The first ever biography of the late Ian Hendry tells the story of a great actor destroyed by his own demons. The original star of The Avengers, Ian went on to give iconic performances in films such as Live Now Pay Later, The Hill and Get Carter and TV series such as The Lotus Eaters. Hailed by John Nettles as a ruined genius and by Brian Clemens as Britain's greatest actor, this is a touching story of an outstandingly talented star dogged by tragedy.

Two Against the Underworld brings together eight years of research to tell the story of The Avengers from both sides of the camera. It has now been further revised following the recovery of the episode Tunnel of Fear. The authors lift the lid on all 26 Series 1 episodes. Comprehensive chapters detail the narratives in extended synopsis form, as well as the production, transmission and reception of each episode, and the talented personnel who made them. The creation of The Avengers, Ian Hendry's departure, the series' destiny and the mystery of the missing episodes are explored in a series of essays, each of which has been revised. Avengers writer Roger Marshall and Neil Hendry both contribute forewords to this volume. The book also boasts black-and-white illustrations by Shaqui Le Vesconte and 70 pages of appendices that deal in depth with the unproduced episodes of Series 1, Keel and Steed's further adventures in the comic strip The Drug Pedlar and the novel Too Many Targets, and much more.

'Enthralling . . . an essential read, particularly for fans of 007.' - Cinema Retro 'When Harry Met Cubby is a fitting tribute to two extraordinary men. If you love behind the scenes stories about the making of movies, there's plenty of drama to sate you here.' - Entertainment Focus Albert R. 'Cubby' Broccoli and Harry Saltzman remain the most successful producing partnership in movie history. Together they were responsible for the phenomenally successful James Bond series; separately they brought kitchen-sink drama to the screen, made a star out of Michael Caine in the Harry Palmer films and were responsible for the children's classic Chitty Chitty Bang Bang. But their relationship was fraught almost from the very beginning. With such contrasting personalities, their interactions often span out of control. They managed to drive away their coveted star, Sean Connery, and ultimately each other. Loved and hated in equal measure, respected and feared by their contemporaries, few people have loomed as large over the film industry as Broccoli and Saltzman, yet their lives went in very different directions. Broccoli was feted as Hollywood royalty, whereas Saltzman ended up a forgotten recluse. When Harry Met Cubby charts the changing fortunes and clashing personalities of two titans of the big screen.

'Hershman has managed to gather a huge amount of information and distill it into a book that is not only respectful but full of insights into what makes this unstarriest of stars able to produce brilliant work without appearing to break a sweat.' - Kathryn Hughes, Mail on Sunday He was a Salford-born, homework-hating bookie's son who broke the social barriers of British film. He did his share of roistering, and yet outlived his contemporaries and dodged typecasting to become a five-time Oscar nominee and one of our most durable international stars. Bon vivant, perennial rebel, self-effacing character actor, charismatic charmer, mentor to a generation of working-class artists, a byword for professionalism, lover of horseflesh and female flesh – Albert Finney is all these things and more. Gabriel Hershman's colourful and riveting account of Finney's life and work, which draws on interviews with many of his directors and co-stars, examines how one of Britain's greatest actors built a glittering career without sacrificing his integrity.

The bible of B-movies is back--and better than ever! From Abby to Zontar, this book covers more than 9,000 amazing movies--from the turn of the century right up to today's Golden Age of Video--all described with Michael Weldon's dry wit. More than 450 rare and wonderful illustrations round out thie treasure trove of cinematic lore--an essential reference for every bad film fan.

Ascertain the meaning before consulting this dictionary, warns the author of this collection of deliberately satirical misdefinitions. New computer cultures and their jargons have burgeoned since this book's progenitor, The Devil's DP Dictionary, was published in 1981. This updated version of Stan Kelly-Bootle's romp through the data processing lexicon is a response to the Unix pandemic that has swept academia and government, to the endlessly hyped panaceas offered to the MIS, and to the PC explosion that has brought computer terminology to a hugely bewildered, lay audience.' The original dictionary, a pastiche of Ambrose Bierce's famous work, parried chiefly the mainframe and mini-folklore of the 1950s, 1960s and 1970s. This revision adds over 550 new entries and enhances many of the original definitions. Key targets are a host of new follies crying out for cynical lexicography including: the GUI-Phooey iconoclasts, object orienteering and the piping of BLObs down the Clinton-Gore InfoPike.

This book is the first in-depth cultural history of cinema's polyvalent and often contradictory appropriations of Shakespearean drama and performance traditions. The author argues that these adapatations have helped shape multiple aspects of film, from cinematic style to genre and narrative construction.