Richard Leppert boldly examines the social meanings of music as these have been shaped not only by hearing but also by seeing music in performance. His purview is the northern European bourgeoisie, principally in England and the Low Countries, from 1600 to 1900. And his particular interest is the relation of music to the human body. He argues that musical practices, invariably linked to the body, are inseparable from the prevailing discourses of power, knowledge, identity, desire, and sexuality. With the support of 100 illustrations, Leppert addresses music and the production of racism, the hoarding of musical sound in a culture of scarcity, musical consumption and the policing of gender, the domestic piano and misogyny, music and male anxiety, and the social silencing of music. His unexpected yoking of musicology and art history, in particular his original insights into the relationships between music, visual representation, and the history of the body, make exciting reading for scholars, students, and all those interested in society and the arts.

Victoria Newhouse, noted author and architectural historian, addresses the aesthetics and acoustics in concert halls and opera houses of the past, present, and future in this stunning companion to the highly regarded Towards a New Museum. Site and Sound explores the daunting, perennial question: Does the music serve the space, or the other way around? Heavily illustrated throughout—with historic images, spectular color photographs, detailed drawings—this volume is an informed and enjoyable presentation of a building type that is at the heart of cities small and large. Newhouse starts with a survey of venues from ancient Greek and Roman times and progresses to contemporary works around the world. She singles out Lincoln Center in particular for its long history and its transitions and remodelings over the years. Two major chapters cover the present: one focuses on recent work in the West, including the National Opera House of Norway in Oslo by Snøhetta (2008), the Casa da Música in Porto, Portugal, by Rem Koolhaas (2005), and many more; the second examines the boom in concert halls in China. A final chapter looks at projects that are currently planned and the future of an architecture for music.

Notwithstanding the economic hardship Russian people are experiencing, their cultural life is as rich and alive as ever, as Gerald Janecek shows us in this collection of his articles on contemporary Russian poetry, which are especially written for this publication or so far only available in Russian. These articles focus on works in which sonic-musical, resp. visual-typographical features are used to produce interesting new effects and range from a musical analysis of the way Joseph Brodsky recited his poems to quasi-musical principles of organization (as in the works by Mnatsakanova and Nikonova) to layout designs that reflect the way a poem is recited (as in the case of Khudyakov, Volohovsky, Brodsky, Nekrasov, and Aigi) and perceived. As the first serious scholarly examination of the poets presented, this volume offers an important introduction to Russian avant-garde poetry.

The first book to explore the extraordinary musical life and remarkable paintings of one of America's greatest ever songwriters. Best known for having written and produced some of the seminal records of American popular culture--from 'Big Girls Don't Cry' for the Four Seasons to 'Silence is Golden' for the Tremeloes and 'Lady Marmalade' for LaBelle--Bob Crewe was a multifaceted artist for whom a passion for painting and the visual arts provided a lifelong counterbalance to music. Collected here are more than 80 of Bob Crewe's artworks, stretching from his first forays into abstract expressionism in the 1950s and 1960s to more complex, tactile compositions made on his full-time return to painting in the 1990s--accompanied by archival images and ephemera that reflect Crewe's simultaneous contribution to popular music. Essays by Jessica May and Peter Plagens explore the development of an artist whose influences ranged from Rauschenberg and Johns to Warhol and Bacon; legendary record producer Andrew Loog Oldham captures the period of radical experimentalism in which Crewe wrote many of the most memorable songs in the canon of modern pop; and Donald Albrecht's introduction ties together the many complementary aspects of Crewe's personal and creative lives.

Using the fun, interactive world of Minecraft and key concepts in STEAM, two teachers developed the Minecraft and STEAM series to be used in and out of the classroom. In Minecraft and STEAM, students discover that Minecraft isn't just a game, it's a tool that can be used to learn about real-world science, technology, engineering, art, and math. Sight and Sound in Minecraft: Art focuses on art but includes other STEAM concepts in the sidebars. Includes table of contents, glossary, index, sources for further reading, and an extension activity.

Prepared by the Highway Innovative Technology Evaluation Center, a CERF Service Center. This report describes a HITEC evaluation of the Sight and Sound Screen System, manufactured by U.S. Gypsum Co., covering 11 performance issues. The Sight and Sound Screen (sold under the name of Ultrascreen) is a post-and-panel wall system designed to act as a sight and sound barrier for highways and as a privacy system for residential and commercial property owners. This report details the test procedures and analysis used to evaluate the system and provides the results. When the results are compared to the results presented in Guidelines for Evaluating the Performance of Highway Sound Barriers, the evaluating panel concluded that the Sight and Sound Screen meets or exceeds all of the applicable evaluation criteria. Prospective users should review these findings for applicability to their local conditions and standards.