East Wind offers the first complete, archive-based account of the relationship between China and the British Left, from the rise of modern Chinese nationalism to the death of Mao Tse tung. Beginning with the "Hands Off China" movement of the mid-1920s, Tom Buchanan charts the mobilisation of British opinion in defence of China against Japanese aggression, 1931-1945, and the role of the British left in relations with the People's Republic of China after 1949. He shows how this relationship was placed under stress by the growing unpredictability of Communist China, above all by the Sino-Soviet dispute and the Cultural Revolution, which meant that by the 1960s China was actively supported only by a dwindling group of enthusiasts. The impact of the suppression of the student protests in Tiananmen Square (June 1989) is addressed as an epilogue. East Wind argues that the significance of the left's relationship with China has been unjustly overlooked. There were many occasions, such as the mid-1920s, the late 1930s and the early 1950s, when China demanded the full attention of the British left. It also argues that there is nothing new in the current fascination with China's emergence as an economic power. Throughout these decades the British left was aware of the immense, unrealised potential of the Chinese economy, and of how China's economic growth could transform the world. In addition to analysing the role of the political parties and pressure groups of the left, Buchanan sheds new light on the activities of many well-known figures in support of China, including intellectuals such as Bertrand Russell, R H Tawney and Joseph Needham. Many other interesting stories emerge, concerning less well-known figures, which show the complexity of personal links between Britain and China during the twentieth century.

The collection, interpretation and display of art from the People’s Republic of China, and particularly the art of the Cultural Revolution, have been problematic for museums. These objects challenge our perception of ’Chineseness’ and their style, content and the means of their production question accepted notions of how we perceive art. This book links art history, museology and visual culture studies to examine how museums have attempted to reveal, discuss and resolve some of these issues. Amy Jane Barnes addresses a series of related issues associated with collection and display: how museums deal with difficult and controversial subjects; the role they play in mediating between the object and the audience; the role of the Other in the creation of Self and national identities; the nature, role and function of art in society; the museum as image-maker; the impact of communism (and Maoism) on the cultural history of the twentieth-century; and the appropriation of communist visual iconography. This book will be of interest to researchers and students of museology, visual and cultural studies as well as scholars of Chinese and revolutionary art.

Mao Tse-tung was one of the most influential leaders of the twentieth century. In this 1977 book, eleven scholars renowned for their penetrating and lively analysis of Mao during his life, here make their assessments of his career and influence, after his death. They consider Mao's claims to be an original thinker; the practical side of his career; his ideas on education; his economic and international preoccupations; and his personality as a Chinese. Dick Wilson's introduction indicates some of the common themes, showing inter alia that Mao was neither as politically powerful, nor intellectually consistent and creative, as outsiders seem to have thought: that, on the contrary, his strength lay in his longevity, his concern for the methodology of social change, and those moral qualities that distinguished him. Very much of its time, this book will be essential reading for anyone wishing to assess China's political history.

The story of the friends and allies of the Chinese Revolution China’s resistance to Imperial Japan was the other great internationalist cause of the ‘red 1930s’, along with the Spanish Civil War. These desperate and bloody struggles were personified in the lives of Norman Bethune and others who volunteered in both conflicts. The story of Red Friends starts in the 1920s when, encouraged by the newly formed Communist International, Chinese nationalists and leftists united to fight warlords and foreign domination. John Sexton has unearthearthed the histories of foreigners who joined the Chinese revolution. He follows Comintern militants, journalists, spies, adventurers, Trotskyists, and mission kids whose involvement helped, and sometimes hindered, China’s revolutionaries. Most were internationalists who, while strongly identifying with China’s struggle, saw it as just one theatre in a world revolution. The present rulers in Beijing, however, buoyed by China’s powerhouse economy, commemorate them as ‘foreign friends’ who aided China’s ‘peaceful rise’ to great power status. Founded on original research, it is a stirring story of idealists struggling against the odds to found a better future. The author’s interviews with survivors and descendants add colour and humanity to lives both heroic and tragic.