A 59-year-old American acquires a new family on a tropical island, while looking back on his "naked history" with his old family and its talent for death.

Beauty is only skin deep. Popularity goes much deeper. . . . Appearances can be deceiving. Sam Klein’s found that out firsthand. All she wanted was to be popular. But sometimes what we want is the absolute worst thing for us. Sam discovers that Kylie, It-girl of Woodlawn High, owes her popular status not to her expensive clothes, highlighted hair, and spot on the cheerleading squad but to a magical second skin. Nobody can actually see it—but they can feel it. And if you’re wearing the skin, you feel incredible. Invincible. Popularity is yours. So Sam stole the skin from Kylie. Now she’s the most popular girl at school, while Kylie’s social life takes a serious hit. Sam can barely recognize herself. Her old geek clique is history—but are her new friends really people she can count on? The skin is clinging tighter to her each day . . . can Sam get it off before it’s too late?

"What does a black burlesque star have to do with some of the most enduring and passionate ideas in modern aesthetic theory? Josephine Baker emerges in this untold story as a principal figure in the drama behind the making of Euro-American Modernism. Instead of seeing her nude performances as a Primitivist given, Cheng argues that Baker's skin was central to debates about and desire for "pure surface" that crystalized at the convergence of modern art, architecture, machinery, and philosophy. Taking the reader across the Atlantic - through real stages and imagined houses; banana plantations and ocean lines; metallic bodies and radiant cities-this study tracks the ardent and protean conversa-tion between the making of a Modernist style and the staging of a new black visuality. In this account, Baker and the Modernists known to have adored and objectified her in fact share a common dream: the fantasy of remaking and wearing the skin of the other"--

Jess Morgan's life has always been chaotic. When a startling new reality cannot be denied, it's clear that everything she believed about herself is a lie. She is linked to a world where humans-'hot-bloods'-are disposable entertainment. Life on a rundown estate-her single mum's alcoholism and violent boyfriend-become the least of Jess's worries.

Do we need bodies for sex? Is gender in the head or in the body? In Second Skins Jay Prosser reveals the powerful drive that leads men and women literally to shed their skins and--in flesh and head--to cross the boundary of sex. Telling their story is not merely an act that comes after the fact, it's a force of its own that makes it impossible to forget that stories of identity inhabit autobiographical bodies. In this stunning first extensive study of transsexual autobiography, Jay Prosser examines the exchanges between body and narrative that constitute the phenomenon of transsexuality. Showing how transsexuality's somatic transitions are spurred and enabled by the formal transitions of narrative, Prosser uncovers a narrative tradition for transsexual bodies. Sex change is a plot--and thus appropriately transsexuals make for adept and absorbing authors. In reading the transssexual plot through transsexuals' own recounting, Prosser not only gives us a new and more accurate rendition of transsexuality. His book suggests transsexuality, with its extraordinary conjunctions of body and narrative, as an identity story that transitions across the body/language divide that currently stalls poststucturalist thought. The form and approach of Second Skins works to cross other important and parallel divides. In addition to analyzing transsexual textual accounts, the book includes some 30 photographic portraits of transsexuals-- poignant attempts by transsexuals to present themselves unmediated to the world except by the camera. And the author does not shy from exposure himself. Interjecting the personal into his theoretical discussion and close textual work throughout the book, Prosser reads and writes his own body, his purpose in that stylistic crossing to stake out transsexuality--and hence this very book--as his own body's narrative.

Almost from the moment of our birth, clothing acts as our second skin, yet we rarely consider where our clothes come from, or the effects they might have on the environment. This beautifully photographed is about easily achievable ways to care for the planet by living a little simpler regarding cloth and clothing. Get a handle on how cloth consumption affects nature on a larger scale. Look at what textiles are really made from, and examine their properties with an emphasis on those derived from natural sources. In no time you'll have the tools to make informed choices regarding clothing--including deciding how much clothing a person really needs. Second Skin also covers how to mend and maintain clothing, re-purpose fashion, dye clothing, and when all else fails, what it takes to patch, piece, and felt.

An action novel featuring Nicholas Linnear, an Anglo-Japanese hero. He heads an international company which has developed a new cellular phone that can transmit the speaker's picture and which the Japanese underworld tries to steal. By the author of The Ninja.