This study examines how Russians imagine Russia in the 21st century and for the last three centuries. It looks at Russian history and modern day conflicts, such as ethnicity, to see how Russian people identify themselves. This study sheds light on many topics in Russian history, such as nationalism, anti-Semitism, Orthodox Christianity and ethnic others and reaction to NATO actions in Kosovo.

This book examines the role of Russian and Serbian nationalism in dissolution of the Soviet Union and Yugoslavia in 1991.

The Encyclopedia is an invaluable resource on recent and contemporary Russian culture and history for students, teachers, and researchers across the disciplines.

Billington describes the contentious discussion occurring all over Russia and across the political spectrum. He finds conflicts raging among individuals as much as between organized groups and finds a deep underlying tension between the Russians' attempts to legitimize their new, nominally democratic identity, and their efforts to craft a new version of their old authoritarian tradition. After showing how the problem of Russian identity was framed in the past, Billington asks whether Russians will now look more to the West for a place in the common European home, or to the East for a new, Eurasian identity.

Challenging what is widely regarded as the distinguishing feature of Russian music--its ineffable "Russianness"--Marina Frolova-Walker examines the history of Russian music from the premiere of Glinka's opera A Life for the Tsar in 1836 to the death of Stalin in 1953, the years in which musical nationalism was encouraged and endorsed by the Russian state and its Soviet successor. The author identifies and discusses two central myths that dominated Russian culture during this period--that art revealed the Russian soul, and that this nationalist artistic tradition was founded by Glinka and Pushkin. The author also offers a critical account of how the imperatives of nationalist thought affected individual composers. In this way Frolova-Walker provides a new perspective on the brilliant creativity, innovation, and eventual stagnation within the tradition of Russian nationalist music.

This book covers the developing and important issue of the role and place of Islam in the increasingly complex dynamics of Russian politics. It is achieved by examining various aspects of Islam and Muslims in Russia from a multidisciplinary perspective. Islam and Muslims are currently at the forefront of popular culture, mass media and political imaginations in the age of the ‘Global War on Terrorism’. Frequently, these are for the ‘wrong’ reasons as they are not well understood, but rather stereotypically misrepresented, often for various political reasons. Russia is also highly stereotyped; the diverse and mysterious country is often misunderstood in terms of the communicated cultural, social and political images. This book is an attempt to expose and analyse the wealth in diversity of Islam and Muslims in Russia, a country where different religions have occupied the same political spaces, for better and worse, for many centuries. The content of this book is focused upon the contemporary social, political, cultural and identity contexts of Russia in terms of the interrelated dynamics and forces that are shaping the relations and place of Islam and Muslims in Russia today. The chapters in this book were originally published in the journal Religion, State & Society.

A historical study, taking as its narrative focus the life, death and posthumous fate of Vasil Levski (1837-1873), arguably the major and only uncontested hero of the Bulgarian national pantheon. The main title refers to the "thick description" of the reburial controversy during the final phase of communist Bulgaria, which centered on the search for Levski's bones. The book gives a specific understanding also of the relationship between nationalism and religion in the post-communist period, by analyzing the recent canonization of Levski. The processes described, although with a chronological depth of almost two centuries, are still very much in the making, and the living archive expands not only in size but with the constant addition of surprising new forms they take. At another level, the book engages in a variety of general theoretical questions. It offers insights into the problems of history and memory: the question of public, social or collective memory; the nature of national memory in comparison to other types of memory; the variability of memory over time and social space; alternative memories; memory's techniques like commemorations, the mechanism of creating and transmitting memory.