Illustrated This volume in the Vision Books series of saints for youth combines a world famous Catholic novelist, Louis de Wohl, with one of the most thrilling and dramatic saint's lives in history, St. Joan of Arc. De Wohl uses his famed narrative skill to tell young people about the brave teenage French girl who had visions and led armies in battle, but also about how her entire life testifies to the amazing power of God's grace. It's all here: how Joan, a humble maiden in an insignificant town, was told by St. Michael the Archangel, St. Catherine, and St. Margaret to lead the French in battle against the English; how she finally succeeded in convincing the French of the truth of her mission; how she met with fantastic success but was betrayed, captured, and imprisoned; and finally, how she suffered through a politically motivated trial for heresy and was burned at the stake. Best of all, de Wohl is not interested solely in the external details of Joan's life, but in Joan's all-encompassing love for God, which informed all her courageous actions from beginning to end. You'll not only thrill to Joan's heroism; your heart will delight in her example of loving surrender to God's will. Every detail of her life will ring out to you as a joyful witness to the grace of God.

SAINT JOAN OF NEW YORK is a novel about a math prodigy who becomes obsessed with discovering the Theory of Everything. Joan Cooper, a 17-year-old genius traumatized by the death of her older sister, tries to rebuild her shattered world by studying string theory and the efforts to unify the laws of physics. But as she tackles the complex equations, she falls prey to disturbing visions of a divine being who wants to help her unveil the universe’s mathematical design. Joan must enter the battle between science and religion, fighting for her sanity and a new understanding of the cosmos.

Illustrated This volume in the Vision Books series of saints for youth combines a world famous Catholic novelist, Louis de Wohl, with one of the most thrilling and dramatic saint's lives in history, St. Joan of Arc. De Wohl uses his famed narrative skill to tell young people about the brave teenage French girl who had visions and led armies in battle, but also about how her entire life testifies to the amazing power of God's grace. It's all here: how Joan, a humble maiden in an insignificant town, was told by St. Michael the Archangel, St. Catherine, and St. Margaret to lead the French in battle against the English; how she finally succeeded in convincing the French of the truth of her mission; how she met with fantastic success but was betrayed, captured, and imprisoned; and finally, how she suffered through a politically motivated trial for heresy and was burned at the stake. Best of all, de Wohl is not interested solely in the external details of Joan's life, but in Joan's all-encompassing love for God, which informed all her courageous actions from beginning to end. You'll not only thrill to Joan's heroism; your heart will delight in her example of loving surrender to God's will. Every detail of her life will ring out to you as a joyful witness to the grace of God. This book is now part of Renaissance Learning's Accelerated Reader program. Quizzes are currently available.

Exclusive to Penguin Classics: the definitive text of Shaw’s powerful historical drama about Joan of Arc, which led him to win the Nobel Prize for Literature—part of the official Bernard Shaw Library A Penguin Classic With Saint Joan, which distills many of the ideas Shaw had been exploring in earlier works on politics, religion, feminism, and creative evolution, he reached the height of his fame as a dramatist. Fascinated by the story of Joan of Arc, but unhappy with the way she had traditionally been depicted, Shaw wanted to remove “the whitewash which disfigures her beyond recognition.” He presents a realistic Joan: proud, intolerant, naïve, foolhardy, and brave—a rebel and a woman for Shaw’s time and our own. This is the definitive text under the editorial supervision of Dan H. Laurence. The volume includes Shaw’s Preface of 1924; the cast list of the first production of Saint Joan; a chronology; and the essay “On Playing Joan” by Imogen Stubbs.

Saint Joan' is a play by George Bernard Shaw about 15th Century French military figure Joan of Arc. Premiering in 1923, three years after her canonization by the Roman Catholic Church, the play dramatises what is known of her life based on the substantial records of her trial. Shaw studied the transcripts and decided that the concerned people acted in good faith according to their beliefs.

This classic traces the life of Joan of Arc from the time she appears to her regional governor, her visit to the Dauphin (where she is undeceived by his disguise) to the siege of Orleans, coronation at Rheims, trial and recantation, and culminating with her death at the stake. Followed by the famous epilogue regarding her canonization, Shaw explores the themes of faith, nationalism and Protestantism. Called variously "the greatest play in English since Shakespeare" and "beautiful, engrossing, and at times exalting", Shaw's masterpiece remains as vivid and timely to modern audiences as it was scandalous and incendiary in its premiere in 1923.

The literary genetics of Shaw's most famous play are here examined for the first time. The sources of Saint Joan are closely compared with the original shorthand manuscript and that is compared with its subsequent revisions. This evidence is supplemented by facts drawn from Shaw's correspondence in print, in the British Library, and in private collections, and by accounts both in print and in the correspondence of people who knew Shaw at the time of his writing Saint Joan. The manuscript and its revisions are examined in the light of all that has been written about the play since it first appeared in 1923. Tyson examines the events that led Shaw to write Saint Joan, establishes the times and places of its composition, and speculates on the "models" upon which Shaw may have based his heroine. The scene-by-scene investigation of the original manuscript accounts as far as possible for later alterations and revisions and discusses passages of critical or historical interest. The concluding chapters survey the circumstances surrounding the first production of the play in the United States, Great Britain, France, and Germany and reflect on the impact that Saint Joan has had on drama for more than half a century.