Whereas the Western perspective on the Cold War has been well documented by journalists and historians, the Soviet side has remained for the most part shrouded in secrecy--until now. Drawing on a vast range of recently released archives in the United States, the United Kingdom, France, Germany, Russia, and Eastern Europe, Russia's Cold War offers a thorough and fascinating analysis of East-West relations from 1917 to 1989.

The first edition of The New Cold War was published to great critical acclaim. Edward Lucas has established himself as a top expert in the field, appearing on numerous programs, including Lou Dobbs, MSNBC, NBC Nightly News, CNN, and NPR. Since The New Cold War was first published in February 2008, Russia has become more authoritarian and corrupt, its institutions are weaker, and reforms have fizzled. In this revised and updated third edition, Lucas includes a new preface on the Crimean crisis, including analysis of the dismemberment of Ukraine, and a look at the devastating effects it may have from bloodshed to economic losses. Lucas reveals the asymmetrical relationship between Russia and the West, a result of the fact that Russia is prepared to use armed force whenever necessary, while the West is not. Hard-hitting and powerful, The New Cold War is a sobering look at Russia's current aggression and what it means for the world.

Karl Marx famously wrote in The Eighteenth Brumaire of Louis Napoleon that history repeats itself, “first as tragedy, then as farce.” The Cold War waged between the United States and Soviet Union from 1945 until the latter's dissolution in 1991 was a great tragedy, resulting in millions of civilian deaths in proxy wars, and a destructive arms race that diverted money from social spending and nearly led to nuclear annihilation. The New Cold War between the United States and Russia is playing out as farce – a dangerous one at that. The Russians Are Coming, Again is a red flag to restore our historical consciousness about U.S.-Russian relations, and how denying this consciousness is leading to a repetition of past follies. Kuzmarov and Marciano's book is timely and trenchant. The authors argue that the Democrats’ strategy, backed by the corporate media, of demonizing Russia and Putin in order to challenge Trump is not only dangerous, but also, based on the evidence so far, unjustified, misguided, and a major distraction. Grounding their argument in all-but-forgotten U.S.-Russian history, such as the 1918-20 Allied invasion of Soviet Russia, the book delivers a panoramic narrative of the First Cold War, showing it as an all-too-avoidable catastrophe run by the imperatives of class rule and political witch-hunts. The distortion of public memory surrounding the First Cold War has set the groundwork for the New Cold War, which the book explains is a key feature, skewing the nation’s politics yet again. This is an important, necessary book, one that, by including accounts of the wisdom and courage of the First Cold War's victims and dissidents, will inspire a fresh generation of radicals in today's new, dangerously farcical times.

In most analyses of the Cold War's end the ideological aspects of Gorbachev's "new thinking" are treated largely as incidental to the broader considerations of power. English demonstrates that Gorbachev's foreign policy was the result of an intellectual revolution. He analyzes the rise of a liberal policy-academic elite and its impact on the Cold War's end.

Contributions by Thomas J. Cobb, Donna A. Gessell, Helena Goscilo, Cyndy Hendershot, Christian Jimenez, David LaRocca, Lori Maguire, Tatiana Prorokova-Konrad, Ian Scott, Vesta Silva, Lucian Tion, Dan Ward, and Jon Wiebel In recent years, Hollywood cinema has forwarded a growing number of images of the Cold War and entertained a return to memories of conflicts between the USSR and the US, Russians and Americans, and communism and capitalism. Cold War II: Hollywood’s Renewed Obsession with Russia explores the reasons for this sudden reestablished interest in the Cold War. Essayists examine such films as Guy Ritchie’s The Man from U.N.C.L.E., Steven Spielberg’s Bridge of Spies, Ethan Coen and Joel Coen’s Hail, Caesar!, David Leitch’s Atomic Blonde, Guillermo del Toro’s The Shape of Water, Ryan Coogler’s Black Panther, and Francis Lawrence’s Red Sparrow, among others, as well as such television shows as Comrade Detective and The Americans. Contributors to this collection interrogate the revival of the Cold War movie genre from multiple angles and examine the issues of patriotism, national identity, otherness, gender, and corruption. They consider cinematic aesthetics and the ethics of these representations. They reveal how Cold War imagery shapes audiences’ understanding of the period in general and of the relationship between the US and Russia in particular. The authors complicate traditional definitions of the Cold War film and invite readers to discover a new phase in the Cold War movie genre: Cold War II.

Today, there is plenty of evidence that Russia has become a prominent external actor in Latin America and the Caribbean. Yet, few books have attempted to better understand the reasons behind Russia ́s return and Moscow’s continuous engagement in the region. In order to fill the gap, this volume offers the first interdisciplinary study of Russian-Latin American relations after the end of the Cold War. Across 16 chapters, leading experts from Russia, Europe, the United States, and Latin America collectively re-examine the Soviet legacy to reveal the conditions in which Russia operates today and identify the key trends of contemporary Russian relations with this part of the world. The book then moves on to provide a detailed case study analysis of Russia’s bilateral relations with Venezuela, Cuba, Mexico, Brazil, Argentina, and Colombia, identifying the most critical dimensions of Russian engagement. Rethinking Post Cold-War Russian-Latin American Relations allows readers to identify the fundamental driving forces of Russia’s renewed commitment to the area, its strategies and experiences. The book will be of interest to readers of international relations and area studies, historians of modern Latin America, migration studies, political economy, and any political scientists interested in Russian decision-making.