This gem of a Victorian autobiography introduces one of Britain's greatest showmen: circus pioneer 'Lord' George Sanger. Welcome to real-life Dickens, as we enter the wild world of 19th century peep-shows, freaks, menageries and travelling fairs. Fun, dark, irresistible. This new edition adds gorgeous illustrations, useful intro and index.

'A riveting read ... a dark story of murder and deceit with verve and insight' John Woolf, author of The Wonders THE LIFE AND DEATH OF A 19TH-CENTURY CIRCUS LEGEND On 28 November 1911 a retired showman died violently at his home in North London. Known to the world as Lord George Sanger, he was once the biggest name in show business, and was venerated as a national institution. The death of Britain's wealthiest showman read like a popular crime thriller: a merciless killer; a famous victim; sensational media headlines; a desperate manhunt laced with police incompetencies and a dramatic denouement few could have anticipated. But for over a century, questions have persisted about the murder. Weaving in the story of George's rise to fame and the history of Britain's entertainment industry, The Killing of Lord George uses previously unpublished archive material to reconstruct the events leading up to the death and reveal the true story behind the brutal crime that shocked Edwardian England.

On March 23, 1844, General Tom Thumb, just 25 inches tall, entered the Picture Gallery at Buckingham Palace and bowed low to Queen Victoria. On both sides of the Atlantic, this meeting marked a tipping point in the nineteenth century, and the age of the freak was born.Bewitching all levels of society, it was a world of curiosities and astonishing spectacle—of dwarfs, giants, bearded ladies, Siamese twins, and swaggering showmen. But the real stories—human dramas that so often eclipsed the fantasy presented on the stage—of the performing men, women and children, have been forgotten or marginalized in the histories of the very people who exploited them. In this richly evocative account, John Woolf uses a wealth of recently discovered material to bring to life the sometimes tragic, sometimes triumphant, always extraordinary stories of people who used their (dis)abilities and difference to become some of the first international celebrities. Through their lives we discover afresh some of the great transformations of the age: the birth of show business, of celebrity, of advertising, and of “alternative facts” while also exploring the tensions between the power of fame, the impact of exploitation, and our fascination with “otherness.”