you expect a lot of tears or yelling, prepare yourself. Now you need to think about your specific relationship. How long have you been dating? Do your paths cross often? Do you know a lot of the same people? The more serious the relationship, the more explanation is expected and, honestly, owed. If you interact regularly (e.g., as coworkers or classmates), pay special attention to what you say to avoid embarrassment later. Knowing a lot of the same people is another reason to keep the filter on. If you don’t want something repeated, don’t say it. Thinking through these things will help you figure out the hardest part of a breakup: what you are going to say? See Step Two below for more. Buy a copy to keep reading!