"Siena: City of Secrets" is a charming, intimate portrait of this most secretive of cities, often overlooked by travelers to Italy. Part cultural history and intellectual memoir, part travelogue and guide book, Tylus writes with a novelist s flair, taking the reader on a quest of discovery through the well- and not-so-well-travelled roads and alleys of the ancient city. Today, Siena can appear on the surface standoffish, a bit static, and very old-fashioned, especially when compared to its larger, flashier cousins Roma and Firenze. But first impressions wear away as we learn from Tylus that Siena was, over the long view, an innovator among the cities of Italy: the first to pave its streets and main plaza (1298), the first to publicly fund its university (1321), the first to employ the promissory note (1720), the first to ban automobile traffic from its city center (1965), and much else. We also hear about Siena s great artistic and architectural past, hidden behind centuries of over painting and rebuilding, and about its resident apocryphal and not-so-apocryphal Saints. And about the distinctive characters of its different neighborhoods ( contrade ), exemplified in the highly competitive horserace that takes place annually in the city and that serves as both a dividing and a uniting force for the Sienese. Throughout we are guided by the assuring voice of a seasoned scholar with a gift for spinning a good story and with an eye for the telling detail, whether we are traveling Siena s modern highways or digging through ancient Etruscan tombs; or shadowing the path walked by medieval pilgrims; or tracking the city s financial history from its beginnings as the once-great center for commerce in the sixteenth century to its near collapse in January 2013; or celebrating literary giants Dante and Calvino or giants of the arena, Siena s Series A soccer team. A useful and entertaining guide for students of Italian culture (Tylus has written discursive, reader-friendly endnotes and included a full bibliography in the back matter), the book will also appeal to the traveler and tourist (virtual or otherwise) interested in learning more about this ancient, mysterious, reclusive citydespite itself."

From the Pulitzer Prize–winning author of The Return comes a profoundly moving contemplation of the relationship between art and life. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND EVENING STANDARD After finishing his powerful memoir The Return, Hisham Matar, seeking solace and pleasure, traveled to Siena, Italy. Always finding comfort and clarity in great art, Matar immersed himself in eight significant works from the Sienese School of painting, which flourished from the thirteenth to the fifteenth centuries. Artists he had admired throughout his life, including Duccio and Ambrogio Lorenzetti, evoke earlier engagements he’d had with works by Caravaggio and Poussin, and the personal experiences that surrounded those moments. Including beautiful full-color reproductions of the artworks, A Month in Siena is about what occurred between Matar, those paintings, and the city. That month would be an extraordinary period in the writer’s life: an exploration of how art can console and disturb in equal measure, as well as an intimate encounter with a city and its inhabitants. This is a gorgeous meditation on how centuries-old art can illuminate our own inner landscape—current relationships, long-lasting love, grief, intimacy, and solitude—and shed further light on the present world around us. Praise for A Month in Siena “As exquisitely structured as The Return, driven by desire, yearning, loss, illuminated by the kindness of strangers. A Month in Siena is a triumph.”—Peter Carey

“Like Outlander with an Italian accent.” —Real Simple “A detailed historical novel, a multifaceted mystery, and a moving tale of improbable love.” —Publishers Weekly, starred review A NEW YORK POST MUST-READ BOOK Readers of Diana Gabaldon’s Outlander and Tracy Chevalier’s Girl with a Pearl Earring…will be swept away by the spell of medieval Siena” (Library Journal, starred review) in this transporting love story and gripping historical mystery. Accomplished neurosurgeon Beatrice Trovato knows that her deep empathy for her patients is starting to impede her work. So when her beloved brother passes away, she welcomes the unexpected trip to the Tuscan city of Siena to resolve his estate, even as she wrestles with grief. But as she delves deeper into her brother’s affairs, she discovers intrigue she never imagined—a 700-year-old conspiracy to decimate the city. As Beatrice explores the evidence further, she uncovers the journal and paintings of the fourteenth-century artist Gabriele Accorsi. But when she finds a startling image of her own face, she is suddenly transported to the year 1347. She awakens in a Siena unfamiliar to her, one that will soon be hit by the Plague. Yet when Beatrice meets Accorsi, something unexpected happens: she falls in love—not only with Gabriele, but also with the beauty and cadence of medieval life. As the Plague and the ruthless hands behind its trajectory threaten not only her survival but also Siena’s very existence, Beatrice must decide in which century she belongs. The Scribe of Siena is the captivating story of a brilliant woman’s passionate affair with a time and a place that captures her in an impossibly romantic and dangerous trap—testing the strength of fate and the bonds of love.

Siena, Florence and Padua were all major centres for the flowering of early Italian Renaissance art and civic culture. The three communities shared a common concern for the embelishment of their cities by means of painting, sculpture and architecture. The eleven papers in this volume re-examine and re-assess the artistic legacy of the three cities during the 14th century amd locate the various works of art considered within their broader cultural, social and religious contexts. Contributors include: D Norman (Patrons, politics and art) ; C Harrison (Giotto and the `rise of painting') ; C King (The arts of carving and casting) ; T Benton (The building trades and design methods) ; D Norman (Art and religion after the Black Death) ; C King (The trecento: New ideas, new evidence) .

Although Catherine of Siena was proclaimed a Doctor of the Church in 1970, relatively little attention has been given to her mystical thought, particularly in the English-speaking world. The Dialogue, the famous compendium of her mature thought, is difficult to understand owing to its interruptions, repetitions, overlapping arguments, imagery and undefined terms. Thomas McDermott breaks new ground in his systematic presentation of Catherine¿s teachings. Drawing on the Dialogue and also on Catherine¿s 381 letters and prayers, he explains clearly her principal teachings in relation to spiritual development, and identifies Catherine¿s possible sources as well as her areas of originality. By examining Catherine¿s life and mystical experiences, McDermott shows how she herself grew spiritually and how her growth corresponds to her later teaching on the ¿three stairs¿ on the ¿bridge of Christ crucified.¿ Finally, the author puts forward what he regards as the fundamental message of Catherine¿s life and teaching. Students of mysticism and spirituality will find this book a trustworthy guide through the incredibly rich mysticism of one of the 14th century¿s most amazing women.

The city of Siena, one of Italy's major artistic centers, was home to many celebrated painters, among them Duccio, Simone Martini, Ambrogio and Pietro Lorenzetti, Sassetta and Beccafumi. This generously illustrated book provides a survey of Sienese painting from 1260 to 1555, an era of extraordinary artistic creativity in the Tuscan city. Art historian Diana Norman addresses the style and artistic technique of Sienese painters throughout the three centuries and explores why paintings were made, where they were originally seen, and how they were used and enjoyed by their audiences. The book focuses on works of art made for Siena itself, many of which are still to be seen within the city. Norman organizes the discussion around types of commissions and throughout the book situates the paintings within the context of the political, social, and religious circumstances of late medieval and renaissance Siena.

Sigrid Undset’s Catherine of Siena was critically acclaimed as one of the best biographies of this well-known and amazing fourteenth-century saint. Known for her historical fiction, which won her the Nobel Prize for literature in 1928, Undset based this factual work on primary sources about Catherine of Siena, her own experiences living in Italy, and her profound understanding of the human heart.