From floundering to navigating, this gefilte-fish-out-of-water story follows the unorthodox path of a Jewish woman working for a Muslim government. “Marrying one woman is like eating chicken every day for the rest of your life,” the cultural attaché—a.k.a. my boss—warned the week before my Jewish wedding. I replied, “I like chicken." Seven months before her traditional Jewish wedding to Tyrone, her beau of eight years, Jessica Keith made the impulsive decision to move away, accepting an offer to work for the Consulate of Kuwait in Los Angeles. The work culture was unfamiliar territory—with a lot to unpack—she felt lost in translation. The job entailed corralling eighteen-year-old, doe-eyed Muslim boys and releasing them into the wild for their initiation into the western world—college in the U.S. With crippling anxiety fueled by unpredictable panic attacks, Jessica never believed she could walk down an aisle. She said, “I can’t” so many times that she never thought she’d say “I do.” After finally setting the wedding date, nothing seemed to go right. The rabbi refused to perform the interfaith ceremony, and her grandmother warned, “You can’t marry a Black man.” Rather than speak up Jessica found it easier to just bite her tongue. But when she learns on the job, “Jews need not apply,” it shatters her faith in herself. Adrift in life and at work, Jessica learns that it takes resilience to persevere.

From floundering to navigating, this gefilte-fish-out-of-water story follows the unorthodox path of a Jewish woman working for a Muslim government. "Marrying one woman is like eating chicken every day for the rest of your life," the cultural attaché -a.k.a. my boss-warned the week before my Jewish wedding. I replied, "I like chicken." Jessica Keith never believed she could walk down an aisle. With crippling anxiety fueled by unpredictable panic attacks, she said, "I can't" so many times she never thought she'd say "I do." After finally setting a wedding date, to Tyrone, her beau of eight years, Jessica made the impulsive decision to move away, accepting an offer to work for the Consulate of Kuwait in Los Angeles. The culture was unfamiliar territory-with a lot to unpack-she felt lost in translation. Adrift in life and at work, nothing seemed to go right. When the rabbi refused to perform an interfaith ceremony, and her grandmother warned, "You can't marry a Black man," rather than speak up, Jessica found it easier to bite her tongue. But when she hears on the job, "Jews need not apply," it shatters her faith in herself. While illuminating the depths of anxiety and love, Jessica must find the resilience it takes to persevere.

“Marrying one woman is like eating chicken every day for the rest of your life,” the cultural attaché —a.k.a. my boss—warned the week before my Jewish wedding. I replied, “I like chicken.” Jessica Keith never believed she could walk down an aisle. With crippling anxiety fueled by unpredictable panic attacks, she said, “I can’t” so many times she never thought she’d say “I do.” After finally setting a wedding date, to Tyrone, her beau of eight years, Jessica made the impulsive decision to move away, accepting an offer to work for the Consulate of Kuwait in Los Angeles. The culture was unfamiliar territory—with a lot to unpack—she felt lost in translation. Adrift in life and at work, nothing seemed to go right. When the rabbi refused to perform an interfaith ceremony, and her grandmother warned, “You can’t marry a Black man,” rather than speak up, Jessica found it easier to bite her tongue. But when she hears on the job, “Jews need not apply,” it shatters her faith in herself. While illuminating the depths of anxiety and love, Jessica must find the resilience it takes to persevere.

A hilarious memoir of her experiences at a run-down, unsupervised summer camp in 1974 describes a young girl's adventures in the backwoods of Maine during eight unforgettable and life-changing weeks with an eccentric group of friends as she searches for the perfect boyfriend and dreams of her first kiss. Reprint.

A feminist biography of the only woman to become prime minister of Israel In this authoritative and empathetic biography, Pnina Lahav reexamines the life of Golda Meir (1898–1978) through a feminist lens, focusing on her recurring role as a woman standing alone among men. The Only Woman in the Room is the first book to contend with Meir’s full identity as a woman, Jew, Zionist leader, and one of the founders of Israel, providing a richer portrait of her persona and legacy. Meir, Lahav shows, deftly deflected misogyny as she traveled the path to becoming Israel’s fourth, and only female, prime minister, from 1969 to 1974. Lahav revisits the youthful encounters that forged Meir’s passion for socialist Zionism and reassesses her decision to separate from her husband and leave her children in the care of others. Enduring humiliation and derision from her colleagues, Meir nevertheless led in establishing Israel as a welfare state where social security, workers’ rights, and maternity leave became law. Lahav looks at the challenges that beset Meir’s premiership, particularly the disastrous Yom Kippur War, which led to her resignation and withdrawal from politics, as well as Meir’s bitter duel with feminist and civil rights leader Shulamit Aloni, Meir’s complex relationship with the Israeli and American feminist movements, and the politics that led her to distance herself from feminism altogether. Exploring the tensions between Meir’s personal and political identities, The Only Woman in the Room provides a groundbreaking new account of Meir’s life while also illuminating the difficulties all women face as they try to ascend in male-dominated fields.

#1 nationally bestselling and award-winning author ReShonda Tate Billingsley delivers another moving, evocative, and timely novel about how a small seed of hope can change the course of one’s life. Savannah Graham thought she had the perfect marriage…until grief drove her husband into the arms of his best friend’s wife. Now, she believes revenge is the only way her heart can heal from the betrayal. For fifty-two years, Ollie Moss lived side by side with the love of his life, his wife Elizabeth. But now that she’s gone, so is his desire to live, despite the love from his children, and his beloved grandson Samuel. Can anything save Ollie’s life? Anna Rodriguez just wants to work and provide for her three children by any means necessary. But her decision to break the law in order to get a job is threatening life as she knows it. Trey Brown is known in his neighborhood as a hustler, so much so that the gangs want him to join their ranks...but there’s a reason the nineteen-year-old does what he does—he’s the only one left who can save his little brother. Different circumstances lead each of them to The Markham Hotel, where they hope to find solace, comfort, and answers. Told from multiple perspectives, The Book in Room 316 will renew your strength and faith that there is always a way forward.

A landmark biography of the most famous Italian journalist of the twentieth century, an inspiring and often controversial woman who defied the codes of reportage. Oriana Fallaci is known for her uncompromising vision. To retrace Fallaci’s life is to retrace the course of history from World War II to 9/11. As a child, Fallaci enlisted in the Italian Resistance alongside her father, and her hatred of fascism and authoritarian regimes remained strong throughout her life. Covering the entertainment industry early in her career, she created an original, abrasive interview style, focusing on her subjects’ emotions, contradictions, and facial expressions more than their words. When she grew bored with movie stars and directors, she turned her attention to the international political figures of the time—Khomeini, Gaddafi, Indira Gandhi, Kissinger—always placing herself front and center in the story. Also a war reporter working wherever there was conflict, she would provoke controversies that became news themselves. With unprecedented access to personal records, Cristina De Stefano brings to life this remarkable woman whose groundbreaking work and torrid love affairs are not easily forgotten. Oriana Fallaci allows a new generation to discover her story and witness the passionate, unstinting journalism so urgently needed in these times of upheaval and uncertainty.