Rock music of all varieties has been influenced by classical music and vice versa, both in the form of direct quotes and in the form of borrowings of style, composition, and instrumentation. The average listener may be unaware of the many links between rock music and the classics. One might remember a few examples, such as Walter Murphy's chart-topping "A Fifth of Beethoven" or Eric Carmen's "All by Myself," but pass them off as interesting anomalies. However, the influence of the classics on rock music is pervasive and grows from a long line of precedents. This second supplement to Janell R. Duxbury's original 1985 discography, Rockin' the Classics and Classicizin' the Rock, brings the earlier work and first supplement up-to-date with hundreds of new entries documenting recently released or newly discovered examples of the interconnection between these musical genres. Duxbury details nearly 700 new examples of recorded rock instrumentals and songs that borrow musical themes from the classics. Variations range from contemporary renditions of complete classical works to brief classical quotes or phrases subtly incorporated into rock compositions. Duxbury also gives additional examples of recorded orchestral versions of songs originally composed and/or written by rock artists. In these examples, the musical style varies from strict classical interpretations to pop-style orchestral renditions. The second supplement then expands Duxbury's original compilation of sound recordings and live performances of rock groups performing with established orchestras and choruses, selected samples of recorded rock music that simulate baroque or classical sound/structure, examples of the manifest influence of rock on classical music, and instances of rock artists and classical artists switching roles. Lastly, this discography updates the 1985 version and the first supplement with new information, expanded details, and minor corrections to the earlier works. An extended list of selected non-rock background examples is included in several new appendixes. The Preface is updated. A general index includes the names of classical composers, rock artists and groups, orchestras, choruses, orchestra conductors, sound recording producers, and song or instrumental titles. With its incomparable scope and content, this supplement, together with Duxbury's previous discography, and its first supplement will be appreciated by students, researchers, record collectors, trivia buffs, music industry employees, and fans of rock music and the classics.

This is the first authoritative study of the music, history and culture of progressive rock, a genre remembered for its virtuoso guitar solos and massive stage shows. Among the bands covered are Jethro Tull, Genesis, Yes, and Pink Floyd.

Duxbury attempts to document the connections between the rock and classical music genres by listing recorded examples of rock instrumentals and songs that borrow from the classics, and orchestral versions of songs originally composed and/or recorded by rock musicians. . . . There are appendices of `selective' lists: big-band versions of the classics, etc. The general index includes the names of classical composers, rock groups and artists, orchestras, choruses, conductors, producers, and song titles. . . . The selective nature of the work might make it less appropriate for scholars, but it will interest and amuse fans and general readers. Recommended for collections specializing in popular music. Choice

Each of the essays in this serious study and analysis of rock music is written by one of musicology's best young scholars. The essays cover bands like The Grateful Dead, Yes, K.D. Lang, Jimi Hendrix and The Beach Boys.

"Ken Gross is one of the premiere auto writers in the United States. This is a terrific book... a great Father's Day gift and a great read." - Jay Leno Cars and rock ‘n roll have always gone hand in hand. Whether it’s a garage band piling into some decrepit rig to get to the next gig or a killer guitar riff blasting from a Mustang, rock ‘n roll keeps us moving when we’re behind the wheel. It’s no surprise, then, that some of the music world’s big names are also serious car guys. Jimmie Vaughn, Billy Joel, Brian Johnson (AC/DC), J Geils, Brad Whitford (Aerosmith), and others each spend as much time behind the wheel as they can. Hot rods, customs, muscle cars, motorcycles, race cars, and sports cars—the variety of vehicles is as eclectic as rock ‘n roll itself. Rockin’ Garages showcases top performers, their cars, and their garages. Authors Tom Cotter and Ken Gross profile each musician, revealing the story behind their moto-lust and what drives their car collecting. Each profile is complemented by Michael Alan Ross’ top-notch photography. Rockin’ Garages puts you behind the wheel with some of your favorite musicians.