“What I wanted more than anything was to be standing beside Schmidt, in concert with Schmidt, at the foot of Saint Sebastian’s Abyss along with Schmidt, hands cupped to the sides of our faces, debating art, transcendence, and the glory of the apocalypse.” Former best friends who built their careers writing about a single work of art meet after a decades-long falling-out. One of them, called to the other’s deathbed for unknown reasons by a “relatively short” nine-page email, spends his flight to Berlin reflecting on Dutch Renaissance painter Count Hugo Beckenbauer and his masterpiece, Saint Sebastian’s Abyss, the work that established both men as important art critics and also destroyed their relationship. A darkly comic meditation on art, obsession, and the enigmatic power of friendship, Saint Sebastian’s Abyss stalks the museum halls of Europe, feverishly seeking salvation, annihilation, and the meaning of belief.

At the turn of the twentieth century, as he composes a treatise on melancholy, Jacov Reinhardt sets off from his small Croatian village in search of his hero and unwitting mentor, Emiliano Gomez Carrasquilla, who is rumored to have disappeared into the South American jungle—“not lost, mind you, but retired.” Jacov’s narcissistic preoccupation with melancholy consumes him, and as he desperately recounts the myth of his journey to his trusted but ailing scribe, hope for an encounter with the lost philosopher who holds the key to Jacov’s obsession seems increasingly unlikely. From Croatia to Germany, Hungary to Russia, and finally to the Americas, Jacov and his companions grapple with the limits of art, colonialism, and escapism in this antic debut where dark satire and skewed history converge.

1997, Boston -- Fifteen years ago an eleven-year-old girl died an unspeakable death in a small Midwestern city.... As a child, Weeble earns her nickname for her ability to stand up under difficult circumstances. Despite the squalor, neglect, and abuse of her home, Weeble adopts the role of protector, first for her younger sister, Annie, and then for her best friend, Lauren. When Lauren dies, Weeble hides her stark, painful childhood from herself in order to survive. Years later and now a civil engineer living thousands of miles away, Weeble's tenuous hold on her emotional state has started to unravel. The methods she uses to cope with her shame and grief no longer work. After winning a grant to create a Web site dedicated to the victims of serial killers, Weeble shuts out longtime friends and begins training for the Boston Sprint Triathlon. Running hard has always kept the nightmares at bay. Then during an early-morning run, she's caught off guard by a Freegan named Tom Paul, a glass artist and modern mystic. Weeble's numb detachment shatters. As her past increasingly invades her present, she will be forced to confront the truth of what happened that long ago summer. Using a structure that switches abruptly between radiant present and dark past, Saint Sebastian's Head tells the ultimately healing love story of a damaged woman and the faithful man who can see the hidden beauty of her soul.

The narrator of The Longcut is an artist who doesn’t know what her art is. As she gets lost on her way to a meeting in an art gallery, walking around in circles in a city she knows perfectly well, she finds herself endlessly sidetracked and distracted by the question of what her work is and how she’ll know it when she sees it. Her mental peregrinations take her through the elements that make up her life: her dull office job where she spends the day moving items into a “completed” column, insomniac nights in her so-called studio (also known as her tiny apartment), encounters with an enigmatic friend who may or may not know her better than she knows herself. But wherever she looks she finds only more questions—what is the difference between the world and the photographed world, why do objects wither in different contexts, what is Cambridge blue—that lead her further away from the one thing that really matters. An extraordinary feat of syntactical dexterity and comic ingenuity, The Longcut is ultimately a story of resistance to easy answers and the place of art and the artist in the world.

Nabokov's first novel in English, one of his greatest and most overlooked, with a new Introduction by Michael Dirda.

Winner of the Hugo Award! In A Psalm for the Wild-Built, bestselling Becky Chambers's delightful new Monk and Robot series, gives us hope for the future. It's been centuries since the robots of Panga gained self-awareness and laid down their tools; centuries since they wandered, en masse, into the wilderness, never to be seen again; centuries since they faded into myth and urban legend. One day, the life of a tea monk is upended by the arrival of a robot, there to honor the old promise of checking in. The robot cannot go back until the question of "what do people need?" is answered. But the answer to that question depends on who you ask, and how. They're going to need to ask it a lot. Becky Chambers's new series asks: in a world where people have what they want, does having more matter? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Ema The Captive, César Aira’s second novel, is perhaps closest in style to his popular An Episode in the Life of a Landscape Painter and The Hare In nineteenth-century Argentina, Ema, a delicate woman of indeterminate origins, is captured by soldiers and taken, along with with her newborn babe, to live as a concubine in a crude fort on the very edges of civilization. The trip is appalling (deprivations and rapes prevail along the way), yet the real story commences once Ema arrives at the fort, where she takes on a succession of lovers among the soldiers and Indians, leading to a brave and grand entrepreneurial experiment. As is usual with Aira’s work, the wonder of the book is in the details of customs, beauty, and language, and the curious, perplexing reality of human nature.