A wide-ranging anthology of personal essays from diverse voices about their relationships to the fibre arts. Sometimes, the reliability of a knit stitch, the steady rocking of a quilting needle, the solid structure of a loom, is all you have. During the pandemic, fiber arts newbies discovered and lapsed crafters rediscovered that picking up some sticks and string or a needle and thread was the perfect way to reduce stress, quell anxiety, and foster creativity, an antidote to endless hours of doom-scrolling. Chances are you or someone close to you is currently in an ecstatic relationship with yarn, thread, or fabric. As we struggle with the pressures, anxieties, and impacts of daily life, fiber arts—knitting, crocheting, embroidery, weaving, beading, sewing, quilting, textiles—can be an antidote, a mirror and a metaphor for so many of life’s challenges. Part time machine, part meditation app, the simple act of working with one’s hands instantly reduces the overwhelming scope of living to a human scale and the present moment. In this nonfiction anthology, writers and artists from different backgrounds explore their complex relationships to fiber arts and the intersection of creative practice and identity, technology, climate change, trauma, politics, chronic illness, and disability. In answer to the mainstream craft space’s tendency to centre the perspectives and careers of white women, Sharp Notions showcases Black, Indigenous, South-Asian, Chinese, and queer artists and makers and the cultural traditions of craft in diasporic communities. Accompanied by full-colour photographs throughout, these powerful essays challenge the traditional view of crafting and examine the role, purpose, joy, and necessity of craft amid the alienation of contemporary life. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A book with many images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.

Race and Respectability in an Early Black Atlantic examines the means through which people of African descent embodied tenets of respectability as a coping strategy to navigate enslavement and racial oppression in the early Black Atlantic world. The term “respectability politics” refers to the way members of a minoritized population adopt the customs and manners of a dominant culture in order to gain visibility and combat negative stereotypes about their subject group. Today respectability politics can be seen in how those within and outside Black communities police the behavior of Black celebrities, critique protest movements, and celebrate accomplishments by people of African descent who break racial barriers. To study the origins of the complicated relationship between race and respectability, Cassander L. Smith shows that early American literatures reveal Black communities engaging with issues of respectability from the very beginning of the transatlantic slave trade. Concerns about character and comportment influenced the literary production of Black Atlantic communities, particularly in the long eighteenth century. Uncovering the central importance of respectability as a theme shaping the literary development of cultures throughout the early Black Atlantic, Smith illuminates the mechanics of respectability politics in a range of texts, including poetry, letters, and life writing by Phillis Wheatley, Olaudah Equiano, and expatriates on the west coast of Africa in Sierra Leone. Through these early Black texts, Race and Respectability in an Early Black Atlantic considers respectability politics as a malleable strategy that has both energized and suppressed Black cultures for centuries.

The political context in which historians of India find themselves today, says Sumit Sarkar, is dominated by the advance of the Hindu Right and globalized forms of capitalism, while the historian's intellectual context is dominated by the marginalization of all varieties of Marxism and an academic shift to cultural studies and postmodern critique. In Beyond Nationalist Frames, one of India's foremost contemporary historians offers his view of how the craft of history should be practiced in this complex conjuncture. In studies of colonial time-keeping, Rabindranath Tagore's fiction, and pre-Independence Bengal, Sarkar explores new approaches to the writing of history. Essays on contemporary politics consider the implications of the "Hindu Bomb," the rewriting of national history textbooks by Hindu fundamentalists, and the issue of conversion to Christianity. Scholars in all the fields touched by recent developments in South Asian historiography—anthropology, feminist theory, comparative literature, cultural studies—will find this a stimulating and provocative collection of essays, as will anyone interested in Indian politics.

Vagueness, volume XX, contains twenty-seven essays, with issues covered including: nihilism, phenomenal sorites, degrees of truth, epistemicism, higher-order vagueness, contextualism, and intuitionism. Written by leading contemporary philosophers, these essays will be of interest to researchers in philosophy of language, philosophical logic, metaphysics and epistemology; as well as those in natural language semantics, artificial intelligence and cognitive science more generally. A substantial introduction written by the editors provides a guide to the topic and to the essays in the volume.