Why have Russians chosen unlimited autocracy throughout their history? Why is democracy unable to flourish in Russia?

This volume is the first comprehensive study of the “conservative turn” in Russia under Putin. Its fifteen chapters, written by renowned specialists in the field, provide a focused examination of what Russian conservatism is and how it works. The book features in-depth discussions of the historical dimensions of conservatism, the contemporary international context, the theoretical conceptualization of conservatism, and empirical case studies. Among various issues covered by the volume are the geopolitical and religious dimensions of conservatism and the conservative perspective on Russian history and the politics of memory. The authors show that conservative ideology condenses and reworks a number of discussions about Russia’s identity and its place in the world. Contributors include: Katharina Bluhm, Per-Arne Bodin, Alicja Curanović, Ekaterina Grishaeva, Caroline Hill, Irina Karlsohn, Marlene Laruelle, Mikhail N. Lukianov, Kåre Johan Mjør, Alexander Pavlov, Susanna Rabow-Edling, Andrey Shishkov, Victor Shnirelman, Mikhail Suslov, and Dmitry Uzlaner

This book explores the emergence, and in Poland, Hungary, and Russia the coming to power, of politicians and political parties rejecting the consensus around market reforms, democratization, and rule of law that has characterized moves toward an "open society" from the 1990s. It discusses how over the last decade these political actors, together with various think tanks, intellectual circles, and religious actors, have increasingly presented themselves as "conservatives," and outlines how these actors are developing a new local brand of conservatism as a full-fledged ideology that counters the perceived liberal overemphasis on individual rights and freedom, and differs from the ideology of the established, present-day conservative parties of Western Europe. Overall, the book argues that the "renaissance of conservatism" in these countries represents variations on a new, illiberal conservatism that aims to re-establish a strong state sovereignty defining and pursuing a national path of development.

From the end of the Mongol Empire to today, Russian history is a tale of cultural, political, economic and military interaction with Western powers. The depth of this relationship has created a geopolitical dilemma: Russia has persistently been both attracted to and at odds with Western ideas and technological development, which have tended to threaten Russia's sense of identity and create destabilizing divisions within society. Simultaneously, deepening involvement in Western international affairs brought meddling in Russian domestic politics and military invasion. This book examines how the centuries-old Western threat has shaped Russia's political and strategic structures, creating a culture of security rooted in vigilance against Western influence and interference.

This book explores how artistic strategies of resistance have survived under the conservative-authoritarian regime which has been in place in Russia since 2012. It discusses the conditions under which artists work as the state spells out a new state cultural policy, aesthetics change and the state attempts to define what constitutes good taste. It examines the approaches artists are adopting to resist state oppression and to question the present system and attitudes to art. The book addresses a wide range of issues related to these themes, considers the work of individual artists and includes besides its focus on the visual arts also some discussion of contemporary theatre. The book is interdisciplinary: its authors include artists, art historians, theatre critics, historians, linguists, sociologists and political scientists from Russia, Europe and the United States.

Whether bargaining for strategic arms reductions, rights to drill Siberian oil fields, or an apartment in Moscow, Americans are faced across the table by a distinct Russian negotiating style. What are its chief characteristics, and how can U.S. diplomats and businesspeople best deal with it as they pursue their own objectives? Jerrold Schecter explores these questions with a wealth of personal experience as a former government official, journalist, and corporate executive. His insights, deepened by his working knowledge of the Russian language, also draw on the testimony of U.S. and former Soviet diplomats and negotiators. As he examines the historical and cultural underpinnings of contemporary Russian negotiating behavior, Schecter finds that the Bolshevik legacy remains largely intact despite the Soviet Union's demise. A step-by-step examination of the negotiating process, based on unique inside accounts from retired Soviet officials, exposes the areas of greatest continuity in Russian interests and style, as well as areas of change. Russian Negotiating Behavior also identifies counterstrategies that western negotiators can use to protect their interests, and it outlines the requirements for doing business in Russia's nascent market economy.