Catalogues the heritage of images according to type and subject, from the ancient at the Monastery of Saint Catherine in the Sinai to those from Greece, Constantinople, and Russia. This book includes chapters such as role of icons in the Orthodox liturgy and on common iconic subjects, including the fathers and saints of the Eastern Church.

From 19 March to 16 September Splendour and Glory will provide the first overview in the Netherlands of the time-honoured spiritual and artistic traditions of the Russian Orthodox Church. More than 300 religious artefacts - icons, fresco fragments, robes, paintings, historical books and gold and silver objects associated with Christian worship - form the tangible evidence of this rich and enduring sacred institution. Religion has played an essential role in Russian society, from the Church's earliest beginnings in 988, when Grand Prince Vladimir officially adopted Orthodox Christianity as his state religion, until the present. After this 'baptism', the Orthodox faith spread rapidly throughout the realm, adding an extra dimension to church history and art history. The exhibition walls will be richly filled with icons, large and small, centuries old and world famous. Icons are sometimes called windows on eternity, for they are believed to reveal a piece of heaven. Their beauty is without parallel. Attention will focus on the origins and development of Russian icon painting, with Kiev as its birthplace.

This book studies icons and iconographic themes in the light of Orthodox theology, making special use of perspectives and insights from the patristic interpretation of Scripture. The four chapters here lucidly treat diverse topics, including the enigmatic face of Christ, the paradoxes of Annunciation, the art of Chalcedon, the aesthetics of ambiguity, the art of kenosis, hagiographically oriented studies on St. George, Byzantine warrior saints, and the contemporary theology of the 'icon screen'.--Publisher.

Icon and Devotion offers the first extensive presentation in English of the making and meaning of Russian icons. The craft of icon-making is set into the context of forms of worship that emerged in the Russian Orthodox Church in the mid-seventeenth century. Oleg Tarasov shows how icons have held a special place in Russian consciousness because they represented idealized images of Holy Russia. He also looks closely at how and why icons were made. Wonder-working saints and the leaders of such religious schisms as the Old Believers appear in these pages, which are illustrated with miniature paintings, lithographs and engravings never before published in the English-speaking world. By tracing the artistic vocabulary, techniques and working methods of icon painters, Tarasov shows how icons have been integral to the history of Russian art, influenced by folk and mainstream currents alike. As well as articulating the specifically Russian piety they invoke, he analyzes the significance of icons in the cultural life of modern Russia in the context of popular prints and poster design.

Wander into the margins in this loose and epic exploration of the legend of Saint Christopher, the dog-headed warrior. God's' Dog marks a shift in storytelling, in which the end becomes the beginning and the monster carries the king into a new world. "...a striking, beautiful and intriguing piece of work: the kind of story we need more of in the world." Paul Kingsnorth Award winning author of The Wake and Beast

"A collection of essays by eleven scholars of Russian history, art, literature, cinema, philosophy, and theology that track key shifts in the production, circulation, and consumption of the Russian icon from Peter the Great's Enlightenment to the post-Soviet revival of the Orthodox Church"--Provided by publisher.