Living and working among the Tz'utujil Maya people of Santiago Atitlán in highland Guatemala for some fifteen years, Vincent Stanzione has observed, photographed, and participated in their ritual and ceremonial life, which he describes with unique authority in this account of the continuities in Mayan culture from pre-Columbian times to the present. "This book represents both a confirmation and an innovation in the scholarship and field work about the religious imagination and rites of passage of Maya peoples. I know of no book that is as able to a) link the pre-Hispanic, colonial and contemporary religious practices of these peoples into a coherent narrative, b) combine anthropological/religious studies theory with linguistics and ongoing field work as creatively and c) illuminate the debate between models of 'syncretism' and 'transculturation' about a contemporary ritual cycle as Stanzione's beautifully illustrated work."--David Carrasco, Harvard University

This book examines Maya sacrifice and related posthumous body manipulation. The editors bring together an international group of contributors from the area studied: archaeologists as well as anthropologists, forensic anthropologists, art historians and bioarchaeologists. This interdisciplinary approach provides a comprehensive perspective on these sites as well as the material culture and biological evidence found there

Welcome to the terrifying world of ritual sacrifice. Around the world, humans are being trafficked, kidnapped, sold, and enslaved for the specific purpose of sacrifice. Mass-scale migration has seen these gruesome techniques exported from the land of the Aztecs and finding their way to the United States, Britain, and many other locations worldwide. Voodoo priests in London have been linked to ritual murders, and not long ago a Palo Mayombe priestess’s New York City apartment yielded its grisly secrets. One New Jersey investigator says that sacrificial rites are not only going on today, but can be traced back ninety years in the States alone. Jimmy Lee Shreeve takes us on a nightmare journey, following the initial investigations of Scotland Yard into the murder of a five-year-old boy whose torso was found floating in the Thames in 2001, and traveling to Africa to unveil a grim trade of exporting humans for sacrifice. He uncovers the dark side of voodoo and muti magic, linked with a score of sacrifices and murders, and in Mexico, finds a devotee of Palo Mayombe responsible for torturing his victims and boiling them in a cauldron. Along the way, Shreeve brings his own brand of offbeat detective skills to the fore, providing startling conclusions to some of the world’s most horrific murders. Brutal and disturbing, Human Sacrifice takes us into the dark world of twenty-first-century ritual murder.

The principle of sacrifice is as old as human life itself. This book provides an overview of sacrificial practices around the world since prehistoric times. It also examines the reasons behind these rituals, and in the case of human sacrifice an attempt is made to understand the mentality of the 'victims' who often willingly went to their deaths.

Experts from different disciplines present new insights into the subject of ritual homicide in various regions of the ancient world.

In Sacrifice in Modernity: Community, Ritual, Identity it is demonstrated how sacrificial themes remain an essential element in our post-modern society.

In this fascinating volume, acclaimed theatre historian Erika Fischer-Lichte reflects on the role and meaning accorded to the theme of sacrifice in Western cultures as mirrored in particular fusions of theatre and ritual. Theatre, Sacrifice, Ritual presents a radical re-definition of ritual theatre through analysis of performances as diverse as: Max Reinhardt's new people's theatre the mass spectacles of post-revolutionary Russia American Zionist pageants the Olympic Games. In offering both a performative and a semiotic analysis of such performances, Fischer-Lichte expertly demonstrates how theatre and ritual are fused in order to tackle the problem of community-building in societies characterised by loss of solidarity and disintegration, and exposes the provocative connection between the utopian visions of community they suggest, and the notion of sacrifice. This innovative study of twentieth-century performative culture boldly examines the complexities of political theatre, propaganda and manipulation of the masses, and offers a revolutionary approach to the study of theatre and performance history.