Explores the Romantic conviction that there were 'too many' novels and shows how this belief transformed the publication of fiction.

Love in Excess (1719-1720) is a novel by Eliza Haywood. Published in three parts by printer William Chetwood, the novel marked Haywood’ debut on the London literary scene. It was an immediate bestseller, going through several reprintings in Haywood’s lifetime. Love in Excess is considered a prime example of the popular genre of amatory fiction, which often used love triangles to expose the imbalance between male and female desire in a patriarchal society. Like all young aristocratic women of their time, Alovisa and Amena are expected to wait for a marriage proposal to fall into their laps. Forbidden from expressing her desires, Alovisa decides to send an anonymous letter to the handsome, rakish D’Elmont. When he receives it, however, he thinks it has been sent by Amena, whom her promptly begins to pursue. Disappointed, Alovisa conspires with Amena’s father—who disapproves of D’Elmont—to have her rival sent to a convent. Although Alovisa ends up with her beau of choice, she soon realizes that desire has a funny way of concealing a lover’s true nature. With a beautifully designed cover and professionally typeset manuscript, this edition of Eliza Haywood’s Love in Excess is a classic of English literature reimagined for modern readers.

Examines the massive impact of colonial exploration on British scientific and literary activity between the 1760s and 1830s.

This groundbreaking study explores the later lives and late-life writings of more than two dozen British women authors active during the long eighteenth century. Drawing on biographical materials, literary texts, and reception histories, Devoney Looser finds that far from fading into moribund old age, female literary greats such as Anna Letitia Barbauld, Frances Burney, Maria Edgeworth, Catharine Macaulay, Hester Lynch Piozzi, and Jane Porter toiled for decades after they achieved acclaim -- despite seemingly concerted attempts by literary gatekeepers to marginalize their later contributions. Though these remarkable women wrote and published well into old age, Looser sees in their late careers the necessity of choosing among several different paths. These included receding into the background as authors of "classics," adapting to grandmotherly standards of behavior, attempting to reshape masculinized conceptions of aged wisdom, or trying to create entirely new categories for older women writers. In assessing how these writers affected and were affected by the culture in which they lived, and in examining their varied reactions to the prospect of aging, Looser constructs careful portraits of each of her Subjects and explains why many turned toward retrospection in their later works. In illuminating the powerful and often poorly recognized legacy of the British women writers who spurred a marketplace revolution in their earlier years only to find unanticipated barriers to acceptance in later life, Looser opens up new scholarly territory in the burgeoning field of feminist age studies.

Provides twenty-first century readers with a new, comprehensive and suggestive account of the sentimental novel in the eighteenth century.

A history of ellipsis marks and their functions in major works of English literature over the past 500 years.

This second edition of the acclaimed study of Johnson's Dictionary incorporates new commentary and scholarship.