This open access book contributes new theoretical and comparative insights on migrant agency, undocumentedness and informality in non-Western, non-democratic migration regimes. The book is conceived as a critical reflection on the contemporary migration regime scholarship, and, more generally, on comparative migration studies, which primarily focus on migrants’ experiences and immigration policies in the context of liberal democracies in North America and Western Europe. Addressing this gap is particularly important when considering the fact that many new migration hubs are nondemocratic, which in turn requires us to revise or produce new frameworks of analysis beyond existing and dominant Western-centric migration regime typologies. This book takes up the case study of Central Asian migrants in Russia and Turkey--two archetypal non-Western, nondemocratic regimes and key migration hotspots worldwide--and investigates how migration governance outcomes are shaped by the informal power geometries and extralegal processes in physical and digital landscapes in which migrant workers, employers, middlemen, landlords, street world actors and street-level bureaucrats negotiate the contemporary migration system. This lively ethnography presents new empirical material, a comparative perspective and methodological tools for studying migrants’ experiences and migration governance processes in non-Western migration regimes. Rustam Urinboyev is Associate Professor in the Department of Sociology of Law at Lund University, Sweden and Senior Researcher in Aleksanteri Institute, University of Helsinki, Finland. Sherzod Eraliev is Academy of Finland postdoctoral fellow at Aleksanteri Institute, University of Helsinki, Finland.

Russian novelist Victor Pelevin is rapidly establishing himself as one of the most brilliant young writers at work today. His comic inventiveness and mind-bending talent prompted Time magazine to proclaim him a "psychedelic Nabokov for the cyber-age." In his third novel, Buddha's Little Finger, Pelevin has created an intellectually dazzling tale about identity and Russian history, as well as a spectacular elaboration of Buddhist philosophy. Moving between events of the Russian Civil War of 1919 and the thoughts of a man incarcerated in a contemporary Moscow psychiatric hospital, Buddha's Little Finger is a work of demonic absurdism by a writer who continues to delight and astonish.

In the book stories, journalism, verses, stories are collected. Two of them comic. In one work the author exposes the myth about collapse of the USSR, No stagnation existed...

Vasu, a young Indian student of architecture, arrives in Moscow in the late 1960s. He falls in love with Anna, an archaeologist and an accomplished cellist, yet his romanticism about the Soviet Union clashes with her experience. He goes back to India to design a village for a co-operative of coffee farmers, but he cannot forget Anna and on his return they marry. Anna wants to leave Moscow but isn’t keen to go to India. They decide to go to Venice where Vasu has been offered a teaching position. In Italy their life unravels when Anna mysteriously disappears without a trace. Years later, Vasu discovers a painful but wonderful truth. A beautifully written story full of music and emotions that moves with ease across continents,After Love is destined to touch the hearts of readers everywhere

Novelist Ludmila Ulitskaya is a best-selling and critically lauded Russian writer who champions the values of liberalism and tolerance and critiques Putin's policies. This is the first English-language book about this important writer, placing her in the shifting landscape of post-Soviet society and culture.

Soviet and Russian filmmakers have traditionally had uneasy relationships to the concept of genre. This volume rewrites that history by spotlighting some genres not commonly associated with cinema in the region, including Cold War spy movies and science-fiction films; blockbusters and horror films; remakes and adventure films; and chernukha films and serials. Introductory essays establish key aspects of these genres, and directors’ biographies provide the background for the key players. Building on the work of its predecessor, which explored cinema from the time of the tsars to the Putin era, this book will be warmly received by the serious film scholar as well as all those who love Russian cinema. Directory of World Cinema: Russia 2 is an essential companion to the filmic legacy of one of the world’s most storied countries.

Thirteen young people, all college students were arrested in 1944 in Moscow by the Soviet State security. They were charged with an attempt to assassinate Stalin. All of them were sentenced to different terms of forced labor in GULAG and three of them paid with their lives. A participant and a survivor of this affair, Victor Levenstein, tells us about this so called case in his memoir. The majority of the arrested were “children of the enemies of the People” – their parents where victims of Stalin’s purges of nineteen thirties. Their friendship began in the early school years in the privileged school in Moscow, where children of Stalin, Molotov and Soviet cultural elite where among the students. The State security learned about this group of independently thinking young people and fabricated a case of “The anti-Soviet terrorist youth group planning comrade Stalin’s assassination”. During the investigation the majority of the arrested were subjected to the physical and psychological torture. They “confessed” to the anti-Soviet activity and seven of them to the preparation of the assassination of Stalin. Interrogators concocted an adventure story of the assassination preparations featuring an apartment from the window of which the “villains” were going to shoot Stalin. The book tells us about the interrogations in the infamous Lubianka, State Security prison where Mr. Levenstein and his friends spent almost a year. The machinery of the interrogation techniques is described in detail, explaining how they were forced to implicate themselves. We learn about the life in interrogation and transitional prisons, labor camps and exile, about the fascinating people the author came across on his “journey”. One of them was Aleksandr Solzhenitsyn, whom the author met at Ekibastus penal camp – the camp, where the action of Solzhenitsyn’s novel “One day in life of Ivan Denisovich” takes place. The Russian version of the book “Tobacco smoke over the bunks…” was published in Moscow in 2009 by the prestigious publishing house “Russki Put’”. The book presentation at the Solzhenitsyn’s library-foundation was a significant cultural event in Moscow. The Russian TV dedicated a segment to it on the channel “Kul’tura” (Culture) and on the Sunday program “News of the week”. Radio broadcasts were also dedicated to the book including a program on the radio station “Liberty” for broadcast to Europe. Several positive book reviews were published in the Russian press. A condensed version of the book appeared in the Russian language literary and political magazine “Continent”, published in Moscow and Paris. In the preface to the published chapters the magazine’s editorial board wrote: “Victor Levenstein’s narration supplements books of A. Solzhenitsyn, V. Shalamov, E. Ginzburg with new very important details and facts, helping us imagine and understand the criminal machinery of repression created by Lenin and Stalin.”