Saaya Unveiled: South Asian Mental Health Spotlighted shares the true stories of second-generation Indian, Pakistani, and Bangladeshi immigrants who navigate mental health in the West- the U.S. U.K., and Canada. Each featured interviewee discusses how destigmatizing mental health became their fight, and how they're bridging the gap of access, education, and acceptance between generations. From topics like identity, culture, socialization, academia, love, loss, and trauma, each unique story unveils a part of the shadow (saaya) of mental health in South Asian diaspora. Wisconsin based Indian-American writer Mrinal Gokhale has a special interest in psychology and wellness, and has finally published a book around these topics. As a former freelance journalist, she has worked for minority owned publications in Milwaukee, the most segregated city in the U.S. Though she has covered many events on Mental Health Awareness Month in the Black and Hispanic communities, she felt there was lack of education surrounding Asian mental health, and strived to change that. Her aim is to help other South Asians navigating mental health journeys in the Western part of the world feel less alone, and to promote education and acceptance of mental health in South Asian communities.

The Urdu Ghazal presents the unique flowering of the ghazal as a by-product of India’s composite culture. It explores a variety of influences on the ghazal, including Sufism, Bhakti movement, and infusion of Rekhta and Persian languages and culture. The book elucidates classical ghazal forms that blossomed from the seeds sown by Amir Khusrau in the fourteenth century to achieve great heights of literary excellence during the next 300 years, notably in the works of great poets like Mir and Ghalib. It also illustrates different socio-political and cultural demands of changing times, primarily how the ghazal provided new creative models to deal with literary movements like progressivism, modernism, and postmodernism, through works of pioneering twentieth-century poets like Faiz Ahmed Faiz, Gulzar, and Javed Akhtar.

A Lilly's Library Book Club Pick! “A sparkling debut.”—Emily Giffin, #1 New York Times Bestselling Author From a compelling new voice in women's fiction comes a mother-daughter story about three generations of women who struggle to define themselves as they pursue their dreams. Simran Mehta has always felt harshly judged by her mother, Nandini, especially when it comes to her little "writing hobby." But when a charismatic and highly respected journalist careens into Simran's life, she begins to question not only her future as a psychologist, but her engagement to her high school sweetheart. Nandini Mehta has strived to create an easy life for her children in America. From dealing with her husband's demanding family to the casual racism of her patients, everything Nandini has endured has been for her children's sake. It isn’t until an old colleague makes her a life-changing offer that Nandini realizes she's spent so much time focusing on being the Perfect Indian Woman, she’s let herself slip away. Mimi Kadakia failed her daughter, Nandini, in ways she'll never be able to fix­—or forget. But with her granddaughter, she has the chance to be supportive and offer help when it's needed. As life begins to pull Nandini and Simran apart, Mimi is determined to be the bridge that keeps them connected, even as she carries her own secret burden.

Nine-year-old Meena can’t wait to grow up and break free from her parents. But, as the daughter of the only Punjabi family in the mining village of Tollington, her struggle for independence is different from most.

Mirza Asadullah Khan (1797–1869), popularly, Ghalib, is the most influential poet of the Urdu language. He is noted for the ghazals he wrote during his lifetime, which have since been interpreted and sung by different people in myriad ways. Ghalib’s popularity has today extended beyond the Indian subcontinent to the Hindustani diaspora around the world. In this book, Gopi Chand Narang studies Ghalib’s poetics by tracing the archetypical roots of his creative consciousness and enigmatic thought in Buddhist dialectical philosophy, particularly in the concept of shunyata. He underscores the importance of the Mughal era’s Sabke Hindi poetry, especially through Bedil, whom Ghalib considered his mentor. The author also engages with Ghalib criticism that has flourished since his death and analyses the important works of the poet, including pieces from early Nuskhas and Divan-e Ghalib, strengthening this central argument. Much has been written about Ghalib’s life and his poetry. A marked departure from this dominant trend, Narang’s book looks at Ghalib from different angles and places him in the galaxy of the great Eastern poets, stretching far beyond the boundaries of India and the Urdu language.