In the aftermath of the May Fourth movement, a growing expectation of revolution raised important intellectual issues about the position of the individual within a society in turmoil and the shifting boundaries of political and sexual identities. The theme of "revolution plus love," a literary response to the widespread insurrections and upheaval, was first popularized in the late 1920s. In her examination of this popular but understudied literary formula, Liu Jianmei argues that revolution and love are culturally variable entities, their interplay a complex and constantly changing literary practice that is socially and historically determined. Liu looks at the formulary writing of "revolution plus love" from the 1930s to the 1970s as a case study of literary politics. Favored by leftist writers during the early period of revolutionary literature, it continued to influence mainstream Chinese literature up to the 1970s. By drawing a historical picture of the articulation and rearticulation of this theme, Liu shows how changes in revolutionary discourse force unpredictable representations of gender rules and power relations, and how women's bodies reveal the complex interactions between political representation and gender roles. Revolution Plus Love is a nuanced and carefully considered work on gender and modernity in China, unmatched in its broad use of literary resources. It will be of considerable interest to scholars and students of modern Chinese literature, women’s studies, cultural studies, and comparative literature.

From New York Times bestselling and award-winning author Renée Watson comes a love story about not only a romantic relationship but how a girl finds herself and falls in love with who she really is. When Nala Robertson reluctantly agrees to attend an open mic night for her cousin-sister-friend Imani's birthday, she finds herself falling in instant love with Tye Brown, the MC. He's perfect, except . . . Tye is an activist and is spending the summer putting on events for the community when Nala would rather watch movies and try out the new seasonal flavors at the local creamery. In order to impress Tye, Nala tells a few tiny lies to have enough in common with him. As they spend more time together, sharing more of themselves, some of those lies get harder to keep up. As Nala falls deeper into keeping up her lies and into love, she'll learn all the ways love is hard, and how self-love is revolutionary. In Love Is a Revolution, plus size girls are beautiful and get the attention of the hot guys, the popular girl clique is not shallow but has strong convictions and substance, and the ultimate love story is not only about romance but about how to show radical love to the people in your life, including to yourself.

This book is an engagingly written critical genealogy of the idea of "love" in modern Chinese literature, thought, and popular culture. It examines a wide range of texts, including literary, historical, philosophical, anthropological, and popular cultural genres from the late imperial period to the beginning of the socialist era. It traces the process by which love became an all-pervasive subject of representation and discourse, as well as a common language in which modern notions of self, gender, family, sexuality, and nation were imagined and contested. Winner of the Association for Asian Studies 2009 Joseph Levenson Book Prize for the best English-language academic book on post-1900 China

In Revolution and Form, Jianhua Chen offers a detailed analysis of several early works by Mao Dun, focusing in particular on their engagement with themes of modernity and revolution, gender and desire.

Published in China in 2010, Revolution and Its Narratives is a historical, literary, and critical account of the cultural production of the narratives of China's socialist revolution. Through theoretical, empirical, and textual analysis of major and minor novels, dramas, short stories, and cinema, Cai Xiang offers a complex study that exceeds the narrow confines of existing views of socialist aesthetics. By engaging with the relationship among culture, history, and politics in the context of the revolutionary transformation of Chinese society and arts, Cai illuminates the utopian promise as well as the ultimate impossibility of socialist cultural production. Translated, annotated, and edited by Rebecca E. Karl and Xueping Zhong, this translation presents Cai's influential work to English-language readers for the first time.

This volume has brought together essays to explore, analyse and interpret the revolutionary tradition in modern Chinese literature over the past century from various angles. The authors examines the bodily or carnal dimension, especially the hidden implication of sexual passion, in revolutionary literature, formulate feminist critiques of the conception of women in literary expressions of revolution, explore the function of revolution as historical discourse and in historiographical representation, and discuss the reworking of “revolutionary classics” in recent literary and artistic endeavours. Here, revolution (in history and in literature) is conceptualized neither as an unquestionably progressive and creative force for a new world, nor an absolutely pejorative concept that necessarily leads to sociopolitical turmoil and tragedy. Insofar as “postrevolutionary writings” cannot but reappropriate the revolutionary spirit as their unavoidable and inseparable traumatic kernel, studies in revolutionary literature and culture, too, go through the zigzag experience of revolution in order to scrutinize its complex implications.

This book explores how political, economic, social, cultural and technological forces are (re)shaping the meanings of love and intimacy in China's public culture. It focuses on a range of cultural and media forms including literature, film, television, music and new media, examines new cultural practices such as online activism, virtual intimacy and relationship counselling, and discusses how far love and romance have come to assume new shapes and forms in the twenty-first century. Love Stories in China offers deep insights into how the huge transformation of China over the last four decades has impacted the micro lives of ordinary Chinese people.