When discussing unsolved murders of women in late Victorian London, most people think of the depredations of Jack the Ripper, the Whitechapel Murderer. But he was just one of a string of phantom murderers whose unsolved slayings outraged late Victorian Britain. The mysterious Great Coram Street, Burton Crescent and Euston Square murders were talked about with bated breath, and the northern part of Bloomsbury got the unflattering nickname of the ‘murder neighbourhood’ thanks to its profusion of unsolved mysteries. Marvel at the convoluted Kingswood Mystery, littered with fake names and mistaken identities; be puzzled by the blackmail and secret marriage in the Cannon Street Murder; and shudder at the vicious yet silent killing in St Giles that took place in a crowded house in the dead of night. Rivals of the Ripper is the first to resurrect these unsolved Victorian murder mysteries, and to highlight the ghoulish handiwork of the Rivals of the Ripper: the spectral killers of gas-lit London.

When Jack the Ripper first prowled the streets of London, an evening newspaper commented that his crimes were as ghastly as those committed by Eliza Grimwood's murderer fifty years earlier. Hers is arguably the most infamous and brutal of all nineteenth-century London killings. Eliza was a high-class prostitute, and on 26 May 1838, following an evening at the theatre, she brought a 'client' back to her home in Waterloo Road. The morning after, she was found with her throat cut and her abdomen viciously 'ripped'. The client was nowhere to be seen. The ensuing murder investigation was convoluted, with suspects ranging from an alcoholic bricklayer to a royal duke. Londoners from all walks of life followed the story with a horror and fascination – among them Charles Dickens, who took inspiration from Eliza's death when he wrote the murder of Nancy in Oliver Twist. Despite this feverish interest, the case was left unsolved, becoming the subject of 'penny dreadfuls' and urban legend. Unusually for a crime of this early period, the diary of the police officer leading the investigation has been preserved for posterity, and Jan Bondeson takes full advantage of this unique access to a Victorian murder inquiry. Skilfully dissecting what evidence remains, he links this murder with a series of other opportunist early Victorian slayings, and, in putting forward a credible new suspect, concludes that the Ripper of Waterloo Road was, in fact, a serial killer claiming as many as four victims.

Does this long-forgotten novel hold the key to the mystery of the Whitechapel Murders of 1888?

Award-winning author Givens brings to life the passion and political treachery of 14th-century Scotland, after a dynastic feud for the crown explodes into a war for Scottish independence.

Reminiscent of the works of James Rollins, Preston and Child and Matthew Reilly, "Ripper" is the latest in an action-packed series about the nation's most secret agency and secret papers that link a mutant gene to Jack The Ripper.

John George Haigh committed five perfect murders – by dissolving his wealthy victims in sulphuric acid. Then he tipped away the resultant soup to avoid detection on a 'no body, no murder' principle and used his victims' property to fund his luxury lifestyle of silk ties and flashy cars. Murder number six was less than perfect. When a guest in Haigh's hotel disappeared, the police found half-dissolved body parts carelessly thrown into the yard outside his secluded workshop. But was the urbane Mr Haigh, the man brought up by strict Plymouth Brethren parents in Yorkshire and dressed like a city stockbroker, really the monster he said he was? Did he really kill six innocent people just so he could drink their blood? Using unpublished archive papers, including recently released letters Haigh wrote from prison while awaiting execution, author Gordon Lowe sheds light on whether Haigh's claims were a cynical ploy for a ticket into Broadmoor Hospital, or if he was a psychopathic vampire with a penchant for disposing of his victims in acid.