A photographic celebration of the return of otters to our rivers and freshwater wetlands after a drastic decline. Ripples of excitement are spreading through Europe's rivers and wetlands. A generation ago, otter watching was a wildlife highlight restricted to remote coastal areas – otter populations had been decimated over the previous century by pesticide poisoning and habitat disturbance. Now we are seeing the positive effect of determined conservation efforts over recent decades. As our waterways improve, otters are returning and spreading throughout their former habitats. One of the UK's leading natural history photographers, Laurie Campbell got to know otters while working in Scotland's Highlands and Islands, but he had never seen these elusive predators on his home beat. Then, in the early 1990s, he was delighted to find otters back on the Tweed and its tributaries, a river system he has lived close to for most of his life. The discovery launched him on a quest to create a photographic account of their lives on his home river. More than two decades later, otter numbers continue to increase, and new generations of otters have become more confident around people, sometimes appearing in broad daylight and in town centres. Laurie continues his long-standing study, still photographing the otters through the changing seasons – always with an eye on the bigger picture of the river itself and the plants and animals that share the otters' habitat. Wildlife journalist and writer Anna Levin accompanies Laurie to the riverbank and learns of his working philosophy and fieldcraft. Together they weave a wealth of information into the stories that the pictures tell. While extracts from Anna's notebooks offer a vivid glimpse of the photographer at work and the otters that enchant them both.

How might a small decision you make, an action you take, a phone call you initiate change your path? Impact other lives? Months after spying a bottle wedged into a fallen cottonwood snag in the Columbia River, Ernest pulls it from the river. The bottle's note connects Ernest, an old man living in a tiny Oregon town, to teenage Annie, provoking a mysterious and sudden friendship between Ernest's daughter Amelia with Sarah, the daughter of the most recent resident of the home Annie once occupied. The two middle-aged women's quest to learn more about Annie and her secret introduces readers to stories about family members through backstory, and introduces new characters, all connected through the finding of the bottle. Together, Amelia and Sarah explore their unfinished business with their mothers, intimate relationships, and regrets over life choices as they embark on their personal searches for something bigger in their very different lives.

After six years of economic development work in Africa, Ernesto Sirolli witnessed how little most foreign aid programs were actually doing for the people they hoped to help-from creating a communal tomato field on the banks of the Zambezi river (only to be demolished by the river's hippos at harvest time) to donating snow-plows to African nations! However well intentioned, Sirolli points out, inappropriate development often creates more problems than it solves. Thus was the genesis of this exciting and unique alternative to traditional economic development termed "Enterprise Facilitation"- where depressed communities can build hope and prosperity by first helping individuals to recognize their talents and business passion, and then providing the skills to transform their dreams into meaningful and rewarding work.

"Alex Prud'homme's remarkable work of investigative journalism shows how fresh water is the pressing global issue of the twenty-first century"--

“The Graces demands to be read twice: The first time for the suspense; the second for the subtleties you missed initially.” —The New York Times Book Review Everyone loves the Graces. Fenrin, Thalia, and Summer Grace are attractive, rich, and glamorous, and they’ve cast a spell over their high school—and their entire town. They’re also rumored to have powerful connections all over the world. If you’re not in love with one of them, you want to be one of them. This is especially true for River, the new girl at school. River’s different from the rest of the horde that both revere and fear the Grace family. She’s dark, aloof, and just maybe . . . magical. And she wants to be a Grace more than anything. But what the Graces don’t know is that River’s presence in their town is no accident. The first rule of witchcraft is that if you want something bad enough, you can get it . . . no matter who has to pay. “A teenage girl becomes obsessed with a family of reputed witches . . . vivid . . . powerful.” —Kirkus Reviews (starred review) “Eve conjures up an intriguing vision of small-town mystique, with the Grace family depicted as unknowable and otherworldly—the mystery of whether magic is at play hangs over much of the story—and self-involved, obsessive River’s less-than-trustworthy narration adds to the air of uncertainty.” —Publishers Weekly

"River Dialogues is an ethnographic engagement with social movements contesting hydroelectric development on River Ganges"--Provided by publisher.

This Novel Is Based Mainly On The Encounters Of A South African Born Indian Girl, Who Visits India And Is Treated To A Chain Of Ordeals Which Impair Her Vistas Around The Nature Country And People. This Novel Has Been Acclaimed As One Of The Best Contemporary Novels In Modern Tamil Literature, For Its Realism, Narrative Power, Artistic Presentation And The Deep Insight Into The Life Of Tamils In South Africa.