This volume is conceived as a complement to another Middle English Texts series text, Sherry Reames' Middle English Legends of Women Saints. This selection is intended to be broadly representative of saints' lives in Middle English and of the classic types of hagiographic legend as these were presented to the lay public and less-literate clergy of late medieval England.

The saints were the superheroes and the celebrities of medieval England, bridging the gap between heaven and earth, the living and the dead. A vast body of literature evolved during the middle ages to ensure that everyone, from kings to peasants, knew the stories of the lives, deaths and afterlives of the saints. However, despite its popularity and ubiquity, the genre of the Saint's Life has until recently been little studied. This collection introduces the canon of Middle English hagiography; places it in the context of the cults of saints; analyses key themes within hagiographic narrative, including gender, power, violence and history; and, finally, shows how hagiographic themes survived the Reformation. Overall it offers both information for those coming to the genre for the first time, and points forward to new trends in research. Dr SARAH SALIH is a Lecturer in English at the University of East Anglia. Contributors: SAMANTHA RICHES, MARY BETH LONG, CLAIRE M. WATERS, ROBERT MILLS, ANKE BERNAU, KATHERINE J. LEWIS, MATTHEW WOODCOCK

Old English Lives of Saints, a series composed in the 990s by the Benedictine monk Aelfric, portrays an array of saints--including virgin martyrs, kings, soldiers, and bishops--whose examples modeled courageous faith, self-sacrifice, and individual and collective resistance at a turbulent time when England was under severe Viking attack.

Middle English Legends of Women Saints presents a collection of saints' Lives intended to suggest the diversity of possibilities beneath the supposedly fixed and predictable surfaces of the legends, using multiple retellings of the same legend to illustrate that medieval readers and listeners did not just passively receive saints' legends but continually and actively appropriated them. The collection opens with legends about two royal (or supposedly royal) women, Frideswide and Mary Magdelen, and continues with those of three popular virgin martyrs, Margaret of Antioch, Christina of Tyre, and Katherine of Alexandria. The final portion of the collection is devoted to St. Anne, mother of the Virgin Mary. The collection includes a number of relatively unknown texts that have not appeared in print since Horstmann's transcriptions in the nineteenth century and a few that have never before been published.

Annotated bibliography covering two centuries of scholarly criticism on the extensive corpus of medieval saints' legends. with the assistance of Margaret RogersonSaints' legends are being increasingly recognised as one of the most important genres of the middle ages, and attract much critical attention. This volume surveys the scholarly literatureof the nineteenth and twentieth centuries on the extensive Middle English corpus. It also provides a conspectus of the genre's history in the Middle English period, and its place in the development of the modern discipline of Middle English, while both the introduction and the annotations give attention to the problematic boundaries between genres and to the issues involved in separating out texts from their manuscript contexts. General studies of the corpus as a whole are covered, as well as discussions and editions of individual legends, of the various extended cycles of legends, and of sermon collections that include hagiographic legends and exempla; the volume has been structured so as to provide an overview of the research on major works [for example the South English Legendary and St Erkenwald], and authors such as Osbern Bokenham, John Capgrave, William Caxton and John Mirk. It includesan Index of Scholars and Critics keyed to the Bibliography, an Index of Middle English Texts that covers all works, of whatever genre, mentioned in the annotations, and an Index of Manuscripts that gathers the references to the over 170 manuscripts cited.

Middle English Legends of Women Saints presents a collection of saints' Lives intended to suggest the diversity of possibilities beneath the supposedly fixed and predictable surfaces of the legends, using multiple retellings of the same legend to illustrate that medieval readers and listeners did not just passively receive saints' legends but continually and actively appropriated them. The collection opens with legends about two royal (or supposedly royal) women, Frideswide and Mary Magdelen, and continues with those of three popular virgin martyrs, Margaret of Antioch, Christina of Tyre, and Katherine of Alexandria. The final portion of the collection is devoted to St. Anne, mother of the Virgin Mary. The collection includes a number of relatively unknown texts that have not appeared in print since Horstmann's transcriptions in the nineteenth century and a few that have never before been published.

These original essays mean to provoke rather than reassure, to challenge rather than codify. Instead of summarizing existing knowledge after the fashion of the now-ubiquitous literary 'companions,' these essays aim at opening fresh discussion; instead of emphasizing settled consensus they direct their readers to areas of enlivened and unresolved debate. Although 'major authors' such as Chaucer and Langland are richly represented, many little-known and neglected texts are considered as well. Analysis is devoted not only to self-sufficient works, but to the general conditions of textual production and reception. Contributors to this collection include some recognized and admired names, but also a good many newer faces: younger scholars whose groundbreaking research is just coming into full view, and whose perspectives will influence the terms of literary discussion in the decades to come. Encouraged to speculate, they have addressed topics that unsettle previous categories of investigation. Each is oriented toward the emergent, the unfinalized, the yet-to-be-done. Each essay stirs new questions and concludes with suggestions for further reading and investigation that will allow readers to extend their own research into the questions it has raised.