From the #1 New York Times bestselling author if Heat and Travel Team! What happens when a star player ends up on the worst team? He either learns to lose or he stops playing the game he loves. These are the choices facing Jake, who has gone from champion to last place, testing his sportsmanship every time his soccer team gets waxed. But it's his teammate Kevin who shows Jake that being a good captain means scoring and assisting off the field as much as being the star player on it.

Hollywood thrives on shoot outs - that series of stand-offs, skirmishes and power struggles that mark every stage of the film-making process - be it a director insisting on final cut, a star demanding a bigger trailer, or a grip with a gripe. Shoot Out is about how movies are made - from the first pitch to the final cut. For film buffs, aspiring film-makers, students and anyone else intrigued by the inner workings of Hollywood, this is the quintessential take on the how, who, what and why of the film business. 'Packed with insider gossip and some astonishing revelations about the incompetence and self-indulgence that goes on, this is a truly engrossing read. Yet to the authors' credit, none of their stories smack of vindictiveness, whilst the snappy prose ensures that the pages skip by in an entertaining blur. In fact it could be said that this Shoot Out scores a bulls-eye!' Film Review (Book of the Month)

A haunting crime story about the broken characters inhabiting yesterday's Brooklyn, this is the new novel from modern master of neo-noir William Boyle. An explosive crime drama, Shoot the Moonlight Out evokes a mystical Brooklyn where the sidewalks are cracked, where Virgin Mary statues tilt in fenced front yards, and where smudges of moonlight reflect in puddles even on the blackest nights. Southern Brooklyn, July 1996. Fire hydrants are open and spraying water on the sizzling blacktop. Punk kids have to make their own fun. Bobby Santovasco and his pal Zeke like to throw rocks at cars getting off the Belt Parkway. They think it’s dumb and harmless until it’s too late to think otherwise. Then there’s Jack Cornacchia, a widower who lives with his high school age daughter Amelia and reads meters for Con Ed but also has a secret life as a vigilante, righting neighborhood wrongs through acts of violence. A simple mission to strong-arm a Bay Ridge con man, Max Berry, leads him to cross paths with a tragedy that hits close to home. Fast forward five years: June 2001. The summer before New York City and the world changed for good. Charlie French is a low-level gangster-wannabe trying to make a name for himself. When he stumbles onto a bowling alley locker stuffed with a bag full of cash, he brings it to his only pal, Max Berry, for safekeeping while he cleans up the mess surrounding it. Bobby Santovasco, with no real future mapped out—and the big sin of his past shining brightly in his rearview mirror—has taken a job working as an errand boy for Max Berry. On a recruiting run for Max’s Ponzi scheme, Bobby meets Francesca Clarke, born in the neighborhood but an outsider nonetheless. They hit it off. Bobby gets the idea to knock off Max’s safe so he and Francesca can escape Brooklyn forever. Little does he know what Charlie French has stashed there. Meanwhile, Bobby’s former stepsister, Lily Murphy, is back home in the neighborhood after college, teaching a writing class in the basement of St. Mary's church. She's also being stalked by her college boyfriend. One of her students is Jack Cornacchia. When she opens up to him about her stalker, Jack decides to take matters into his own hands. A riveting portrait of lives crashing together at the turn of the century, Shoot the Moonlight Out is tragic and tender and funny and strange. A sense of loss is palpable—what has been lost and what will be lost—and Boyle’s characters face down old ghosts with grim determination, as ripples of consequence radiate in dangerous directions.

A little over one hundred years after the legendary shootout at the OK Corral, a radical South Chicago preacher named Frances Thomas moved to Miracle Valley, Arizona. She brought not only her congregation, but also a dangerous cocktail of fanaticism, faith healing, bigotry, and dynamite. Believing that God had called her to take over Miracle Valley, Pastor Thomas and her cult of followers set out to do just that -- with explosive results.

On December 6, 1969, in Fayetteville, Arkansas, number one ranked Texas and number two ranked Arkansas met in the "game of the century," in celebration of the 100th year of college football. It was the first championship game arranged for television and the last championship game played with all white participants. With Secret Service men overlooking his 35-yard line seat, President Nixon was there, bringing along Henry Kissinger and George Bush for company. Civil rights and war protesters were there. God was even there, sending Billy Graham to deliver the pre-game invocation. Fifty million people watched on TV, including LBJ. Bill Clinton listened on shortwave from England.Mike Looney captured the unique personalities and stories of the players, coaches, and dignitaries during his travels when shooting the critically acclaimed documentary, The Big Shootout: The Life and Times of 1969. This book is The Untold Story of the Most Famous College Football Game Ever Played. The DVD is included along with special bonus footage never seen. Coaching legend Frank Broyles' granted Mike and his film crew the only interview he ever gave on The Big Shootout. As they were wrapping up Broyles asked Mike, "Do you want to know the real reason Arkansas University left the Southwest Conference?"

Berk always plays goalie for his soccer team. But when a new kid, Ryan, moves to town, Berk has to play an unfamiliar position. Ryan may have incredible talent, but he's also wildly unpredictable. Can the team survive the season?

November 1, 1950 -- an unseasonably hot afternoon in sleepy Washington, D.C. At 2:00 P.M. at his temporary residence in Blair House, President Harry Truman takes a nap. At 2:20 P.M., two Puerto Rican natives approach from different directions. Oscar Collazo, a respected metal polisher and family man, and Griselio Torresola, an unemployed salesman, don't look dangerous, not in their new suits and hats, not in their calm, purposeful demeanor, not in their slow, unexcited approach. What the three White House policemen and one Secret Service agent guarding the president cannot guess is that under each man's coat is a 9mm German automatic pistol and in each head, a dream of assassin's glory.