With pottery production migrating to Asia in the latter part of the twentieth century, Santa Barbara Ceramic Design (SBCD) was something of an anomaly–a homegrown studio producing unique decorative and functional ceramic art. This is the story of SBCD and how a studio pottery defined by one person producing hand thrown, hand decorated pottery evolved into a full-blown production pottery with distinct colorways, shapes, and designs. Complete with copious primary sources and company ephemera, this profile captures the voices of the creative forces behind SBCD, its company culture, and works that in many ways invoke the Arts and Crafts movement and earlier American potteries like Weller and Roseville. Featuring chapters on studio marks, an introduction by owner and founder Ray Markow; and a year-by-year review from 1973 to 1987, this is the definitive volume on SBCD for the ceramics collector, dealer, student, artist, and historian.

Received document entitled: APPENDIX FOR APPELLANT'S OPENING BRIEF

This book is a fascinating tour through the world of contemporary claywork.

Discusses techniques of working with clay from simple coil and drape to carving and sculpture methods. Also covers glazing, firing, glass, decoration, and mural use of ceramics.

The great age of European ceramic design began around 1500 and ended in the early 19th century with the introduction of large-scale production of ceramics. In this illustrated history, with nearly 300 color and black and white photos and reproductions, curator Howard Coutts considers the main stylistic trends�Renaissance, Mannerism, Oriental, Rococo, and Neoclassicism�as they were represented in such products as Italian Majolica, Dutch Delftware, Meissen and S�vres porcelain, Staffordshire, and Wedgwood pottery. He pays close attention to changes in eating habits over the period, particularly the layout of a formal dinner, and discusses the development of ceramics as room decoration, the transmission of images via prints, marketing of ceramics and other luxury goods, and the intellectual background to Neoclassicism.

Surveys the use of tile in both conventional and less traditional settings, showcasing lavish photography of tile applications in bathrooms, staircases, outdoor courtyards, and other locations while addressing such topics as glazes, maintenance, and decorating within a budget. Reprint.