It Took One Week To Kill Her. . . Restaurant manager Lisa Kimmell had been driving for hours to visit her family in Montana. She never arrived. Eight days later, her body was found floating in the North Platte River. . . .And Fifteen Years To Catch Him. The police knew Lisa had been tortured and raped for a week before she was finally murdered. But they had no suspects, no witnesses, no clues. Just a strange handwritten letter left on her gravestone. . . But The Pain Would Last Forever. . . Lisa's murder was never solved--and her car never found--until new DNA technology led police to Dale Wayne Eaton. Fifteen years had passed since Eaton kidnapped his unlucky victim at a Wyoming rest stop. But now police had forensic evidence, handwriting samples, and most incredibly: Lisa's car buried in the killer's yard. Eaton's capture shed horrifying new light on a series of unsolved disappearances. Were they the work of a serial killer? Dale Wayne Eaton's trial revealed a twisted loner driven by dark appetites--a monster without remorse. With 16 Pages Of Shocking Photos

Focusing on the conquest of Mexico, the British onslaught on the Tasmanian Aborigines, the uprooting of the Apaches, and the German campaign against the tribes of southwest Africa, Cocker illuminates the fundamental experiences that underlie colonial expansion around the globe.

The culmination of years of fieldwork in southern Malawi, River of Blood reconstructs the beginnings of the Mbona martyr cult, follows its history to the present day, and reveals the fascinating intersections of an indigenous belief system with European Christianity. In the cult of Mbona, the central African mythology of the snake that is beheaded to make the rains come has been combined with a more spiritual interpretation: the snake has been transformed into a human martyr and redeemer. According to the cult, the rainmaker Mbona was tracked down by his enemies; they cut off his head, and his blood formed the River of Blood. Mbona returned as a storm wind and asked that a shrine be dedicated in his name. J. Matthew Schoffeleers recounts how the Portuguese presence in Zambezia in the period 1590-1622 led to more than three decades of internecine warfare and caused the people of southern Malawi tremendous suffering. In response to this political oppression and social upheaval, Schoffeleers shows, the people looked to Mbona, their "black Jesus," for redemption. Beyond reconstructing the cult's genesis, Schoffeleers traces its recent history, particularly in political context. He provides texts of seven cult myths from different historical periods in both Chimang'anja and English. His analysis presents the Mbona myth as a continuous social construction and deconstruction. Emphasizing the impact of political and spiritual oppression on the cult, he distinguishes between the differing versions of the myth preserved by the aristocracy and by the commonalty and demonstrates how these disparate views unite to preserve historical information. In so doing, he shows that cults serve as valuable repositories for historical information.

In the second half of the tenth century, Byzantium embarked on a series of spectacular conquests: first in the southeast against the Arabs, then in Bulgaria, and finally in the Georgian and Armenian lands. By the early eleventh century, the empire was the most powerful state in the Mediterranean. It was also expanding economically, demographically, and, in time, intellectually as well. Yet this imperial project came to a crashing collapse fifty years later, when political disunity, fiscal mismanagement, and defeat at the hands of the Seljuks in the east and the Normans in the west brought an end to Byzantine hegemony. By 1081, not only was its dominance of southern Italy, the Balkans, Caucasus, and northern Mesopotamia over but Byzantium's very existence was threatened. How did this dramatic transformation happen? Based on a close examination of the relevant sources, this history-the first of its kind in over a century-offers a new reconstruction of the key events and crucial reigns as well as a different model for understanding imperial politics and wars, both civil and foreign. In addition to providing a badly needed narrative of this critical period of Byzantine history, Streams of Gold, Rivers of Blood offers new interpretations of key topics relevant to the medieval era. The narrative unfolds in three parts: the first covers the years 955-1025, a period of imperial conquest and consolidation of authority under the great emperor Basil "the Bulgar-Slayer." The second (1025-1059) examines the dispersal of centralized authority in Constantinople as well as the emergence of new foreign enemies (Pechenegs, Seljuks, and Normans). The last section chronicles the spectacular collapse of the empire during the second half of the eleventh century, concluding with a look at the First Crusade and its consequences for Byzantine relations with the powers of Western Europe. This briskly paced and thoroughly investigated narrative vividly brings to life one of the most exciting and transformative eras of medieval history.

Two sisters must fight to the death to win the crown in this first installment of a gripping, action-packed duology set in an ancient North African-inspired fantasy world. Now in paperback. Sixteen-year-old Eva is a princess, born with the magick of blood and marrow--a dark and terrible magick that hasn't been seen for generations in the vibrant but fractured country of Myre. Its last known practitioner was Queen Raina, who toppled the native royalty and massacred thousands, including her own sister, eight generations ago, thus beginning the Rival Heir tradition. Living in Raina's long and dark shadow, Eva must now face her older sister, Isa, in a battle to the death if she hopes to ascend to the Ivory Throne--because in the Queendom of Myre only the strongest, most ruthless rulers survive. A River of Royal Blood is an enthralling debut set in a lush ancient North African inspired fantasy world that subtly but powerfully challenges our notions of power, history, and identity.

In the late 1930s, the federal government embarked on an unusual project. As a part of the Works Progress Administration's efforts to give jobs to unemployed Americans, government workers tracked down 3,000 men and women who had been enslaved before and during the Civil War. The workers asked them probing questions about slave life. What did they think about their slaveholders? What songs did they sing? What games did they play? Did they always think about escaping? The result was a remarkable compilation of interviews known as the Slave Narratives. This book highlights those narratives--condensing tens of thousands of pages into short excerpts from about 100 former slaves and pairs their accounts with their photographs, taken by the workers sent to record their stories. The book documents what slaves saw and remembered, and explains how they lived. It is an eye-opening account that details what it was like to be a slave--from everyday life to the overwhelming fear they harbored for their lives and for the lives of their family and loved ones. Their stories are clear and stirring. For some reason, the 700 photographs taken for the Slave Narrative Collection have been largely overlooked. The negatives are missing and the paperclip impressions used to attach the small prints to the typewritten interviews indicates that the photos were never valued or treated as art. By pairing 100 narratives and photographs, the material takes on a new life. Every word from every former slave comes alive when the reader can see exactly who told these accounts. The photographs--with the stories--are essential in helping us understand the humanity behind these stories. The words take on new meeting paired with the photographs. When you hear Bill Homer explain that he was given as a wedding present at the age of ten in 1860 and look at his photograph as a proud old man, the true meaning of slavery starts to sinks in. This book is designed so that all Americans will better understand this issue that plays such an important role in present day society. The words and the photographs are profound.

THE BLOOD RUNS LIKE A RIVER THROUGH MY DREAMS transports readers to the majestic landscapes and hard Native American lives of the desert Southwest and into the embrace of a way of looking at the world that seems almost like revelation. Born to a storytelling Native mother and a roughneck, song-singing cowboy father, Nasdijj has lived on the jagged-edged margins of American society, yet hardship and isolation have only brought him greater clarity--and a gift for language that is nothing short of breathtaking. Nasdijj tells of his adopted son, Tommy Nothing Fancy, of the young boy's struggle with fetal alcohol syndrome, and of their last fishing trip together. It is a heartbreaking story, written with great power and a diamondlike poetry. But whether Nasdijj is telling us about his son, about the chaotic, alternately harrowing and comical life he led with his own parents, or about the vitality and beauty of Native American culture, his voice is always one of searching honesty, wry humor, and a nearly cosmic compassion. While Nasdijj struggles with his impossible status as someone of two separate cultures, he also remains a contradiction in a larger sense: he cares for those who often shun him, he teaches hope though he often has none for himself, and he comes home to the land he then must leave. THE BLOOD RUNS LIKE A RIVER THROUGH MY DREAMS is the memoir of a man who has survived a hard life with grace, who has taken the past experience of pain and transformed it into a determination to care for the most vulnerable among us, and who has found an almost unspeakable beauty where others would find only sadness. This is a book that will touch your soul.