In an easy-to-reference format, the next best thing to attending a one-on-one watercolor workshop.

Teaches artists to paint what they see (and what they want to see) with confidence -- by taking artists into the realm of exploring their feelings about what they see in order to clarify the focus of a painting.

A prominent artist explains techniques of planning, design, and surface variation, providing practice exercises for each concept.

For more than 200 years the world has accepted that red, yellow and blue - the artists primaries - give new colours when mised. And for more than 200 years artists have been struggling to mix colours on this basis. In this exciting new book, Michael Wilcox offers a total reassessment of the principles underlying colour mixing. It is the first major break-away from the traditional and limited concepts that have caused painters and others who work with colour so many problems. Back Cover.

Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.

Watercolor for the fun of it, perfect for beginners!

The author shows how it is possible to transcend the principles of technique and take painting to a higher plateau--where passion is awakened every time a brush is picked up. Includes: generating ideas; presenting a unified message; achieving volume and depth; injecting emotion; manipulating light and dark; interpreting and abstracting; developing personal style; & pulling the painting together--Cover.