"This book establishes R.M. Schindler’s Kings Road House amongst the icons of modernist housing—as crucial as Le Corbusier, Walter Gropius, Mies van der Rohe, or Frank Lloyd Wright to the story of twentieth-century residential design. Weaving together an impressive blend of primary sources, Sweeney and Sheine illuminate heretofore unknown or neglected stories regarding Schindler’s life, his relationship with his mentors—most notably, Wright himself—and the development of his unique theories about space. These essays will interest both scholars and practitioners of architecture as well as readers wishing to learn more about the development of architectural modernism in general.”—J. Philip Gruen, School of Design and Construction, Washington State University.

The most comprehensive volume on one of the most innovative architects of the 20th-century. Contains many never-published drawings & photographs. -- Tie-in with Museum of Contemporary Art, Los Angeles.

The history of planning is much more, according to these authors, than the recorded progress of planning as a discipline and a profession. These essays counter the mainstream narrative of rational, scientific development with alternative histories that reveal hitherto invisible planning practices and agendas. While the official story of planning celebrates the state and its traditions of city building and regional development, these stories focus on previously unacknowledged actors and the noir side of planning. Through a variety of critical lenses—feminist, postmodern, and postcolonial—the essays examine a broad range of histories relevant to the preservation and planning professions. Some contributors uncover indigenous planning traditions that have been erased from the record: African American and Native American traditions, for example. Other contributors explore new themes: themes of gendered spaces and racist practices, of planning as an ordering tool, a kind of spatial police, of "bodies, cities, and social order" (influenced by Foucault, Lefebvre, and others), and of resistance. This scrutiny of the class, race, gender, ethnic, or ideological biases of ideas and practices inherent in the notion of planning as a modernist social technology clearly points to the inadequacy of modernist planning histories. Making the Invisible Visible redefines planning as the regulation of the physicality, sociality, and spatiality of the city. Its histories provide the foundation of a new, alternative planning paradigm for the multicultural cities of the future.

The Walker House, RM Schindler is the first in a series of architecture books related to inspirational houses. It takes us to Los Angeles, the adopted home of Austrian-born American architect, RM Schindler, and tells the story of the Walker House and how it came into the possession of its current owner, journalist and modernist architecture and design geek, Andrew Romano. The 80-page hardbound book features interior photography by longtime Apartamento contributor, Ye Rin Mok, texts by Andrew Romano, and archival imagery of the Walker House, courtesy of the private collection of Andrew Romano and the University of Santa Barbara California.

Schoenberg is often viewed as an isolated composer who was ill-at-ease in exile. In this book Kenneth H. Marcus shows that in fact Schoenberg's connections to Hollywood ran deep, and most of the composer's exile compositions had some connection to the cultural and intellectual environment in which he found himself. He was friends with numerous successful film industry figures, including George Gershwin, Oscar Levant, David Raksin and Alfred Newman, and each contributed to the composer's life and work in different ways: helping him to obtain students, making recordings of his music, and arranging commissions. While teaching at both the University of Southern California and the University of California, Los Angeles, Schoenberg was able to bridge two utterly different worlds: the film industry and the academy. Marcus shows that alongside Schoenberg's vital impact upon Southern California Modernism through his pedagogy, compositions and texts, he also taught students who became central to American musical modernism, including John Cage and Lou Harrison.

A collection of seventeen essays examining the field of American cultural landscapes past and present. The role of J. B. Jackson and his influence on the field is a explored in many of them.