“This book takes me right back to the Carnage Years―yours, too―sacrificed to love. If only I, you, had possessed Elaine Kahn’s wisdom and wit. These poems are lacerating, coy, bloody, and so true I wanted to memorize lines from them.” ―Rachel Kushner, author of The Mars Room and The Flamethrowers Romance or The End takes up the tools of romantic narrative in order to perform the rupture between self and story that occurs at the onset of trauma. Using known and pathologized literary arcs, Elaine Kahn unspools the fundamental instability of truth, love, and language to create an experiential portrait of narrative’s power to both disfigure and restore. ROMANCE or THE END This is a book about love. And it is a book about lies. Love can be a lie, but it is also always true. This is a book about truth. This is a book about story. There is no such thing as a true story and so there are no stories in this book. Without a story, there is separation. This is a book about separation. Everything is a story. Even the truth. There is nothing truer in this world than the lie of love.

Lambda Literary Award winner This exciting and groundbreaking fiction anthology showcases a number of new and emerging 2SQ (Two-Spirit and queer Indigenous) writers from across Turtle Island. These visionary authors show how queer Indigenous communities can bloom and thrive through utopian narratives that detail the vivacity and strength of 2SQness throughout its plight in the maw of settler colonialism’s histories. Here, readers will discover bio-engineered AI rats, transplanted trees in space, the rise of a 2SQ resistance camp, a primer on how to survive Indigiqueerly, virtual reality applications, motherships at sea, and the very bending of space-time continuums queered through NDN time. Love after the End demonstrates the imaginatively queer Two-Spirit futurisms we have all been dreaming of since 1492. Contributors include Darcie Little Badger, Mari Kurisato, Kai Minosh Pyle, David Alexander Robertson, and jaye simpson. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.

Every love story has a breaking point... From the author of Paperweight comes the star-crossed romance of two high school friends in a tale rife with deeply buried secrets and shocking revelations. BEFORE: Bridge and Wil have been entangled in each other’s lives for years. Under the white-hot Florida sun, they went from kids daring each other to swim past the breakers to teenagers stealing kisses between classes. But when Bridge betrayed Wil during their junior year, she shattered his heart and their relationship along with it. AFTER: When Wil’s family suffers a violent loss, and Bridge rushes back to Wil’s side. As they struggle to heal old wounds and start falling for each other all over again, Bridge and Wil discover just how much has changed in the past year. Though they once knew each other’s every secret, they aren’t the same people they used to be. Bridge can’t imagine life without Wil, but sometimes love isn’t enough. Can they find their way back to each other, or will this be the end of their story?

In her debut novel of what she calls "spirited romance for the Jane Austen soul," author Linore Rose Burkard tells the intriguing story of Miss Ariana Forsythe, a young woman caught between her love for a man who doesn't share her faith and her resolution to marry only a fellow believer in Christ. Trouble at home sends the young woman to her aunt's townhome in the fashionable Mayfair district of London. There she finds worse troubles than those that prompted her flight from home. Ariana is soon neck-deep in high society and at odds with Mr. Phillip Mornay, London's current darling rogue. Then a scandal changes Ariana forever. Her heart, her faith, and her future are all at stake in an unexpected adventure that gains even the Prince Regent's attention. Will Ariana's faith survive this test? And what about her heart? For it's Ariana's heart that most threatens to betray the truths she has always believed in. When she finds herself backed against a wall, betrothed to the wrong young man, how can it ever turn out right? Jane Austen readers and fans of Regency romances everywhere will love Before the Season Ends.

When Erin Poletti pulls her car into the thousand acre Rydell River Ranch in River's End, Washington, looking to stay with her hated brother Chance, she never intends for it to be anything more than a pit stop on the way to the rest of her life. After her mother's suicide, Erin has no choice but to seek out her brother where he works as a ranch hand, as she is left penniless, homeless and for reasons she will share with no one; without the basic skills to navigate her life. Ranch owner Jack Rydell watches her pull onto his ranch and knows that trouble has come to his ranch, his three brothers, his two sons, and most of all: to himself. Erin has a short lived relationship with Jack's youngest brother until circumstances eventually leave Erin nearly destitute on the ranch, and finally reveals the secret Erin has desperately hidden. And only then, does Jack finally begin to know the woman whose presence has so altered his life. Eventually, Erin finds a job, and starts to work with Jack and his horses in order to repay the debts she feels she owes him. But the longer Erin is there Jack begins to wonder if he can resist the woman he now knows, despite everything that stands between them.

10 years ago, Welcome Books published the star of its Art & Poetry Series, Dance Me to the End of Love, a deliriously romantic song by Leonard Cohen that was brilliantly visualized through the sensual paintings of Henri Matisse. Now for its 10-year anniversary, Welcome is thrilled to present the entirely re-imagined and redesigned Dance Me to the End of Love. With the art of Matisse and the words of Cohen still at the heart of the book, the new look and feel of this Art & Poetry book is overwhelmingly beautiful. Cohen's song is a lyrical tribute to the miracle of love, the grace it bestows on us and its healing, restorative power. Originally recorded on his Various Positions album, and featured in Cohen's anthology, Stranger Music, this poetic song is gloriously married to the art works by Henri Matisse, perhaps the greatest artist of the twentieth century. "I had this dance within me for a long time," Matisse once said in describing one of his murals. Dance Me to the End of Love is the perfect book for art lovers, song lovers, and all other lovers as well.

In this book, Emily Griffiths Jones examines the intersections of romance, religion, and politics in England between 1588 and 1688 to show how writers during this politically turbulent time used the genre of romance to construct diverse ideological communities for themselves. Right Romance argues for a recontextualized understanding of romance as a multigeneric narrative structure or strategy rather than a prose genre and rejects the common assumption that romance was a short-lived mode most commonly associated with royalist politics. Puritan republicans likewise found in romance strength, solace, and grounds for political resistance. Two key works that profoundly influenced seventeenth-century approaches to romance are Philip Sidney’s New Arcadia and Edmund Spenser’s The Faerie Queene, which grappled with romance’s civic potential and its limits for a newly Protestant state. Jones examines how these works influenced writings by royalists and republicans during and after the English Civil War. Remaining chapters pair writers from both sides of the war in order to illuminate the ongoing ideological struggles over romance. John Milton is analyzed alongside Margaret Cavendish and Percy Herbert, and Lucy Hutchinson alongside John Dryden. In the final chapter, Jones studies texts by John Bunyan and Aphra Behn that are known for their resistance to generic categorization in an attempt to rethink romance’s relationship to election, community, gender, and generic form. Original and persuasive, Right Romance advances theoretical discussion about romance, pushing beyond the limits of the genre to discover its impact on constructions of national, communal, and personal identity.