In 'The Photography Workshop Series', Aperture Foundation works with the world's top photographers to distill their creative approaches, teachings, and insights on photography - offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography.00In this book, Richard Misrach - well known for his sublime and expansive landscapes that focus on the relationship between humans and their environment - offers his insight on creating photographs that are visually beautiful and have cultural implications. Through images and words, he shares his own creative process and discusses a wide range of issues, from the language of color photography and the play of light and atmosphere, to transcending place and time through metaphor, myth, and abstraction.

Richard Misrach has redefined contemporary landscape photography with his images of the splendor and destruction of the American West. Each of his "cantos" considers another chapter in the epic story of humankind and the land. Far from the edenic pristine landscapes of early practitioners such as Carleton Watkins, Eadweard Muybridge, and Ansel Adams, Misrach's compelling and often troubling images of the American West pose important questions about human impact on the natural world. Beneath the remarkable beauty of Misrach's color photographs are scenes of floods, fires, nuclear testing grounds, dead animals, and the debris of society. The photographs in The Sky Book comprise Richard Misrach's most recent, most ambitious series, which transposes his narrative from the land to the sky. The images mediate between document and abstraction, reality and metaphor. Drawing on photography's documentary tradition, Misrach contextualizes each photograph with respect to time and place, rooting the celestial realm firmly in the earthly and political one. In this way, his images are reminiscent of the efforts of nineteenth-century expeditionary photographers to record the natural resources of the frontier. At the same time, Misrach's sky pictures are a quiet meditation and a study of ephemerality, light, and color. They evoke a legacy of abstraction in art and photography that includes Alfred Stieglitz's "Equivalents" and Mark Rothko's color field paintings.

In The Photography Workshop Series, Aperture Foundation works with the world's top photographers to distill their creative approaches, teachings, and insights on photography- offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Each volume is introduced by a well-known student of the featured photographer. In this book, Mary Ellen Mark-well-known for her pictures' emotional power, be they of people or animals-offers her insight on observing the world and capturing dramatic moments that reveal more than the reality at hand. Through words and pictures, she shares her own creative process and discusses a wide range of issues, from gaining the trust of the subject and taking pictures that are controlled but unforced, to organizing the frame so that every part contributes toward telling the story.

"The photographs in this volume are untitled: they are presented in chonological order from November 20, 2011, 4:07 p.m. to January 28, 2014, 1:12 p.m."--Colophon.

Richard Misrach, one of photography's contemporary masters, is renowned for his beautifully rendered epic works. This massive, 20 by 16 inch monograph features the long-awaited publication of a spectacular series in which Misrach hones in on the delicate relationship between humans and the sea.Aperture

Since the publication of Richard Misrach's bestselling and critically acclaimed publication On the Beach, he has continued to photograph at the same location, building a body of work that has been exhibited as On the Beach 2.0--a reference to the technological and optical developments that have made the intensely detailed, exquisitely rendered depictions possible. The Mysterious Opacity of Other Beings focuses less on the abstraction of water, sand and mote-sized figures, instead honing in on the gestures and expressions of bathers adrift in the ocean. Misrach has rarely ventured into portraiture; this work is his first to focus exclusively on the human figure. Each photograph features one or more individuals crisply rendered from a distance, as they seem to levitate among turquoise waves, isolated from everything save the shifting patterns of the ocean. There is ambiguity and a sense of the uncanny in the figures suspended in the water: are they approaching the shore or moving away from it? Each image is presented both as full frame and as a series of enlarged details that enable the viewer to linger on each individual's surrender of their body to the sea.

Pictures of different messages left on buildings and debris after the destruction of Hurricane Katrina.