Whether you're a beginner or a professional artist, there are only two things you need in order to draw - a pencil and paper. With these to hand, award-winning artist Clara Drummond shows how everyone can develop their artistic style. No one, Clara believes, can tell you how to draw. Instead you can learn by practising and discarding preconceived ideas. Clara uses artists who inspire her, to demonstrate how everyone's approach is unique and features images of her favorite drawings and sketchbooks, to spark your creativity. Chapters focus on the different media of Graphite, Charcoal, Colored Crayons, Ink and Mixed Media and offer tips such as where to start on the page and how to best use your materials. With space for 30 drawings, to be done in whichever order you'd like, Drawing & Seeing will allow you to keep your own sketchbook, a drawn diary of your daily life - and to see how not only your drawing transforms, but also the way you see your surroundings.

Make the world your studio! Capture the bustle and beauty of life in your town. Experience life as only an artist can! Join the rapidly growing, international movement of artists united by a passion for drawing on location in the cities, towns and villages where they live and travel. Packed with art and advice from Marc Taro Holmes, artist and co-founder of Urbansketchers.org, this self-directed workshop shows you how to draw inspiration from real life and bring that same excitement into your sketchbook. Inside you'll find everything you need to tackle subjects ranging from still lifes and architecture to people and busy street scenes. • 15 step-by-step demonstrations cover techniques for creating expressive drawings using pencil, pen and ink, and watercolor. • Expert tips for achieving a balance of accuracy, spontaneity and speed. • Practical advice for working in the field, choosing subjects, coping with onlookers, capturing people in motion and more. • Daily exercises and creative prompts for everything from improving essential skills to diverse approaches, such as montages, storytelling portraits and one-page graphic novels. Whether you are a habitual doodler or a seasoned artist, The Urban Sketcher will have you out in the world sketching from the very first page. By completing drawings on the spot, in one session, you achieve a fresh impression of not just what you see, but also what it feels like to be there . . . visual life stories as only you can experience them.

For Freshman-/Sophomore-level courses in Drawing. Progressing logically from the fundamentals of drawing to its more specific aspects--this text addresses the options, challenges, and methodologies of drawings subjects such as still life, figure, landscape, and envisioned images. The text approaches the teaching of drawing in the same way artists approach the creating of drawings: by proceeding from the general to the specific and presenting a work in an organized and economical manner.

A Dutch artist offers his concept of seeing and drawing as a discipline by which the world may be rediscovered, a way of experiencing Zen.

Franck, the author of Zen of Seeing, the classic guide, returns with more teachings and instructions.

Zen of Drawing inspires you to pick up a pen, pencil or an iPad and start drawing what you see with a 'zen' approach. Author Peter Parr has spent his career in animation successfully teaching people to draw and encouraging students to nurture their skills through observational drawing. He advocates a fresh way of looking closely at your subject and enlisting an emotional response, in order to fully appreciate the nature of what you are about to draw. You will learn that whatever you are drawing, it is essential not only to copy its outline but also to ask yourself: is it soft, smooth or rough to the touch? How heavy is it? Is it fragile or solid? Then, having grasped the fundamental characteristics, or zen, of the object, make corresponding marks on the paper – crisp textures, a dense wash, a scratchy or floating line. The chapters cover: keeping a sketchbook; tools (pen, pencil, charcoal, watercolour and iPad); perspective; line and volume; tone and texture; structure and weight; movement and rhythm; energy, balance and composition.

Featuring the insights of 15 current and former Art Students League instructors, this stunning volume reassesses the art of drawing not as a technique, but as the essential grammar of all visual thinking. In an illuminating introductory essay, James Lancel McElhinney punctures the myth that learning to draw is something for experts only, and presents methods for making, appreciating, and teaching drawing. The 15 contributors then offer a broad range of stylistic approaches and methodologies, accompanied by examples of their own and their students' artwork. A final section of basic exercises, along with information on materials, techniques, and resources, completes this inspirational study.