Russia’s Capitalist Realism examines how the literary tradition that produced the great works of Leo Tolstoy, Fyodor Dostoevsky, and Anton Chekhov responded to the dangers and possibilities posed by Russia’s industrial revolution. During Russia’s first tumultuous transition to capitalism, social problems became issues of literary form for writers trying to make sense of economic change. The new environments created by industry, such as giant factories and mills, demanded some kind of response from writers but defied all existing forms of language. This book recovers the rich and lively public discourse of this volatile historical period, which Tolstoy, Dostoevsky, and Chekhov transformed into some of the world’s greatest works of literature. Russia’s Capitalist Realism will appeal to readers interested in nineteenth‐century Russian literature and history, the relationship between capitalism and literary form, and theories of the novel.

An analysis of the ways in which capitalism has presented itself as the only realistic political-economic system.

This selection of over 50 projects, presented in large-scale photos as well as complementary ground-floor plans and sketches, communicates a differentiated impression of post-Soviet architecture, ranging from the picturesque Vodka Pavilion in the Ostoshenka Forest to the futuristic Main Railway Station in Samara. Capitalist Realism focuses on the artistic aspect of architecture in today's Russia and has some architectural surprises in store for the reader. A critical insight into the Russian architectural scene that we don't yet know

It is a vigorous, clearly written and well-documented book, managing to narrate the details of diplomatic encounters with considerable momentum and direction. Scholars, analysts and policy makers of every theoretical persuasion wishing to obtain more details on Russian affairs will find this text enlightening.

Explores Marx’s attitude to “developing” societies. Includes translations of Marx’s notes from the 1880s, among the most important finds of the last century.

Robert Stephenson's book focuses on Moscow following the collapse of the USSR and provides a unique pictorial view of daily life in Russia's capital city during the turbulent early years of transition to market capitalism. Original photographs and supporting narrative by the author, who lived in the city throughout the time, show how the old Soviet capital and its inhabitants adapted to a new capitalist reality as Russia opened its doors wide to new influences, ideas and possibilities. This was a time of promise and protest, revolution and reaction, with Moscow at the centre of the changes. While Soviet monuments, cars and domestic appliances were abandoned and thrown on the rubbish heap, a new consumer society gradually asserted itself. New ideologies and beliefs challenged and clashed with previous orthodoxies. At the same time resistance to reform and western influence was also emerging, and new certainties were sought in the return of old, pre-Soviet symbols and values. The book portrays the country's capital in the epoch-making period between the fall of communism and the establishment of the modern Russian state and provides a new and intriguing source of original material for all scholars and general readers interested in modern Russian history and culture. Photographs by Robert Stephenson. Publishers Maxim Hodak & Max Mendor.