Emerging from her fascination with anarchists while studying political science at Columbia, Duncan (law, Emory U.) explores the paradoxes of crime, such as law-abiding citizens who like to commit violent criminal deeds, convicts who find beauty in their prison yards, and wardens who lose their jobs because they are actually succeeding at rehabilitating their charges. Annotation copyright by Book News, Inc., Portland, OR

The two-volume Encyclopedia of Prisons and Correctional Facilities aims to provide a critical overview of penal institutions within a historical and contemporary framework. Issues of race, gender, and class are fully integrated throughout in order to demonstrate the complexity of the implementation and intended results of incarceration. The Encyclopedia contains biographies, articles describing important legal statutes, and detailed and authoritative descriptions of the major prisons in the United States. Comparative data and examples are employed to analyze the American system within an international context. The Encyclopedia's 400 entries are written by recognized authorities. The appendix contains a comprehensive listing of every federal prison in the U.S., complete with facility details and service information.

The arts - spanning the visual, design, performing, media, musical, and literary genres - constitute an alternative lens through which to understand state-sanctioned punishment and its place in public consciousness. Perhaps this is especially so in the case of imprisonment: its nature, its functions, and the ways in which these register in public perceptions and desires, have historically and to some extent inherently been intertwined with the arts. But the products of this intertwinement have by no means been constant or uniform. Indeed, just as exploring imprisonment and its public meanings through the lens of the arts may reveal hitherto obscured instances of social control within or outside prisons, so too it may uncover a rich and possibly inspirational archive of resistance to them. This edited collection sheds light both on state use of the arts for the purposes of controlling prisoners and the broader public, and the use made of the arts by prisoners and portions of the broader public as tools of resistance to penal states. The book also includes a number of chapters that address arts-in-prisons programmes, making distinctive contributions to the literature on their philosophy, formation, operation, effectiveness, and research evaluation, as well as taking care to explore the politics surrounding and underpinning these multiple themes.

This book advances conceptualisations and empirical understanding of the prison cell. It discusses the complexities of this specific carceral space and addresses its significance in relation to the everyday experiences of incarceration. The collected chapters highlight the array of processes and practices that shape carceral life, adding the cell to a rich area of discussion in penal scholarship, criminology, anthropology, sociology and carceral geography. The chapters highlight key aspects such as penal philosophies, power relationships, sensory and emotional engagements with place to highlight the breadth and depth of interdisciplinary perspectives on the prison cell: a contested place of home, labour and leisure. The Prison Cell’s empirical attention is global in its consideration, bringing together both contemporary and historical work that focuses upon the cell in the Global North and South including examples from a variety of geographical locations and settings, including police custody, prisons and immigrant detention centres. This book is an important and timely intervention in the growing and topical field of carceral studies. It presents the only standalone collection of essays with a sole focus on the space of the cell.

The prison system was one of the primary social issues of the Victorian era and a regular focus of debate among the period?s reformers, novelists, and poets. Stones of Law, Bricks of Shame brings together essays from a broad range of scholars, who examine writings on the Victorian prison system that were authored not by inmates, but by thinkers from the respectable middle class. Studying the ways in which writings on prisons were woven into the fabric of the period, the contributors consider the ways in which these works affected inmates, the prison system, and the Victorian public. Contesting and extending Michel Foucault's ideas on power and surveillance in the Victorian prison system, Stones of Law, Bricks of Shame covers texts from Charles Dickens to Henry James. This essential volume will refocus future scholarship on prison writing and the Victorian era.

Key Issues in Corrections is an engaging textbook critically analyzing the most important challenges affecting the correctional system in the USA. Written by a highly respected expert in the field, and building on his best-selling book Special problems in corrections, it examines long-standing and emerging issues, grounding the discussion in empirical research and current events. Updates to this edition include: • Integrating new scholarship, lawsuits, and the use of technology • The introduction and evaluation of new policies and practices • New sections on “The Privatization of Prisons” and “The Death Penalty” Primarily written for undergraduate students who have already had an introduction to the topic, the book offers a no-nonsense approach to explaining the problems of correctional officers, correctional managers, prisoners, and the public.

An analysis of the confinement experience in Italian narrative between 1930 and 1960, covering the last years of Fascism. Not limiting herself to prisons, Nerenberg also explores military barracks, convents, and brothels as carceral homologues.