This heartfelt picture book biography illustrated by the Caldecott Honoree Ekua Holmes, tells the story of MaVynee Betsch, an African American opera singer turned environmentalist and the legacy she preserved. MaVynee loved going to the beach. But in the days of Jim Crow, she couldn't just go to any beach--most of the beaches in Jacksonville were for whites only. Knowing something must be done, her grandfather bought a beach that African American families could enjoy without being reminded they were second class citizens; he called it American Beach. Artists like Zora Neale Hurston and Ray Charles vacationed on its sunny shores. It's here that MaVynee was first inspired to sing, propelling her to later become a widely acclaimed opera singer who routinely performed on an international stage. But her first love would always be American Beach. After the Civil Rights Act desegregated public places, there was no longer a need for a place like American Beach and it slowly fell into disrepair. MaVynee remembered the importance of American Beach to her family and so many others, so determined to preserve this integral piece of American history, she began her second act as an activist and conservationist, ultimately saving the place that had always felt most like home.

A history of race relations in Florida focuses on the resort area founded by Florida's first Black millionaire

From the Civil War to the turn of the century, this is the true-life story of the original Coast Guard and one crew of African-American heroes who fought storms and saved lives off America's southeastern coast. 31 halftones.

In the only complete history of Florida’s American Beach to date, Marsha Dean Phelts draws together personal interviews, photos, newspaper articles, memoirs, maps, and official documents to reconstruct the character and traditions of Amelia Island’s 200-acre African American community. In its heyday, when other beaches grudgingly provided only limited access, black vacationers traveled as many as 1,000 miles down the east coast of the United States and hundreds of miles along the Gulf coast to a beachfront that welcomed their business. Beginning in 1781 with the Samuel Harrison homestead on the southern end of Amelia Island, Phelts traces the birth of the community to General Sherman’s Special Field Order No. 15, in which the Union granted many former Confederate coastal holdings, including Harrison’s property, to former slaves. She then follows the lineage of the first African American families known to have settled in the area to descendants remaining there today, including those of Zephaniah Kingsley and his wife, Anna Jai. Moving through the Jim Crow era, Phelts describes the development of American Beach’s predecessors in the early 1900s. Finally, she provides the fullest account to date of the life and contributions of Abraham Lincoln Lewis, the wealthy African American businessman who in 1935, as president of the Afro-American Life Insurance Company, initiated the purchase and development of the tract of seashore known as American Beach. From Lewis’s arrival on the scene, Phelts follows the community’s sustained development and growth, highlighting landmarks like the Ocean-Vu-Inn and the Blue Palace and concluding with a stirring plea for the preservation of American Beach, which is currently threatened by encroaching development. In a narrative full of firsthand accounts and "old-timer" stories, Phelts, who has vacationed at American Beach since she was four and now lives there, frequently adopts the style of an oral historian to paint what is ultimately a personal and intimate portrait of a community rich in heritage and culture.

The coasts of today's American South feature luxury condominiums, resorts, and gated communities, yet just a century ago, a surprising amount of beachfront property in the Chesapeake, along the Carolina shores, and around the Gulf of Mexico was owned and populated by African Americans. Blending social and environmental history, Andrew W. Kahrl tells the story of African American–owned beaches in the twentieth century. By reconstructing African American life along the coast, Kahrl demonstrates just how important these properties were for African American communities and leisure, as well as for economic empowerment, especially during the era of the Jim Crow South. However, in the wake of the civil rights movement and amid the growing prosperity of the Sunbelt, many African Americans fell victim to effective campaigns to dispossess black landowners of their properties and beaches. Kahrl makes a signal contribution to our understanding of African American landowners and real-estate developers, as well as the development of coastal capitalism along the southern seaboard, tying the creation of overdeveloped, unsustainable coastlines to the unmaking of black communities and cultures along the shore. The result is a skillful appraisal of the ambiguous legacy of racial progress in the Sunbelt.

CORETTA SCOTT KING AWARD WINNER • CALDECOTT HONOR BOOK • A NEW YORK TIMES BEST ILLUSTRATED BOOK Acclaimed artist Faith Ringgold seamless weaves fiction, autobiography, and African American history into a magical story that resonates with the universal wish for freedom, and will be cherished for generations. Cassie Louise Lightfoot has a dream: to be free to go wherever she wants for the rest of her life. One night, up on “tar beach,” the rooftop of her family’s Harlem apartment building, her dreams come true. The stars lift her up, and she flies over the city, claiming the buildings and the city as her own. As Cassie learns, anyone can fly. “All you need is somewhere to go you can’t get to any other way. The next thing you know, you’re flying among the stars.”

This biography admirably fills that gap, fully examining the connections between Beach's life and work in light of social currents and dominant ideologies. Adrienne Fried Block has written a biography that takes full account of issues of gender and musical modernism, considering Beach in the contexts of her time and of her composer contemporaries, both male and female. Amy Beach, Passionate Victorian will be of great interest to students and scholars of American music, and to music lovers in general.