Illustrated This volume in the Vision Books series of saints for youth combines a world famous Catholic novelist, Louis de Wohl, with one of the most thrilling and dramatic saint's lives in history, St. Joan of Arc. De Wohl uses his famed narrative skill to tell young people about the brave teenage French girl who had visions and led armies in battle, but also about how her entire life testifies to the amazing power of God's grace. It's all here: how Joan, a humble maiden in an insignificant town, was told by St. Michael the Archangel, St. Catherine, and St. Margaret to lead the French in battle against the English; how she finally succeeded in convincing the French of the truth of her mission; how she met with fantastic success but was betrayed, captured, and imprisoned; and finally, how she suffered through a politically motivated trial for heresy and was burned at the stake. Best of all, de Wohl is not interested solely in the external details of Joan's life, but in Joan's all-encompassing love for God, which informed all her courageous actions from beginning to end. You'll not only thrill to Joan's heroism; your heart will delight in her example of loving surrender to God's will. Every detail of her life will ring out to you as a joyful witness to the grace of God.

Saint Joan is a play by George Bernard Shaw about 15th-century French military figure Joan of Arc. Premiering in 1923, three years after her canonization by the Roman Catholic Church, the play dramatises what is known of her life based on the substantial records of her trial. Shaw studied the transcripts and decided that the concerned people acted in good faith according to their beliefs. He wrote in his preface to the play:

"Saint Joan is a play by George Bernard Shaw about 15th-century French military figure Joan of Arc. Premiering in 1923, three years after her canonization by the Roman Catholic Church, the play reflects Shaw's belief that the people involved in Joan's trial acted according to what they thought was right. He wrote in his preface to the play: There are no villains in the piece. Crime, like disease, is not interesting: it is something to be done away with by general consent, and that is all [there is] about it. It is what men do at their best, with good intentions, and what normal men and women find that they must and will do in spite of their intentions, that really concern us

A biography of the fifteenth-century peasant girl who led a French army to victory against the English, witnessed the crowning of King Charles VII, and was later burned at the stake for witchcraft.

A biography of the peasant girl who led the French army to victory against the English and paved the way for the coronation of King Charles VII.

A housekeeper reports the disappearance of a sewing-maid from a wealthy household. She insists that the girl has been abducted. Mr Gryce and a young detective investigate. The missing young woman has a secret. But she is not the only one...

Shaw characterised Saint Joan as "A Chronicle Play in 6 Scenes and an Epilogue ". Joan, a simple peasant girl, claims to experience visions of Saint Margaret, Saint Catherine, and the archangel Michael, which she says were sent by God to guide her conduct.Scene 1 (23 February 1429): Robert de Baudricourt complains about the inability of the hens on his farm to produce eggs. Joan claims that her voices are telling her to lift the siege of Orléans, and to allow her several of his men for this purpose. Joan also says that she will crown the Dauphin in Reims Cathedral. Baudricourt ridicules Joan, but his Steward feels inspired by her words. Baudricourt eventually begins to feel the same sense of inspiration, and gives his consent to Joan. The Steward enters at the end of the scene to exclaim that the hens have begun to lay eggs again. Baudricourt interprets this as a sign from God of Joan's divine inspiration.Scene 2 (8 March 1429): Joan talks her way into being received at the court of the weak and vain Dauphin. There, she tells him that her voices have commanded her to help him become a true king by rallying his troops to drive out the English occupiers and restore France to greatness. Joan succeeds in doing this through her excellent powers of flattery, negotiation, leadership, and skill on the battlefield.Scene 3 (29 April 1429): Dunois and his page are waiting for the wind to turn so that he and his forces can lay siege to Orléans. Joan and Dunois commiserate, and Dunois attempts to explain to her more pragmatic realities of an attack, without the wind at their back. Her replies eventually inspire Dunois to rally the forces, and at the scene's end, the wind turns in their favour.