Since its rapid imperial expansion in the seventeenth century, Russia's politics, society, and culture have exerted a profound influence on movement throughout Eurasia. The circulation of people, information, and things across Russian space transformed populations, restructured collective and individual identities, and created enduring legacies. This volume represents the latest discoveries of scholars attempting to rediscover this experience, and to understand its lasting meaning for today. These gathered essays tell a broad range of stories, involving a remarkable cross-section of historical actors: imperial visionaries, stage-coach entrepreneurs, religious pilgrims, tourists, disability activists and metropolitan police, among others. The book illuminates three major themes: the role of human mobility in Russian governance; the processes by which people decide where and how to move; and the political and cultural power of different kinds of movement. A strong contribution to our understanding of the history of Russia and the Soviet Union, this volume offers new models of research for historians, sociologists, political scientists, and others who are seeking to integrate the study of human mobility into their work. Contributors are Eugene M. Avrutin, Alexandra Bekasova, Faith Hillis, Gijs Kessler, Diane P. Koenker, Chia Yin Hsu, Eileen Kane, Anne Lounsbery, Matthew Light, Sarah D. Phillips, John Randolph, Anatolyi Remnev, Jeff Sahadeo, Frithjof Benjamin Schenk, Charles Steinwedel, Willard Sunderland, and Elena Tyuryukanova.

Moscow in Movement is the first exhaustive study of social movements, protest, and the state-society relationship in Vladimir Putin's Russia. Beginning in 2005 and running through the summer of 2013, the book traces the evolution of the relationship between citizens and their state through a series of in-depth case studies, explaining how Russians mobilized to defend human and civil rights, the environment, and individual and group interests: a process that culminated in the dramatic election protests of 2011–2012 and their aftermath. To understand where this surprising mobilization came from, and what it might mean for Russia's political future, the author looks beyond blanket arguments about the impact of low levels of trust, the weight of the Soviet legacy, or authoritarian repression, and finds an active and boisterous citizenry that nevertheless struggles to gain traction against a ruling elite that would prefer to ignore them. On a broader level, the core argument of this volume is that political elites, by structuring the political arena, exert a decisive influence on the patterns of collective behavior that make up civil society—and the author seeks to test this theory by applying it to observable facts in historical and comparative perspective. Moscow in Movement will be of interest to anyone looking for a bottom-up, citizens' eye view of recent Russian history, and especially to scholars and students of contemporary Russian politics and society, comparative politics, and sociology.

Life in the modernist era not only moved, it sped. As automobiles, airplanes, and high-speed industrial machinery proliferated at the turn of the twentieth century, a fascination with speed influenced artists—from Moscow to Manhattan—working in a variety of media. Russian avant-garde literary, visual, and cinematic artists were among those striving to elevate the ordinary physical concept of speed into a source of inspiration and generate new possibilities for everyday existence. Although modernism arrived somewhat late in Russia, the increased tempo of life at the start of the twentieth century provided Russia’s avant-garde artists with an infusion of creative dynamism and crucial momentum for revolutionary experimentation. In Fast Forward Tim Harte presents a detailed examination of the images and concepts of speed that permeated Russian modernist poetry, visual arts, and cinema. His study illustrates how a wide variety of experimental artistic tendencies of the day—such as “rayism” in poetry and painting, the effort to create a “transrational” language (zaum’) in verse, and movements seemingly as divergent as neo-primitivism and constructivism—all relied on notions of speed or dynamism to create at least part of their effects. Fast Forward reveals how the Russian avant-garde’s race to establish a new artistic and social reality over a twenty-year span reflected an ambitious metaphysical vision that corresponded closely to the nation’s rapidly changing social parameters. The embrace of speed after the 1917 Revolution, however, paradoxically hastened the movement’s demise. By the late 1920s, under a variety of historical pressures, avant-garde artistic forms morphed into those more compatible with the political agenda of the Russian state. Experimentation became politically suspect and abstractionism gave way to orthodox realism, ultimately ushering in the socialist realism and aesthetic conformism of the Stalin years.

"Will certainly become one of the standard works on the history of modern scientific institutions."--Spencer Weart, American Institute of Physics

This book by veteran journalist Eleanor Randolph offers a startling picture of life in Russia in the wake of the Soviet collapse, where the chaos that followed engulfed everything and everybody

[Includes 12 maps and 4 tables] In recent years, the U.S. Army has paid increasing attention to the conduct of unconventional warfare. However, the base of historical experience available for study has been largely American and overwhelmingly Western. In Russian-Soviet Unconventional Wars in the Caucasus, Central Asia, and Afghanistan, Dr. Robert F. Baumann makes a significant contribution to the expansion of that base with a well-researched analysis of four important episodes from the Russian-Soviet experience with unconventional wars. Primarily employing Russian sources, including important archival documents only recently declassified and made available to Western scholars, Dr. Baumann provides an insightful look at the Russian conquest of the Caucasian mountaineers (1801-59), the subjugation of Central Asia (1839-81), the reconquest of Central Asia by the Red Army (1918-33), and the Soviet war in Afghanistan (1979-89). The history of these wars—especially as it relates to the battle tactics, force structure, and strategy employed in them—offers important new perspectives on elements of continuity and change in combat over two centuries. This is the first study to provide an in-depth examination of the evolution of the Russian and Soviet unconventional experience on the predominantly Muslim southern periphery of the former empire. There, the Russians encountered fierce resistance by peoples whose cultures and views of war differed sharply from their own. Consequently, this Leavenworth Paper addresses not only issues germane to combat but to a wide spectrum of civic and propaganda operations as well.