A collection of photographic portraits of the indigenous people of Californa that were taken by Native American photographer Dugan Aguilar.

Thoughtful, provocative, and playful, Boom: A Journal of California aims to create a lively conversation about the vital social, cultural, and political issues of our times, in California and the world beyond.

Jack Malloy, former All American football player from Notre Dame and a running back for the New York Jets, becomes a bum when his football days are over. His classmate, Sam Shalom, becomes the president of the United States. As president Shalom is concerned with the high cost of incarcerating prisoners. He plans to use an abandoned Naval base in the South Pacific to determine if 500 prisoners can support themselves. He needs someone to represent him on the island. The individual must be courageous, strong, likeable, and a bit crazy. He thinks of Jack Malloy. The FBI finds Jack in jail with a bunch of drunks. Jack is brought to Washington D.C. where he meets the first lady and falls in love with her. Jack's mind rebels at the idea of coping with hundreds of hardened criminals on an isolated island, but he's desperate for work, needs food, and a place to live. Moreover, he wants to get as far away as possible from the first lady. He's a drunk but he doesn't want to make a fool of himself. He agrees to help the President and join the criminals on the island.

A folk music icon discusses the height of her career in the 60s, her alcoholism, her love affair with Stephen Stills and her friendships with Joan Baez, David Crosby, Joni Mitchell, Leonard Cohen and others. By the author of Voices.

Susan Boyle, a feisty 47 year old church worker from Blackburn, Scotland, has become a global singing sensation after appearing on Britain's Got Talent in April 2009.Susan's incredible television debut has been watched by millions on YouTube and this book is the definitive collection of comments from the first few days.... some good, some bad and some "bloody fantastic!".

An American-born boy grew up in a small village on the Greek island of Crete. In his last year in high school, he witnessed the German invasion of the island in May of 1941 during the early days of WW II. At the age of eighteen, he joined a resistance group headed by his brother, and supplied crucial information to the SOE, an arm of the English Intelligence Service. This resistance group is uncovered, resulting in their hasty evacuation by the SOE to Cairo, Egypt. In Cairo, the author and his brother were asked to join the English Intelligence Service, but rather, pursued the American OSS, or Office of Strategic Services, the newly formed American intelligence counterpart. They were enlisted into the US Army, and attached to the OSS, where the author was trained in the Secret Intelligence sector, which included parachute jumping, wireless/Morse code training, commando/defense training, locks/safe-cracking techniques, escape methods, and environment assimilation techniques. After being transformed into a skilled "spy", the author was sent back to Greece undercover, and along with a Greek naval intelligence officer, set up a communications cell in Salonica whereby daily coded messages to OSS Headquarters in Cairo were sent. One such message describes the course of events surrounding the bombing of the main railroad yard in Salonica, and the loss of thousands of German troops. The author recounts his personal experiences with the Cretan Resistance, his escape from Crete through the mountains, the evacuation by an English torpedo boat, his OSS training, the return mission to Greece, as well as recalling the near-capture encounters with the Gestapo and Greek police, and his final return to the United States.

In this vivid musical ethnography, Timothy Rice documents and interprets the history of folk music, song, and dance in Bulgaria over a seventy-year period of dramatic change. From 1920 to 1989, Bulgaria changed from a nearly medieval village society to a Stalinist planned industrial economy to a chaotic mix of capitalist and socialist markets and cultures. In the context of this history, Rice brings Bulgarian folk music to life by focusing on the biography of the Varimezov family, including the musician Kostadin and his wife Todora, a singer. Combining interviews with his own experiences of learning how to play, sing and dance Bulgarian folk music, Rice presents one of the most detailed accounts of traditional, aural learning processes in the ethnomusicological literature. Using a combination of traditionally dichotomous musicological and ethnographic approaches, Rice tells the story of how individual musicians learned their tradition, how they lived it during the pre-Communist era of family farming, how the tradition changed with industrialization brought under Communism, and finally, how it flourished and evolved in the recent, unstable political climate. This work—complete with a compact disc and numerous illustrations and musical examples—contributes not only to ethnomusicological theory and method, but also to our understanding of Slavic folklore, Eastern European anthropology, and cultural processes in Socialist states.