This collection brings new voices and new perspectives to the study of popular—and particularly rock—music. Focusing on a variety of artists and music forms, Rock Over the Edge asks what happens to rock criticism when rock is no longer a coherent concept. To work toward an answer, contributors investigate previously neglected genres and styles, such as “lo fi,” alternative country, and “rock en español,” while offering a fresh look at such familiar figures as Elvis Presley, the Beatles, and Kurt Cobain. Bridging the disciplines of musicology and cultural studies, the collection has two primary goals: to seek out a language for talking about music culture and to look at the relationship of music to culture in general. The editors’ introduction provides a backward glance at recent rock criticism and also looks to the future of the rapidly expanding discipline of popular music studies. Taking seriously the implications of critical theory for the study of non-literary aesthetic endeavors, the volume also addresses such issues as the affective power of popular music and the psychic construction of fandom. Rock Over the Edge will appeal to scholars and students in popular music studies and American Studies as well as general readers interested in popular music. Contributors. Ian Balfour, Roger Beebe, Michael Coyle, Robert Fink, Denise Fulbrook, Tony Grajeda, Lawrence Grossberg, Trent Hill, Josh Kun, Jason Middleton, Lisa Ann Parks, Ben Saunders, John J. Sheinbaum, Gayle Wald, Warren Zanes

In 1991, the body of Melody Sue Wuertz and her baby were found viciously mutilated; a satanic symbol carved into Wuertz's stomach. The murderer was Jimmie Ray Slaughter, an army veteran, trusted nurse, and devoted family man. Yet, he was also an avowed Satanist who had seduced scores of young women. Wuertz had been one of his lovers; the slain infant was his daughter. Here is the story of Slaughter, including eight pages of photos.

Suzanne Brockmann has taken romantic suspense by storm with her action-packed thrillers. Now she has written the most gripping novel of her career–an unforgettable story of an explosive hostage situation in which two people are caught between the call of duty and the lure of destiny. Her passion is flying. As one of the best helicopter pilots in the naval reserves, Lieutenant Teri Howe is strong, dedicated, and highly skilled–until a past mistake surfaces, jeopardizing everything she’s worked for. Rock steady Senior Chief Stan Wolchonok has made a career of tackling difficult challenges. So it’s no surprise when he comes to Teri’s aid, knowing that his personal code of honor–and perhaps his heart–will be at risk. But when a jet carrying an American senator’s daughter is hijacked, Stan’s unflinching determination and Teri’s steadfast courage are put to the ultimate test. The rescue mission will be daring and dangerous. But somewhere between peril and resolution, the line between friends and lovers begins to blur, pushing both their lives over the edge. . . .

CLOSE TO THE EDGE: HOW YES' MASTERPIECE DEFINED PROG ROCK

Recounting the adventures of seven decades, Jim Whittaker claims he is a man blessed often by fortune. Yet his is a life of both planned ascents and unplanned falls, in the mountains and in the world of business, and in his personal life. He believes in rising above life's reverses.

Journalist Aaron Smith's new memoir holds up a unique mirror to Australia. What he sees is at once amazing, disturbing and revealing. The Rock explores the failings of our nation's character, its unresolved past and its uncertain future from the vantage point of its most northerly outpost, Thursday Island. Smith was the last editor, fearless journalist and the paperboy of Australia's most northerly newspaper, the Torres News, a small independent regional tabloid that, until it folded in late 2019, was the voice of a predominantly Torres Strait Islander and Aboriginal readership for 63 years across some of the most remote and little understood communities in Australia. The Rock is a story of self-discovery where Smith grapples to understand a national identity marred by its racist underbelly, where he is transplanted from his white-boy privileged suburban life to being a racial and cultural minority, and an outsider. Peppered with his experiences, Smith gradually and sensitively becomes embedded in island life while vividly capturing the endless and often farcical parade of personalities and politicians including Scott Morrison and Tony Abbott. Smith pulls no punches while he reflects on the history of Terra Australis incognita, dissecting what is truly Australia, and its gaping cultural and moral divide. 'A credit to regional journalism, Aaron carried on the fine tradition of the Torres News holding governments to account and telling stories of everyday life in the Straits, never shying away from controversies, lifting all the rocks and even out foxing prime minister Tony Abbott on his visit to Mabo's grave.' — Stefan Armbruster, SBS 'Aaron Smith makes a huge and extremely valuable contribution to journalism in Australia. With insight and committment he brings issues of national and international significance to audiences in Australia and beyond.' — Dr Tess Newton Cain, Griffith Asia Institute 'Aaron's journalism has provided a rare and valuable insight into issues affecting the Torres Strait Islander community. Navigating cultural protocols and geographical challenges, he has given a voice to some of Australia's most marginalised people and shared important stories that would otherwise have gone unheard.' — Ella Archibald-Binge, Sydney Morning Herald

Originally published in hardcover in the United States by Villard Books, a division of Random House, Inc., Chapter 28 originally published by Random House Australia.