In the '80s, when author/photographer Kurt Hollander lived in New York and published The Portable Lower East, life there was particularly rough, and cops often drove yellow cabs as a method to surprise and roust its residents. Before the decade ended, Hollander moved to the equally rough climes of Mexico City, making his living writing and photographing for The Guardian, The New York Times, Los Angeles Times, and many other publications. Hollander's visual and textual extravaganza, Several Ways to Die in Mexico City, provides a perspective of this extraordinary city that could only have been caught by an observant outsider who lived in all its nooks and crannies for over two decades. Crammed with caustic but fair observations of the city's history, food, cults, drugs, and buildings, Hollander proves that he can love a city and culture that also kills its inhabitants softly. While living high in Mexico City, Kurt Hollander edited poliester, the renowned bilingual art magazine about the Americas. He also directed the feature film Carambola, and wrote a successful series of children's books. Grove Press published the Portable Lower East Side anthology in 1994.

Offers a perspective on Mexico City based on the hazard it poses to health and the reasons to embrace that.

Absurd, extreme, pleasure-filled, crime-ridden. Sky-high meccas of opportunity, vast swathes of squalor. This is the megacity and this, in many ways, is our future. Not long ago these massive urban hubs with over 10 million people were an anomaly - in 1950 only New York and Tokyo could claim the title. Now, eight of the world's population live in thirty-three megacities with many more predicted to arrive and make these places their home in the coming years. MEGACITY brings together new writing from some of the most impenetrable corners of the world today with creativity, resilience and beautifully black humour. COVID-19 has thrived in megacities and poses unique challenges to the world’s densest urban hubs. Beat lockdown by travelling virtually, into the homes and lives of global megacity writers from Karachi, Paris, Manila, Lagos, Tokyo and others. MEGACITY collect twenty-two individual creative responses to the megacity, infiltrating some of the densest, most difficult corners of the world today. From the tightly packed slums of Delhi and the violent favelas of São Paulo, to eye-watering London property prices and Chinese megacities constructed seemingly overnight - if you boggle at how anyone negotiates today’s rampant, unchecked city growth, this book is for you. Witchcraft, terrorism, chemical swamps, modern slavery, and corpses for rent are all day to day events within these pages. Translated from native languages such as DRC’s Lingala to Portuguese written in deepest Brazilian slang, this collection goes to places which are, for most of us, completely impenetrable. Some of today’s most renowned scientists, economists, architects and urban planners have turned their attention to the megacity in order to understand pressing contemporary dilemmas. It can be difficult, however, when we read their criticism of demographics, economics, infrastructure and environment, to imagine the individual amongst the teeming masses. MEGACITY redresses this problem: giving the reader a many-faceted sense of the megacity character, their stories and their settings. Contributing authors Dele Adeyemo, Kunlé Adayemi, Jessica Zafra, Richard Ali A Mutu, Uday Prakesh, Diego Gerard, Emily Ruth Ford, Liza Alexandrova-Zorina, Deepti Kapoor, Ayodele Olofintuade, Wu Jun, Anna Pook, Daniel Saldaña París, Hideo Furukawa, Ahmed Naji, Ferréz, Bilal Tanweer, Sheyla Smanioto, Montasser Al-Qaffash, and Jeffrey Pascual Yap

In its expanded second edition, this chronology examines the effects of epidemic illness and death on human culture from 2700 bce to 2017. Entries summarize incidents of contagion across the globe, including symptoms, treatment, prevention and demographics, as well as biographical information on notable people who identified and battled disease. Entries feature citations from personal and public documents along with maps, charts comparing types of infection, and estimated populations affected by each epidemic.

This book studies the role of subterranean spaces in literary works about Mexico City. It analyzes how underground spaces such as the subway, the sewage system, tunnels, crypts, and the subsoil itself relate to the whole of the city in a body of works published after 1985, the year of the deadliest earthquake in the capital’s history. The texts belong to the most important genres in urban literature (the novel, the short story, and the crónica) and demonstrate the crucial role played by the underground in contemporary imaginings of the megalopolis, as it condenses and confronts the tensions that run through them. This central idea is developed through four analytical chapters focusing on the political, ecological, historical, and aesthetic dimension of subterranean imaginaries.

More than 600,000 Americans and 300,000 Canadians now live in Mexico. This authoritative and humorous examination of both the pros and cons of living, working, and doing business in Mexico is one of the bestselling guides out there.

"In 1325, the Aztecs founded their capital city Tenochtitlan, which grew to be one of the world's largest cities before it was violently destroyed in 1521 by conquistadors from Spain and their indigenous allies. Re-christened and reoccupied by the Spanish conquerors as Mexico City, it became the pivot of global trade linking Europe and Asia in the 17th century, and one of the modern world's most populous metropolitan areas. However, the Aztec city of Tenochtitlan and its people did not entirely disappear when the Spanish conquistadors destroyed it. By reorienting Mexico City-Tenochtitlan as a colonial capital and indigenous city, Mundy demonstrates its continuity across time. Using maps, manuscripts, and artworks, she draws out two themes: the struggle for power by indigenous city rulers and the management and manipulation of local ecology, especially water, that was necessary to maintain the city's sacred character. What emerges is the story of a city-within-a city that continues to this day"--