The crossing of America's first great divide—the Appalachian Mountains—has been a source of much fascination but has received little attention from modern historians. In the eighteenth century, the Wilderness Road and Ohio River routes into Kentucky presented daunting natural barriers and the threat of Indian attack. Running Mad for Kentucky brings this adventure to life. Primarily a collection of travel diaries, it includes day-to-day accounts that illustrate the dangers thousands of Americans, adult and child, black and white, endured to establish roots in the wilderness. Ellen Eslinger's vivid and extensive introductory essay draws on numerous diaries, letters, and oral histories of trans-Appalachian travelers to examine the historic consequences of the journey, a pivotal point in the saga of the continent's indigenous people. The book demonstrates how the fabled soil of Kentucky captured the imagination of a young nation.

Supported with copious maps, illustrations, endnotes, and a detailed chronology of Boone's life, Frontiersman provides a fresh and accurate rendering of a man most people know only as a folk hero--and of the nation that has mythologized him for over two centuries.

Examines the roots of white supremacy and mass incarceration from the vantage point of history Why, asks Pem Davidson Buck, is punishment so central to the functioning of the United States, a country proclaiming “liberty and justice for all”? The Punishment Monopoly challenges our everyday understanding of American history, focusing on the constructions of race, class, and gender upon which the United States was built, and which still support racial capitalism and the carceral state. After all, Buck writes, “a state, to be a state, has to punish ... bottom line, that is what a state and the force it controls is for.” Using stories of her European ancestors, who arrived in colonial Virginia in the seventeenth and eighteenth centuries, and following their descendants into the early nineteenth century, Buck shows how struggles over the right to punish, backed by the growing power of the state governed by a white elite, made possible the dispossession of Africans, Native Americans, and poor whites. Those struggles led to the creation of the low-wage working classes that capitalism requires, locked in by a metastasizing white supremacy that Buck’s ancestors, with many others, defined as white, helped establish and manipulate. Examining those foundational struggles illuminates some of the most contentious issues of the twenty-first century: the exploitation and detention of immigrants; mass incarceration as a central institution; Islamophobia; white privilege; judicial and extra-judicial killings of people of color and some poor whites. The Punishment Monopoly makes it clear that none of these injustices was accidental or inevitable; that shifting our state-sanctioned understandings of history is a step toward liberating us from its control of the present.

Kentucky's first settlers brought with them a dedication to democracy and a sense of limitless hope about the future. Determined to participate in world progress in science, education, and manufacturing, Kentuckians wanted to make the United States a great nation. They strongly supported the War of 1812, and Kentucky emerged as a model of patriotism and military spirit. Kentucky Rising: Democracy, Slavery, and Culture from the Early Republic to the Civil War offers a new synthesis of the sixty years before the Civil War. James A. Ramage and Andrea S. Watkins explore this crucial but often overlooked period, finding that the early years of statehood were an era of great optimism and progress. Drawing on a wealth of primary and secondary sources, Ramage and Watkins demonstrate that the eyes of the nation often focused on Kentucky, which was perceived as a leader among the states before the Civil War. Globally oriented Kentuckians were determined to transform the frontier into a network of communities exporting to the world market and dedicated to the new republic. Kentucky Rising offers a valuable new perspective on the eras of slavery and the Civil War. This book is a copublication with the Kentucky Historical Society.

Kentucky Women: Their Lives and Times introduces a history as dynamic and diverse as Kentucky itself. Covering the Appalachian region in the east to the Pennyroyal in the west, the essays highlight women whose aspirations, innovations, activism, and creativity illustrate Kentucky's role in political and social reform, education, health care, the arts, and cultural development. The collection features women with well-known names as well as those whose lives and work deserve greater attention. Shawnee chief Nonhelema Hokolesqua, western Kentucky slave Matilda Lewis Threlkeld, the sisters Emilie Todd Helm and Mary Todd Lincoln, reformers Madeline Mc- Dowell Breckinridge and Laura Clay, activists Anne McCarty Braden and Elizabeth Fouse, politicians Georgia Davis Powers and Martha Layne Collins, sculptor Enid Yandell, writer Harriette Simpson Arnow, and entrepreneur Nancy Newsom Mahaffey are covered in Kentucky Women, representing a broad cross section of those who forged Kentucky's relationship with the American South and the nation at large. With essays on frontier life, gender inequality in marriage and divorce, medical advances, family strife, racial challenges and triumphs, widowhood, agrarian culture, urban experiences, educational theory and fieldwork, visual art, literature, and fame, the contributors have shaped a history of Kentucky that is both grounded and groundbreaking. Contributors: Lindsey Apple on Madeline McDowell Breckinridge; Martha Billips on Harriette Simpson Arnow; James Duane Bolin on Linda Neville; Sarah Case on Katherine Pettit and May Stone; Juilee Decker on Enid Yandell; Carolyn R. Dupont on Georgia Montgomery Davis Powers; Angela Esco Elder on Emilie Todd Helm and Mary Todd Lincoln; Catherine Fosl on Anne Pogue McGinty and Anne McCarty Braden; Craig Thompson Friend on Nonhelema Hokolesqua, Jemima Boone Callaway, and Matilda Lewis Threlkeld; Melanie Beals Goan on Mary Breckinridge; John Paul Hill on Martha Layne Collins; Anya Jabour on Sophonisba Preston Breckinridge; William Kuby on Mary Jane Warfield Clay; Karen Cotton McDaniel on Elizabeth "Lizzie" Fouse; Melissa A. McEuen on Nancy Newsom Mahaffey; Mary Jane Smith on Laura Clay; Andrea S. Watkins on Josie Underwood and Frances Dallam Peter.

The Index of American Design was one of the most significant undertakings of the Federal Art Project—the visual arts arm of the Works Progress Administration. Part of President Franklin D. Roosevelt's New Deal, this ambitious initiative set out to discover and document an authentic American style in everyday objects. The curators of the Index combed the country for art of the machine age—from carved carousel horses to engraved powder horns to woven coverlets—created by artisans for practical use. In their search for a true American artistic identity, they also sought furniture designed by regional craftsmen laboring in isolation from European traditions. Kentucky by Design offers the first comprehensive examination of the objects from the Bluegrass State featured in this historic venture. It showcases a wide array of offerings, including architecture, furniture, ceramics, musical instruments, textiles, clothing, and glass- and metalworks. The Federal Art Project played an important role in documenting and preserving the work of Shaker artists from the Pleasant Hill and South Union communities, and their creations are exhibited in this illuminating catalog. Beautifully illustrated with both the original watercolor depictions and contemporary, art-quality photographs of the works, this book is a lavish exploration of the Commonwealth's distinctive contribution to American culture and modern design. Features contributions from Jean M. Burks, Erika Doss, Jerrold Hirsch, Lauren Churilla, Larrie Currie, Michelle Ganz, Tommy Hines, Lee Kogan, Ron Pen, Janet Rae, Shelly Zegart, Mel Hankla, Philippe Chavance, Kate Hesseldenz, Madeleine Burnside, and Allan Weiss.

A study of the migration patterns that characterized the colony and (later) state of Virginia over the three century history following its European founding. Dividing the topic into three patterns--migration to, within, and from Virginia--Fischer (history, Brandeis U) and Kelly (Virginia Historical Society) study the reasons behind the migrations of various populations, paying special attention to African Americans, and explore the cultural legacy of the migrations. Annotation copyrighted by Book News, Inc., Portland, OR