From the Bestselling Author of 'Zodiac' , 'Auto Focus' and 'Black Fire'. DAVID FINCHER WAS AFTER THE TRUTH. WITHOUT IT, HE WOULD NOT SHOOT ZODIAC. For nearly two decades, Hollywood had been trying to make a movie of Zodiac, and for nearly two decades, it had failed. In 2003, producer Brad Fischer, and screenwriter Jamie Vanderbilt attempted the undoable, and set their sights on the one filmmaker they felt unequalled for the helm: director David Fincher (Se7en, Fight Club). Fincher’s eye for detail, probing mind, and unrelenting quest for answers made him ideal. His personal connection to the case made him perfect. From Hollywood boardrooms to remote fog-shrouded crime scenes, they battle a huge script that refuses to be beaten, a case that refuses to be solved, and a running time and budget that threaten their film. Follow as they track down missing witnesses, gather the original investigators, visit the original crime scenes, discover boxes of Zodiac case files from an attic, unearth new clues, a videotape of the prime suspect’s police interrogation, and a surviving victim who doesn’t want to be found. To keep Fincher on board, and get their film greenlit, it will take cold leads, private eyes, new evidence, and most of all, perseverance. “He’s hooked. If he doesn’t make the film, he’ll solve the case.” —Detective Ken Narlow “SOMETHING DRAWS THE GIRL’S attention,” David Fincher said. The maverick director paused at the spot along the shore Captain Ken Narlow had indicated. Something was not right. Fincher looked down at the rocky ground and the steep slope of the rotting tree as if he had not seen them before. Without a word he wheeled and walked some distance around to the adjacent peninsula. The retired detectives watched the celebrated filmmaker follow the curve of land and circle to a little inlet on the other bank. His head was down as he took long, athletic strides. Suddenly, he knelt and studied the ground. He picked up a fistful of earth, let it drift between his fingers, and watched as the wind carried the reddish particles away. He looked up at the road high above where the victims’ car had been found, then looked back at the tree. Next, he tossed a few rocks in the air and gazed to the center of the lake where it was a couple hundred feet deep. Fincher wondered what other mysteries might be buried there. Further up, underneath the dam at Devil’s Gate, was the narrow point of Putah Creek. Fincher returned from his scouting trip and made an announcement. His voice was confident and clear, ringing out over the lake. “The other side of the little island out there is much more vertical than this side,” he said. “I think that is the actual murder site.” “Let’s go over and take a look,” Narlow said and started north with Jamie Vanderbilt. “I’m not one hundred percent convinced this is the place.” When Narlow reached the other side of the inlet, he clapped a hand to his forehead and then hailed Fincher and the rest of the men across the water. “My God!” he hollered, “I took you to the wrong spot!” In that arcane way he had of penetrating to the heart of a riddle, Fincher had discerned the truth. He became quiet as he began working the puzzle of the open taxi door, the blood that should have been elsewhere, a bloody print that belonged to no one, and the shot nobody heard. “David’s considered one of the touchiest and weirdest directors by executives, but as a writer I consider him the nicest and most normal of them all. But maybe the same thing that is wrong with him is wrong with me.” —Jamie Vanderbilt, screenwriter

The twisted copycat who looked to the stars... He slipped like a sinister shadow in the night, stalking, then savagely attacking. Most of his unsuspecting targets were shot at close range and one woman was stabbed over one hundred times. After dispatching his victims, police allege he left their bloodstained bodies and crept back to the neatly kept room in his mother's apartment. Sleep my little dead... The taunting, bizarre letters alleged killer Heriberto Seda sent to the police and the New York Post were full of strange symbols and mysterious references to the Zodiac. For six terror-filled years, the Zodiac killer ruled the night, claiming nine victims in his homicidal rage. One of the biggest manhunts in New York City's history was unleashed...and still the body count rose. When would the terror end? Police claim his lethal fury finally exploded one summer afternoon. After shooting his own sister, he held her boyfriend hostage and kept scores of heavily armed police pinned down in a ferocious firefight that finally ended with his surrender. But it was only when an alert detective recognized a symbol drawn on Seda's confession as similar to the personal signature used by the Zodiac Killer in his letters, that investigators concluded that the madman they had arrested was in fact the notorious Zodiac Killer. Author Kieran Crowley, an award-winning New York Post reporter who covered the case from the first grisly shooting and cracked the psychopath's secret code, reveals the exclusive inside story and finally solves the biggest remaining mystery of the case.

Robert Graysmith reveals the true identity of Zodiac—America's most elusive serial killer. Between December 1968 and October 1969 a hooded serial killer called Zodiac terrorized San Francisco. Claiming responsibility for thirty-seven murders, he manipulated the media with warnings, dares, and bizarre cryptograms that baffled FBI code-breakers. Then as suddenly as the murders began, Zodiac disappeared into the Bay Area fog. After painstaking investigation and more than thirty years of research, Robert Graysmith finally exposes Zodiac’s true identity. With overwhelming evidence he reveals the twisted private life that led to the crimes, and provides startling theories as to why they stopped. America’s greatest unsolved mystery has finally been solved. INCLUDES PHOTOS AND A COMPLETE REPRODUCTION OF ZODIAC’S LETTERS

The present book will guide you to the acquisition of the ‘Zodiacal Martial Arts (ZMA)’, an unarmed hybrid self-defence system’, BodyBuilding splits will bridge your KickBoxing and Wrestling skills for Octagon UFC-Bellator fights and self-defense on the streets, making you the most efficient weapon for preserving Justice in the environment you live within.

Detective Darek Blake thought the secrets of his past were long buried, but when a young girl is murdered in a familiar way, finding the killer will not only bring back memories he’s repressed, but give him a golden opportunity to impress the FBI. So, when his partner, Special Agent Lizzy McNamara digs up evidence that’s a little too close to home, he’s shaken to the core. The worst sin he’s ever committed bubbles up, threatening to destroy his future. Are the Zodiac killings a coincidence or is someone toying with him, and if so… who? Warning: This is the first book in a thirteen-book series. Every book has a cliffhanger of some sort as we're telling the story of a serial killer. There will be a book out on the last Thursday of every month until we get to December, where book 13 will reveal everything. We invite you to join us on this year long journey and try as hard as you can to figure out... whodunit! There is cursing, violent situations, a bit of gore and murder in almost every book. Enjoy!!

An explosive and historic book of true crime and an emotionally powerful and revelatory memoir of a man whose ten-year search for his biological father leads to a chilling discovery: His father is one of the most notorious-and still at large-serial killers.

This book explores the representation of real-life serial murders as adapted for the screen and popular culture. Bringing together a selection of essays from international scholars, Serial Killing on Screen: Adaptation, True Crime and Popular Culture examines the ways in which the screen has become a crucial site through which the most troubling of real-life crimes are represented, (re)constructed and made accessible to the public. Situated at the nexus of film and screen studies, theatre studies, cultural studies, criminology and sociology, this interdisciplinary collection raises questions about, and implications for, thinking about the adaptation and representation of true crime in popular culture, and the ideologies at stake in such narratives. It discusses the ways in which the adaptation of real-life serial murder intersects with other markers of cultural identity (gender, race, class, disability), as well as aspects of criminology (offenders, victims, policing, and profiling) and psychology (psychopathy, sociopathy, and paraphilia). This collection is unique in its combined focus on the adaptation of crimes committed by real-life criminal figures who have gained international notoriety for their plural offences, including, for example, Ted Bundy, Ian Brady and Myra Hindley, Aileen Wuornos, Jack the Ripper, and the Zodiac, and for situating the tales of these crimes and their victims’ stories within the field of adaptation studies.