There is no competition since this is the first book in the English language on cosmonaut selection and training Offers a unique and original discussion on how Russia prepares its cosmonauts for spaceflight. Contains original interviews and photographs with first-hand information obtained by the authors on visits to Star City Provides an insight to the role of cosmonauts in the global space programme of the future. Reviews the training both of Russian cosmonauts in other countries and of foreign cosmonauts in Star City

In this remarkable oral history, Slava Gerovitch presents interviews with the men and women who witnessed Soviet space efforts firsthand. Rather than comprising a "master narrative," these fascinating and varied accounts bring to light the often divergent perspectives, experiences, and institutional cultures that defined the Soviet space program.

The First Soviet Cosmonaut Team will relate who these men were and offer far more extensive background stories, in addition to those of the more familiar names of early Soviet space explorers from that group. Many previously-unpublished photographs of these “missing” candidates will also be included for the first time in this book. It will be a detailed, but highly readable and balanced account of the history, training and experiences of the first group of twenty cosmonauts of the USSR. A covert recruitment and selection process was set in motion throughout the Soviet military in August 1959, just prior to the naming of America’s Mercury astronauts. Those selected were ordered to report for training at a special camp outside of Moscow in the spring of 1960. Just a year later, Senior Lieutenant Yuri Gagarin of the Soviet Air Force (promoted in flight to the rank of major) was launched aboard a Vostok spacecraft and became the first person ever to achieve space flight and orbit the Earth.

From the start, the Soviet human space program had an identity crisis. Were cosmonauts heroic pilots steering their craft through the dangers of space, or were they mere passengers riding safely aboard fully automated machines? Tensions between Soviet cosmonauts and space engineers were reflected not only in the internal development of the space program but also in Soviet propaganda that wavered between praising daring heroes and flawless technologies. Soviet Space Mythologies explores the history of the Soviet human space program within a political and cultural context, giving particular attention to the two professional groups—space engineers and cosmonauts—who secretly built and publicly represented the program. Drawing on recent scholarship on memory and identity formation, this book shows how both the myths of Soviet official history and privately circulating counter-myths have served as instruments of collective memory and professional identity. These practices shaped the evolving cultural image of the space age in popular Soviet imagination. Soviet Space Mythologies provides a valuable resource for scholars and students of space history, history of technology, and Soviet (and post-Soviet) history.

This book is about the early era of the Russian space challenge. It is based on the notes of Vladimir Suvorov, a distinguished chief documentary cinematographer, who eyewitnessed and described in his top secret diary all these events from 1959 to 1969. He and his team made 35 films on the Russian conquest of space. He worked closely with the key scientists including Chief Designer Sergey Korolev, the President of the Academy of Sciences Mstislav Keldish and other high ranking military officers who were in charge of the Soviet space program. Many cosmonauts, especially the first ones like Yuri Gagarin, German Titov, et al., became his friends. This book is the first close up and personal account of these remarkable events.

On April 12, 1961, Yuri Gagarin became the first person in history to leave the Earth's atmosphere and venture into space. His flight aboard a Russian Vostok rocket lasted only 108 minutes, but at the end of it he had become the most famous man in the world. Back on the ground, his smiling face captured the hearts of millions around the globe. Film stars, politicians and pop stars from Europe to Japan, India to the United States vied with each other to shake his hand. Despite this immense fame, almost nothing is known about Gagarin or the exceptional people behind his dramatic space flight. Starman tells for the first time Gagarin's personal odyssey from peasant to international icon, his subsequent decline as his personal life began to disintegrate under the pressures of fame, and his final disillusionment with the Russian state. President Kennedy's quest to put an American on the Moon was a direct reaction to Gagarin's achievement--yet before that successful moonshot occurred, Gagarin himself was dead, aged just thirty-four, killed in a mysterious air crash. Publicly the Soviet hierarchy mourned; privately their sighs of relief were almost audible, and the KGB report into his death remains secret. Entwined with Gagarin's history is that of the breathtaking and highly secretive Russian space program - its technological daring, its triumphs and disasters. In a gripping account, Jamie Doran and Piers Bizony reveal the astonishing world behind the scenes of the first great space spectacular, and how Gagarin's flight came frighteningly close to destruction.

The launch of the Sputnik satellite in October 1957 changed the course of human history. In the span of a few years, Soviets sent the first animal into space, the first man, and the first woman. These events were a direct challenge to the United States and the capitalist model that claimed ownership of scientific aspiration and achievement. The success of the space program captured the hopes and dreams of nearly every Soviet citizen and became a critical cultural vehicle in the country's emergence from Stalinism and the devastation of World War II. It also proved to be an invaluable tool in a worldwide propaganda campaign for socialism, a political system that could now seemingly accomplish anything it set its mind to. Into the Cosmos shows us the fascinating interplay of Soviet politics, science, and culture during the Khrushchev era, and how the space program became a binding force between these elements. The chapters examine the ill-fitted use of cosmonauts as propaganda props, the manipulation of gender politics after Valentina Tereshkova's flight, and the use of public interest in cosmology as a tool for promoting atheism. Other chapters explore the dichotomy of promoting the space program while maintaining extreme secrecy over its operations, space animals as media darlings, the history of Russian space culture, and the popularity of space-themed memorabilia that celebrated Soviet achievement and planted the seeds of consumerism.